The Manuscripts of Aeschylus - Aleksander Turyn: The Manuscript Tradition of the Tragedies of Aeschylus. Pp. 141. New York: Polish Institute of Arts and Sciences in America (to be ordered from Herald Square Press, Inc., 233 Spring Street, New York), 1943. Cloth, $3.00.

The Marxists had it right all along, they just got tripped up by their materialism. Early modern capitalism opened vast new worlds, particularly in the arts and sciences, only the traffic went both ways. Creative agents invented new markets and pushed commerce in directions that favored enterprises immensely cosmopolitan and innovative, often solely for the sake of beauty and display. Commerce offered a context but the nobility, and not an imagined bourgeoisie, had the edge when it came to exploiting the market for objets. Paintings could be traded for property, land, and houses. Princes could sponsor natural philosophers, and the fluidity in values meant that good investors, like good practitioners of the arts and sciences, took an interest in all aspects of learning. The interrelatedness of the representational arts and natural philosophy stands as one of the central themes in this tightly integrated collection of essays. We now have a vast historiography telling us that we should no longer teach early modern science without reference to the art of the time, and vice-versa. The point is beautifully illustrated by an exhibition recently held at the J. Paul Getty Museum in Los Angeles (spring 2002) on the art of Pieter Saenredam. Working in Utrecht in the 1630s, he used geometry to regularize and make precise the angles and corners found in the exquisite paintings he made of the city's churches. He knew as much about geometry as he did about chiaroscuro. At precisely the same moment, an hour or two away by barge, Descartes in Leiden put the final touches on his Discourse on Method (1637). In effect he explained to the world why precision and clarity of thought made possible the kind of beauty that Saenredam's paintings would come to embody.

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Źródła do odbudowy państwa polskiego w archiwach polonijnych w USA

Teka Komisji Historycznej ◽

10.18290/teka.2018.15-9 ◽

2018 ◽

Vol 15 ◽

pp. 111-136

Author(s):

Anna Krochmal

Keyword(s):

New York ◽

Los Angeles ◽

20Th Century ◽

Arts And Sciences ◽

The Face ◽

The Usa ◽

Military Mission ◽

Catholic Mission ◽

Commander In Chief

The article discusses the role of Polish and Polish diaspora organizations in the USA, and the role of their archives, libraries, and museum deposits in the study of the first years of the independent Polish state. The most important ones, created in the USA in the 19th and the 20th century by Polish immigrants, are the Józef Piłsudski Institute of America (located in New York), the Polish Institute of Arts and Sciences of America (located in New York), the Polish Army Veterans’ Association in America (located in New York), the Polish Museum of America (located in Chicago), the Polish Archive in the Polish Catholic Mission in Orchard Lake near Detroit, and the Polish Music Center in Los Angeles. The key role in the study of the restoration of the Polish state in 1918-1923 plays the Józef Piłsudski Institute of America, established on 4 July 1943 as a descendant of the Institute for Research into the Modern Polish History functioning in Warsaw between 1923 and 1939. The institute holds the so-called Belvedere Archives, saved in 1939 from Warsaw and taken from Europe to New York. It contains the documents of the Adjutancy Commander in Chief from the years 1918-1922, illustrating the struggle for the borders of the restored Polish state; documents of the Ukrainian Military Mission, showing Polish-Ukrainian cooperation in the face of the threat from Bolshevik Russia; documents from three Silesian uprisings, and archives of well-known supporters of Piłsudski, e.g. General Julian Stachiewicz and Marshal Rydz-Śmigły. Other additional sources from the years 1918-1923 are stored by Polish diaspora institutions, including priceless and understudied documents concerning the prominent composer, diplomat, and politician Ignacy Jan Paderewski, as well as unique materials concerning Polish volunteers from the USA fighting along with General Józef Haller’s so-called Blue Army.

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