A History of Law in Europe: From the Early Middle Ages to the Twentieth Century. By Antonio Padoa-Schioppa. [Cambridge University Press, 2017. xiv + 808 pp. Hardback £120. ISBN 978-11-07180-69-7.] - A Short History of European Law: The Last Two and a Half Millennia. By Tamar Herzog. [Cambridge, MA: Harvard University Press, 2018. vi + 289 pp. Hardback £20.95. ISBN 978-06-74980-34-1.]

2019 ◽  
Vol 78 (1) ◽  
pp. 224-228
Author(s):  
Joe Sampson
Author(s):  
Francesca Brooks

The early Middle Ages provided twentieth-century poets with the material to reimagine and rework local, religious, and national identities in their writing. Poet of the Medieval Modern focuses on a key figure within this tradition, the Anglo-Welsh poet and artist David Jones (1895–1974), and represents the first extended study of the influence of early medieval culture and history from England on Jones and his novel-length late modernist poem The Anathemata (1952). The Anathemata, the second major poetic project after In Parenthesis (1937), fuses Jones’s visual and verbal arts to write a Catholic history of Britain as told through the history of man-as-artist. Drawing on unpublished archival material including manuscripts, sketches, correspondence, and, most significantly, the marginalia from David Jones’s Library, Poet of the Medieval Modern reads with Jones in order to trouble the distinction we make between poetry and scholarship. Placing this underappreciated figure firmly at the centre of new developments in modernist and medieval studies, Poet of the Medieval Modern brings the two fields into dialogue and argues that Jones uses the textual and material culture of the early Middle Ages—including Old English prose and poetry, Anglo-Latin hagiography, early medieval stone sculpture, manuscripts, and historiography—to re-envision British Catholic identity in the twentieth-century long poem. In The Anathemata Jones returned to the English record to seek out those moments where the histories of the Welsh had been elided or erased. At a time when the Middle Ages are increasingly weaponized in far-right and nationalist political discourse, the book offers a timely discussion of how the early medieval past has been resourced to both shore up and challenge English hegemonies across modern British culture.


2021 ◽  
pp. 1-34
Author(s):  
Francesca Brooks

The Introduction situates David Jones’s work as a poet–artist within the broader currents of high and late modernism, particularly within the context of a tradition of medievalism in twentieth-century poetry. It draws on Alexander Nagel’s conception of the medieval modern to show how Jones approaches the culture and history of the early Middle Ages as a form of live material open to play and adaptation. The Introduction also reframes our understanding of David Jones’s perception of himself as Anglo-Welsh in relation to changing attitudes to early medieval Welsh (Celtic) and English (Anglo-Saxon/Teutonic) history over the course of his lifetime. This discussion introduces the monograph’s central argument: as a poet of the medieval modern, Jones plays with and reworks early medieval English histories, narratives, and artefacts in order to challenge the singularity and exceptionalism of an ‘Anglo-Saxon’ canon.


Author(s):  
Zielinska Teresa

The short history of service robots with its precursors is given. Next, the definition of service robot is discussed and some statistical data is given. The described history of service robots covers the ancient period with robot precursors, the middle ages, and the period of industrial revolution. The representative examples of different kinds of service robots built in the twentieth century are given. The chapter is concluded with future trends.


Author(s):  
Vittorio Hösle

This book provides an original history of German-language philosophy from the Middle Ages to today. In an accessible narrative that explains complex ideas in clear language, the book traces the evolution of German philosophy and describes its central influence on other aspects of German culture, including literature, politics, and science. Starting with the medieval mystic Meister Eckhart, the book addresses the philosophical changes brought about by Luther's Reformation, and then presents a detailed account of the classical age of German philosophy, including the work of Leibniz and Kant; the rise of a new form of humanities in Lessing, Hamann, Herder, and Schiller; the early Romantics; and the Idealists Fichte, Schelling, and Hegel. The following chapters investigate the collapse of the German synthesis in Schopenhauer, Feuerbach, Marx, and Nietzsche. Turning to the twentieth century, the book explores the rise of analytical philosophy in Frege and the Vienna and Berlin circles; the foundation of the historical sciences in Neo-Kantianism and Dilthey; Husserl's phenomenology and its radical alteration by Heidegger; the Nazi philosophers Gehlen and Schmitt; and the main West German philosophers, including Gadamer, Jonas, and those of the two Frankfurt schools. Arguing that there was a distinctive German philosophical tradition from the mid-eighteenth century to the mid-twentieth century, the book closes by examining why that tradition largely ended in the decades after World War II.


Sign in / Sign up

Export Citation Format

Share Document