André Barbera, ed., Music Theory and Its Sources: Antiquity and the Middle Ages. (Notre Dame Conferences in Medieval Studies, 1.) Notre Dame: University of Notre Dame Press, 1990. Pp. xiv, 319; many black-and-white illustrations, charts, tables, musical examples. $49.95.

Speculum ◽  
1992 ◽  
Vol 67 (03) ◽  
pp. 769
Mediaevistik ◽  
2018 ◽  
Vol 31 (1) ◽  
pp. 459-460
Author(s):  
Jane Beal

Michelle Karnes, Associate Professor of English at the University of Notre Dame (Indiana), has produced a brilliant book that makes a major contribution to medieval studies. Like Mary Carruthers’s, The Book of Memory and The Craft of Thought, Karnes’s study of medieval imagination and cognition is paradigmatic, inspirational, and poised to be remarkably influential in the field. It makes a bold case for understanding the medieval <?page nr="460"?>concept of the imagination in Aristotelian and Augustinian terms, especially as these terms were synthesized by Bonaventure, and focuses on how meditation on the life of Christ within the imagination was seen as a path to spiritual progress: a means of connecting to the divine.


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