Anglo-Jewry and the Jewish International Traffic in Prostitution, 1885–1914

AJS Review ◽  
1982 ◽  
Vol 7 ◽  
pp. 129-178 ◽  
Author(s):  
Lloyd P. Gartner
Keyword(s):  
New York ◽  
World War I ◽  
Young Men ◽  
Great Majority ◽  
World War ◽  
Military Conscription ◽  
The Town ◽  
International Traffic

Our tale opens in some little town in the Pale of Settlement between the 1880s and World War I. A well-spoken, well-dressed young man appears and courts an attractive girl of a family belonging to the great majority of the Jewish townspeople—that is, impoverished and burdened with many children. The unknown suitor offers charm and gifts, and speaks knowingly of the great places he has seen and where he has a good business—Paris, Johannesburg, London, or New York. Will the girl accompany him westward and become his bride once they reach their destination.He does not want to stay long enough in town to marry publicly, since he might be seized for military conscription. The girl, excited by the prospect, implores her parents to give their consent to this proposal. She feels she loves this young man. With him, the bleak life and dismal future in the town will be exchanged at a stroke for happiness and prosperity in a great, distant city. Every month a few young townspeople were leaving, mainly for America. Already there were many more marriageable girls in town than there were young men for them. How could such a chance be thrown aside? Might it ever recur? If the girl wondered why of all the numerous poor girls in town she was enjoying these attentions, she would answer in her own mind by complimenting herself on her prettiness. Her parents, or her surviving parent or step-parents, gave their consent.

Activism from the Start

2021 ◽  
pp. 9-26
Author(s):  
Daniel R. Garodnick
Keyword(s):  
New York ◽  
Civil Rights ◽  
World War I ◽  
York City ◽  
Housing Crisis ◽  
World War ◽  
City Life ◽  
East Village ◽  
The Town ◽  
New Yorkers

This chapter begins by describing the redbrick buildings that emerge out of the East Village on Manhattan's East Side, the plain and unenticing facades of Stuyvesant Town and Peter Cooper Village that disguise the unique slice of city life that takes place within. It talks about Stuy Town's idyllic quality that contradicts the tumultuous history that produced this middle-class enclave tucked in the midst of Manhattan. It also explains Stuy Town's roots that are planted in bitter soil as the town was born of government-backed, and subsidized, racist policies and displaced with poor New Yorkers. The chapter tells Stuy Town's story of activism, where elected officials, civil rights leaders, and tenants joined together to fight against corporate greed and unjust policies, and for the rights of New Yorkers. It recounts how Stuy Town emerged from a housing crisis in New York City that began during World War I.

International Opera in Nineteenth-century New York

2020 ◽  
pp. 244-269
Author(s):  
Karen Ahlquist
Keyword(s):  
Nineteenth Century ◽  
New York ◽  
New York City ◽  
World War I ◽  
Buenos Aires ◽  
Considerable Extent ◽  
World War ◽  
Metropolitan Opera ◽  
The City

This chapter charts how canonic repertories evolved in very different forms in New York City during the nineteenth century. The unstable succession of entrepreneurial touring troupes that visited the city adapted both repertory and individual pieces to the audience’s taste, from which there emerged a major theater, the Metropolitan Opera, offering a mix of German, Italian, and French works. The stable repertory in place there by 1910 resembles to a considerable extent that performed in the same theater today. Indeed, all of the twenty-five operas most often performed between 1883 and 2015 at the Metropolitan Opera were written before World War I. The repertory may seem haphazard in its diversity, but that very condition proved to be its strength in the long term. This chapter is paired with Benjamin Walton’s “Canons of real and imagined opera: Buenos Aires and Montevideo, 1810–1860.”

THE ORIGINS OF THE FIRST WORLD WAR

2006 ◽  
Vol 49 (4) ◽  
pp. 1253-1271
Author(s):  
TALBOT C. IMLAY
Keyword(s):  
New York ◽  
Twentieth Century ◽  
World War I ◽  
The United States ◽  
First World War ◽  
World War ◽  
Öffentliche Meinung ◽  
Cambridge University ◽  
The First World War ◽  
First World

Anticipating total war: the German and American experiences, 1871–1914. By Manfred Boemeke, Roger Chickering, and Stig Förster. New York and Cambridge: Cambridge University Press, 1999. Pp. ix+506. ISBN 0-521-62294-8. £55.00.German strategy and the path to Verdun: Erich von Falkenhayn and the development of attrition, 1870–1916. By Robert T. Foley. Cambridge: Cambridge University Press, 2005. Pp. xiv+316. ISBN 0-521-84193-3. £45.00.Europe's last summer: who started the Great War in 1914? By David Fromkin. New York: Knopf, 2004. Pp. xiii+368. ISBN 0-375-41156-9. £26.95.The origins of World War I. Edited by Richard F. Hamilton and Holger H. Herwig. Cambridge: Cambridge University Press, 2003. Pp. xiii+552. ISBN 0-521-81735-8. £35.00.Geheime Diplomatie und öffentliche Meinung: Die Parlamente in Frankreich, Deutschland und Grossbritanien und die erste Marokkokrise, 1904–1906. By Martin Mayer. Düsseldorf: Droste, 2002. Pp. 382. ISBN 3-7700-5242-0. £44.80.Helmuth von Moltke and the origins of the First World War. By Annika Mombauer. Cambridge: Cambridge University Press, 2001. Pp. xvi+344. ISBN 0-521-79101-4. £48.00.The origins of the First World War: controversies and consensus. By Annika Mombauer. London: Pearson Education, 2002. Pp. ix+256. ISBN 0-582-41872-0. £15.99.Inventing the Schlieffen plan: German war planning, 1871–1914. By Terence Zuber. Oxford: Oxford University Press, 2002. Pp. xi+340. ISBN 0-19-925016-2. £52.50.As Richard Hamilton and Holger Herwig remark in the introduction to their edited collection of essays on the origins of the First World War, thousands of books (and countless articles) have been written on the subject, a veritable flood that began with the outbreak of the conflict in 1914 and continues to this day. This enduring interest is understandable: the First World War was, in George Kennan’s still apt phrase, the ‘great seminal catastrophe’ of the twentieth century. Marking the end of the long nineteenth century and the beginning of the short twentieth century, the war amounted to an earthquake whose seismic shocks and after-shocks resonated decades afterwards both inside and outside of the belligerent countries. The Bolshevik Revolution, the growth of fascist and Nazi movements, the accelerated emergence of the United States as a leading great power, the economic depression of the 1930s – these and other developments all have their roots in the tempest of war during 1914–18. Given the momentous nature of the conflict, it is little wonder that scholars continue to investigate – and to argue about – its origins. At the same time, as Hamilton and Herwig suggest, the sheer number of existing studies places the onus on scholars themselves to justify their decision to add to this historiographical mountain. This being so, in assessing the need for a new work on the origins of the war, one might usefully ask whether it fulfills one of several functions.

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