scholarly journals THE BRITISH WOMEN'S SUFFRAGE MOVEMENT AND THE PRACTICE OF PETITIONING, 1890–1914

2020 ◽  
pp. 1-25
Author(s):  
HENRY MILLER

Abstract Through an examination of the women's suffrage movement, this article reassesses the place of petitioning within late nineteenth- and early twentieth-century British political culture. While critical of their Victorian predecessors’ reliance on petitions, the Edwardian women's suffrage movement did not abandon petitioning, but reinvented it. Rather than presenting a polarized view of relations between suffragettes and suffragists, the article shows how both operated on a spectrum of direct action politics through petitioning. Militants and constitutionalists pioneered new, although different, modes of petitioning that underpinned broader repertoires of popular politics, adapting this venerable practice to a nascent mass democracy. The article then situates suffrage campaigners’ reinvention of petitioning within a broader political context. The apparent decline of petitioning, long noted by scholars, is reframed as the waning of the classic model of mass petitioning parliament associated with Victorian pressure groups. The early twentieth century was a crucial period for the reshaping of petitioning as a tool for political participation and expression through myriad subscriptional forms, rather than primarily through the medium of parliamentary petitions.

2021 ◽  
pp. 41-53
Author(s):  
A. J. Kox ◽  
H. F. Schatz

Chapter 3 explains why it is valuable to devote a separate chapter to Aletta Lorentz Kaiser. It describes Aletta’s life and intelligent and ambitious personality and highlights the position of Dutch women more generally in the late nineteenth and early twentieth century. The chapter first focuses on the limitations of Aletta’s position as a professor’s wife in small-town Leiden, unable to do any paid work herself and constrained to being “the woman behind the important man.” It shows how she managed to circumvent these constraints and how she was able to carve out a position for herself, first in charitable work on behalf of needy women and later in the early Dutch feminist movement and the national struggle for women’s suffrage.


Author(s):  
Lucy Ella Rose

Chapters 1 and 2 explore the Wattses’ and the De Morgans’ progressive socio-political positions as suffragist artists who actively supported and promoted the women’s suffrage movement that gained momentum over the late nineteenth and early twentieth centuries. It shows how they achieved this through their anti-patriarchal conjugal creative partnerships; their professional creative practices; their involvement in suffrage societies and women’s culture; and their works privileging female struggle, power and freedom. Chapter 1 focuses on Mary and George Watts. It explores the feminist dynamics of the couple’s conjugal creative partnership, their professional creative practices, and the ways in which they supported the women’s suffrage movement and women’s liberation more generally. Most notably, Mary Watts convened suffrage meetings at the Wattses’ Surrey studio-home, while George Watts was close friends with – and his art was a source of inspiration for – early feminists.


2019 ◽  
Vol 49 (2) ◽  
pp. 290-303
Author(s):  
Richard Howard

Irish science fiction is a relatively unexplored area for Irish Studies, a situation partially rectified by the publication of Jack Fennell's Irish Science Fiction in 2014. This article aims to continue the conversation begun by Fennell's intervention by analysing the work of Belfast science fiction author Ian McDonald, in particular King of Morning, Queen of Day (1991), the first novel in what McDonald calls his Irish trilogy. The article explores how McDonald's text interrogates the intersection between science, politics, and religion, as well as the cultural movement that was informing a growing sense of a continuous Irish national identity. It draws from the discipline of Science Studies, in particular the work of Nicholas Whyte, who writes of the ways in which science and colonialism interacted in late nineteenth and early twentieth-century Ireland.


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