Religion, Politics, and the Parish in Tudor England and Wales: A View from the Marches of Wales, 1534–1553

2011 ◽  
Vol 30 (4) ◽  
pp. 527-536 ◽  
Author(s):  
Katharine K. Olson
Keyword(s):  
Popular Culture ◽  
Early Modern ◽  
Early Modern England ◽  
History Of The Book ◽  
Reading Practices ◽  
England And Wales ◽  
Tudor England ◽  
History Of ◽  
Mary Tudor ◽  
Shed Light

Historians of early modern England benefit from a rich and varied array of contemporary accounts by individuals that shed light on the local, regional, and wider impact of religious and other policies of successive monarchs. These include the narrative of Robert Parkyn, a Yorkshire priest, of the years 1532–54, Rose Hickman's recollections of Protestant life during the reign of Mary Tudor, to the chronicle of Henry Machyn in 1550–1563, to name but a few. More broadly, too, the history of the book and its import in illuminating various aspects of medieval and early modern popular culture, devotion, piety, reading practices and other related topics has been widely recognised. They have been successfully mined in recent years by various scholars of medieval and early modern England, Ireland, and beyond, from Eamon Duffy to Salvador Ryan and Raymond Gillespie.

Uncovering the Arundel Library at the Royal Society: changing meanings of science and the fate of the Norfolk donation

1998 ◽  
Vol 52 (1) ◽  
pp. 3-24 ◽  
Author(s):  
L. V. Peck
Keyword(s):  
Early Modern ◽  
Royal Society ◽  
17Th Century ◽  
History Of The Book ◽  
British Library ◽  
Reading Practices ◽  
Early Modern Europe ◽  
Book Collecting ◽  
History Of ◽  
Modern Europe

Thomas Howard, Earl of Arundel, was the most important collector in early 17th Century Britain. Much attention has been paid to his collections of painting and sculpture, his patronage of painters such as Rubens and Van Dyck and architects such as Inigo Jones, and his search through Greece and Turkey for antiquities. Little, however, has been written on the Arundel Library, which was equally famous. The cause is not hard to find: the library has been dispersed whereas the marbles and antiquities have found a home at Oxford, the manuscripts at the British Library and the College of Arms, and the paintings and sculpture remain identifiable whether at Arundel Castle or in British, continental or American museums. Yet the Arundel Library is of great significance: to the history of book–collecting by the great bibliophiles Willibald Pirckheimer and Arundel himself; to the study of the reading practices and libraries of members of the Howard family, possibly including Henry Howard, Earl of Surrey, and, certainly, his son, Henry Howard, Earl of Northampton; and, more generally, to the history of the book in the Renaissance and early modern Europe and the concomitant study of communities of readers.

The Embalming Art in the Modern Age: The Mummies of Caroline, Letizia and Joachim-Napoleon Agar as Examples of Funerary Rites in the Napoleonic Empire

Nuncius ◽  
2012 ◽  
Vol 27 (2) ◽  
pp. 309-329 ◽  
Author(s):  
Silvia Marinozzi
Keyword(s):  
Early Modern ◽  
Early Modern Period ◽  
Systematic Investigation ◽  
Ancient Egyptian ◽  
Modern Age ◽  
Kingdom Of Naples ◽  
History Of ◽  
Funerary Rites ◽  
The Right ◽  
Shed Light

In the early 1980s a systematic investigation was begun by G. Fornaciari and his staff of a series of mummies from central and southern Italy, and in particular of important Renaissance remains. The study of a substantial number of artificial mummies has shed light on the human embalming techniques connected with the methods and procedures described by medical and non-medical authors in the early modern period. This has made it possible to reconstruct the history of the art of mummification, from the ‘clyster’ techniques to the partial or total evisceration of the corpse, to the intravascular injection of drying and preserving liquors. In addition to the bodies of Aragonese princes and members of the Neapolitan nobility, interred in the Basilica of San Domenico in Naples are the remains of important French personages dating to the modern age. Among the tombs arranged in two parallel rows to the right of the balcony are four sarcophagi containing the bodies of the wife and three children of Jean Antoine Michel Agar, who served as the Minister of Finance of the Kingdom of Naples from 1809 to 1815. The type of wrapping used for the corpses of the children presents strong analogies to those of ancient Egyptian mummies.

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