Southeast Asia. Southeast Asia's modern architecture: Questions of translation, epistemology, and power Edited by Jiat Hwee Chang and Imran bin Tajudeen Singapore: NUS Press, 2019. Pp. xiii + 321. Illustrations, Index.

The Asian economy began to rebound in the early 2000s. Cities were, once again, expanding along with the population and industrialization. Architectural projects, after having halted for a few years, were coming back providing new opportunities for Asian practices. Sharing optimism as well as anxieties, Asian architects and scholars were looking forward to the future as well as once again taking a glimpse back at their recent architectural past, roughly from the late 19th century and throughout the 20th century. With this opportunity, they decided to take a moment to reflect on how Asian cities, landscapes, and their architectural heritage were shaped, altered, grown in the process of Asian societies embracing modernity.

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New Khmer Architecture: Modern Architecture Movement in Cambodia between 1953 and 1970

10.52200/57.a.uhkjcpeu ◽

2017 ◽

pp. 12-19

Author(s):

Pen Sereypagna

Keyword(s):

Southeast Asia ◽

Vernacular Architecture ◽

Modern Architecture ◽

Political Movements ◽

Cultural Engagement ◽

Modern Movement

This essay will exam the Modern Movement in Cambodia through architecture, known as New Khmer Architecture, from 1953 to 1970, that has distinct continuum characteristics from vernacular architecture, like other Modern Movement architecture in Southeast Asia, because of socio-political movements and cultural engagement.

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On The Possibility of an Autonomous History of Modern Southeast Asia

Journal of Southeast Asian History ◽

10.1017/s0084255900007944 ◽

1961 ◽

Vol 2 (2) ◽

pp. 73-105 ◽

Cited By ~ 2

Author(s):

John R. W. Small

Keyword(s):

Southeast Asia ◽

Contemporary History ◽

The Past ◽

History Of

It is generally accepted that history is an element of culture and the historian a member of society, thus, in Croce's aphorism, that the only true history is contemporary history. It follows from this that when there occur great changes in the contemporary scene, there must also be great changes in historiography, that the vision not merely of the present but also of the past must change.

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