Institutions and innovation: experimental zoology and the creation of the British Journal of Experimental Biology and the Society for Experimental Biology

2011 ◽  
Vol 46 (1) ◽  
pp. 73-95 ◽  
Author(s):  
STEINDÓR J. ERLINGSSON

AbstractThis paper throws light on the development of experimental zoology in Britain by focusing on the establishment of the British Journal of Experimental Biology (BJEB) and the Society for Experimental Biology (SEB) in 1923. The key actors in this story were Lancelot T. Hogben, Julian S. Huxley and Francis A.E. Crew, who started exploring the possibility of establishing an experimentally oriented zoological journal in 1922. In order to support the BJEB and further the cause of the experimental approach, Hogben, Crew, Huxley and their colleagues decided to found a society, which led to the formation of the SEB. From its inception the journal was plagued with difficulties that led to the merger of the BJEB and the Biological Proceedings of the Cambridge Philosophical Society in the autumn of 1925. Also discussed are the views that the leading proponents of experimental zoology in Britain in the 1920s expressed towards morphology and how their views further complicate the already much modified ‘revolt from morphology’ thesis.

Science ◽  
1923 ◽  
Vol 58 (1493) ◽  
pp. 102-102 ◽  
Author(s):  
F. A. E. Crew ◽  
W. J. Dakin ◽  
J. H. Harrison ◽  
L. T. Hogben ◽  
J. S. Huxley ◽  
...  

1923 ◽  
Vol 14 (5) ◽  
pp. 222-222
Author(s):  
F. A. E. CREW ◽  
W. J. DAKIN ◽  
J. HESLOP HARRISON ◽  
LANCELOT T. HOGBEN ◽  
JULIAN S. HUXLEY ◽  
...  

2018 ◽  
Vol 2 (1) ◽  
pp. 77
Author(s):  
Cali Prince

As a practice-led researcher traversing the multiple worlds that exist between artists, communities and institutions, I turned to poetry to begin to speak the unspeakable; to retrieve the metaphorical bones of a story that were taken out. The bones of this story came through the voices of four women who lived and worked at a site located in Western Sydney. Their stories opened a crack in the findings of the research. Unexpectedly their stories interconnected. In an emergent process rather than a predetermined one, the poetic became a way to bring some of the fragmented ‘bones’ of this story to light. A multilayered participatory process of hand making relationship maps and poetry as the final layer of this experimental approach to ethnographic inquiry, resulted in the creation of what I call ‘bone maps’ and ‘bone poems’. They have created ‘ethnographic places’ which allow for deeper inquiry into the human side of the story, interwoven with the complexity of official and often perceived more factual accounts as presented across multiple institutional narratives. I found that ethnographically based poetry, informed by earlier sensory mapping processes could reveal what more linear approaches did not. This paper introduces ‘Bone Poems’, to reveal how this experimental approach reaches ways of knowing, through metaphor, in ways that other methods do not.


Nature ◽  
1923 ◽  
Vol 112 (2804) ◽  
pp. 133-134 ◽  
Author(s):  
F. A. E. CREW ◽  
W. J. DAKIN ◽  
J. HESLOP HARRISON ◽  
LANCELOT T. HOGBEN ◽  
J. JOHNSTONE ◽  
...  

2006 ◽  
Vol 157 (7) ◽  
pp. 263-270
Author(s):  
Blaise Mulhauser ◽  
Pascal Junod

Since initial awareness at the end of the 1980s of the contribution that differentiated silviculture can make to the survival of the capercaille and hazel grouse, a steadily growing collaborative approach has developed between grouse specialists, forest owners and silvicultural professionals. The article presents the experimental approach underway in Canton Neuchâtel with the aim of promoting the revitalisation of the habitat of these bird species. Founded on the setting up of networks of the regions' populations the forestry measures aim at the creation of a structured «patchwork» environment; each essential vegetative structure of the habitat of each species constitutes a particular part of the whole.


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