scholarly journals CITIZENSHIP, WAR, AND THE ORIGINS OF INTERNATIONAL ETHICS IN AMERICAN POLITICAL PHILOSOPHY, 1960–1975

2014 ◽  
Vol 57 (3) ◽  
pp. 773-801 ◽  
Author(s):  
KATRINA FORRESTER

ABSTRACTThis article examines a series of debates about civil disobedience, conscription, and the justice of war that took place among American liberal philosophers, lawyers, and activists during the civil rights movement and the Vietnam War. It argues that these debates fundamentally reshaped American political philosophy, by shifting the focus from the welfare state to the realm of international politics. In order to chart this transition from the domestic to the international, this article focuses on the writings of two influential political theorists, John Rawls and Michael Walzer. The turn to international politics in American political philosophy has its origins, in part, in their arguments about domestic citizenship. In tracing these origins, this article situates academic philosophical arguments alongside debates among the American public at large. It offers a first account of the history of analytical political philosophy during the 1960s and 1970s, and argues that the role played by the Vietnam War in this history, though underappreciated, is significant.

Author(s):  
C. C. W. Taylor

‘The iconic Socrates’ considers Socrates’ role as a gay icon and an icon for civil disobedience. In the Platonism revival of the Florentine Renaissance, the high-minded picture of Platonic/Socratic love focused on the spiritual and intellectual perfection of the beloved, but in an alternative ancient tradition Socrates was presented as a sexual enthusiast, with a penchant for attractive boys. The context of Socrates’ emergence as a major political icon of the 20th century was provided by the US civil rights movement and the anti-Vietnam War movement, but there is no evidence that Socrates ever actually espoused civil disobedience as a political ideology or performed any act of civil disobedience. Socrates remains a pioneer of systematic ethical thought and a paragon of moral and intellectual integrity.


Author(s):  
Kirsten E. Shepherd-Barr

The decades 1960–80 witnessed a seismic shift in modern drama. The rage that came to define, and fuel, much of the drama in the 1960s and 1970s is directed at the audience. ‘Absurdism, protest, and commitment’ shows it is a post-war rage stemming from many sources: the Vietnam War, the Cold War, a feeling of betrayal by government and politicians, the Civil Rights Movement, Black Power, gay rights, feminism, the growing gap between rich and poor, and ethnic oppression. It is all about denying the audience what it expects of a play, provoking it out of real or perceived complacency, startling, and offending it. The plays of Pinter, Shepard, Beckett, Stoppard, Friel, and Fugard are discussed.


Author(s):  
Rob Christensen

This chapter provides an overview of North Carolina’s leading political family, the Scotts. It examines the rural progressivism that was a powerful influence in mid-20th century North Carolina, and how that progressivism declined with racial integration, the Vietnam War, the civil rights movement and other high-profile social issues


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