Fashion and freedom in the French Revolution

2000 ◽  
Vol 15 (3) ◽  
pp. 419-433 ◽  
Author(s):  
CISSIE FAIRCHILDS
Keyword(s):  
French Revolution ◽  
Individual Rights ◽  
Individual Freedom ◽  
Human Right ◽  
The French Revolution

On 8 Brumaire, year II (29 October 1793), the Convention decreed that freedom of dress was a basic human right: ‘Everyone is free to wear whatever clothing and accessories of his sex that he finds pleasing.’ This was an odd decree in many ways. It decreed as a right something we take for granted, the freedom to wear what we choose, and it was passed during the Terror, when individual rights were routinely curtailed. It also contradicted itself, for if its first article guaranteed freedom of dress, its second stated that all previous laws on dress remained in force, and these included one which impinged on individual freedom: the requirement that all French citizens wear a red, white and blue cockade in public.

scholarly journals The Facets of the Enlightenment Movement from a Libertarian Perspective:

2020 ◽  
Vol 8 ◽  
Author(s):  
Patrick Reimers
Keyword(s):  
French Revolution ◽  
Rule Of Law ◽  
Individual Freedom ◽  
The Rule Of Law ◽  
The Enlightenment ◽  
French Enlightenment ◽  
Political Theories ◽  
Main Period ◽  
Reign Of Terror ◽  
The French Revolution

This paper pretends to explain the origins of the French Revolution, in particular in regards to its connection with the main proponents of the French Enlightenment. It argues that the Enlightenment movement was rather heterogeneous, shaped by many different thinkers with often incompatible views. The merits of Jean Jacques Rousseau in regards to conservation and education are described, while equivalently criticizing his rather collectivist ideas and his disputable views on women. It is argued that even if during the main period of the Enlightenment movement, liberal thinkers such as Montesquieu, Turgot, Lafayette and Condorcet had defined political theories based on individual freedom and competition, they were possibly “too far ahead of times” to significantly shape the French Revolution. Independently from the positive aspects of the Enlightenment movement, the actual French Revolution was often collectivist and nationalist and led to a violent phase – the ‘Reign of Terror’. Thus, this analysis allows us to understand the complexity and diversity of the Enlightenment movement and its relation to the actual French Revolution. Consequently, the revolution’s collectivist, nationalist and violent phase must be seen critically, also showing us that the implementation of democratic processes can bear risks, as the ‘majority rule’ can differ quite significantly to the concept of the ‘Rule of Law’.

Jacobi, Friedrich Heinrich (1743–1819)

2018 ◽  
Author(s):  
George di Giovanni
Keyword(s):  
French Revolution ◽  
Political Liberalism ◽  
Individual Freedom ◽  
Literary Movement ◽  
Literary Figure ◽  
Enlightenment Philosophy ◽  
The French Revolution

Polemicist and literary figure, Jacobi was an outspoken and effective defender of individualism. He accused philosophers of conceptualizing existence according to the requirements of explanation, thus allowing no room for individual freedom or for a personal God. In a series of polemics that influenced the reception of Kant, Jacobi applied his formula, ‘Consistent philosophy is Spinozist, hence pantheist, fatalist and atheist’, first to Enlightenment philosophy and then to idealism. Jacobi was not however opposed to reason; in ‘faith’ and ‘feeling’ he sought to recover the intuitive power of reason philosophers ignored. Jacobi also criticized the literary movement spearheaded by the young Goethe, because of its latent fatalism. He dramatized in two novels the problem of reconciling individualism with social obligations. An exponent of British economic and political liberalism, Jacobi was an early critic of the French revolution which he considered the product of rationalism.

Ancient Revolutions in the Literature of Polish Romanticism

2018 ◽  
Vol 15 (2) ◽  
pp. 207-226
Author(s):  
Maciej Junkiert
Keyword(s):  
Comparative Study ◽  
Classical Tradition ◽  
French Revolution ◽  
European Context ◽  
History Of ◽  
Classical Traditions ◽  
The French Revolution ◽  
Literary Reception

This article aims to examine the Polish literary reception of the French Revolution during the period of Romanticism. Its main focus is on how Polish writers displaced their more immediate experiences of revolutionary events onto a backdrop of ‘ancient revolutions’, in which revolution was described indirectly by drawing on classical traditions, particularly the history of ancient Greeks and Romans. As this classical tradition was mediated by key works of German and French thinkers, this European context is crucial for understanding the literary strategies adopted by Polish authors. Three main approaches are visible in the Polish reception, and I will illustrate them using the works of Zygmunt Krasiński (1812–1859), Juliusz Słowacki (1809–1849) and Cyprian Norwid (1821–1883). My comparative study will be restricted to four works: Krasiński's Irydion and Przedświt (Predawn), Słowacki's Agezylausz (Agesilaus) and Norwid's Quidam.

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