Source Studies and Opera History

2009 ◽  
Vol 21 (2) ◽  
pp. 111-118 ◽  
Author(s):  
PHILIP GOSSETT
Keyword(s):  
Current Issue ◽  
Reception History ◽  
Literary Studies ◽  
Past Work ◽  
Opinion Piece ◽  
Source Studies ◽  
And Gender

Twenty years of Cambridge Opera Journal: in view of the journal's place in the discipline, the occasion seemed worth marking. When Roger Parker and Arthur Groos founded Cambridge Opera Journal in 1989, it offered the first forum to the musical community for serious opera criticism that took into account changing orientations in literary studies and seriously engaged with ideology, reception history, and representations of race, class and gender. Subsequent editors – Mary Hunter, Mary Ann Smart, and Emanuele Senici – continued to foster this wide intellectual perspective and to engage with an extraordinary variety of methodologies. For the current issue, we gave carte blanche to authors who contributed in the first two years of publication to reflect on their past work, or on opera studies, or on the journal, either informally as an opinion piece or through new scholarship – and so to measure time by developments in the discipline itself.

Flying a Wagner Kite: Subjunctive Performances of a Rheingold Scene Based on a Dramaturgical Sketch by Carolyn Abbate

2009 ◽  
Vol 21 (2) ◽  
pp. 159-180 ◽  
Author(s):  
NILA PARLY
Keyword(s):  
Current Issue ◽  
Reception History ◽  
Literary Studies ◽  
Past Work ◽  
Opinion Piece ◽  
And Gender

Twenty years of Cambridge Opera Journal: in view of the journal's place in the discipline, the occasion seemed worth marking. When Roger Parker and Arthur Groos founded Cambridge Opera Journal in 1989, it offered the first forum to the musical community for serious opera criticism that took into account changing orientations in literary studies and seriously engaged with ideology, reception history, and representations of race, class and gender. Subsequent editors – Mary Hunter, Mary Ann Smart, and Emanuele Senici – continued to foster this wide intellectual perspective and to engage with an extraordinary variety of methodologies. For the current issue, we gave carte blanche to authors who contributed in the first two years of publication to reflect on their past work, or on opera studies, or on the journal, either informally as an opinion piece or through new scholarship – and so to measure time by developments in the discipline itself.

Wagner's Gold Standard: Tannhäuser and the General Equivalent

2009 ◽  
Vol 21 (2) ◽  
pp. 139-158
Author(s):  
LAWRENCE KRAMER
Keyword(s):  
Gold Standard ◽  
Current Issue ◽  
Reception History ◽  
Literary Studies ◽  
Past Work ◽  
Opinion Piece ◽  
And Gender

Twenty years of Cambridge Opera Journal: in view of the journal's place in the discipline, the occasion seemed worth marking. When Roger Parker and Arthur Groos founded Cambridge Opera Journal in 1989, it offered the first forum to the musical community for serious opera criticism that took into account changing orientations in literary studies and seriously engaged with ideology, reception history, and representations of race, class and gender. Subsequent editors – Mary Hunter, Mary Ann Smart, and Emanuele Senici – continued to foster this wide intellectual perspective and to engage with an extraordinary variety of methodologies. For the current issue, we gave carte blanche to authors who contributed in the first two years of publication to reflect on their past work, or on opera studies, or on the journal, either informally as an opinion piece or through new scholarship – and so to measure time by developments in the discipline itself.

Twenty Years

2009 ◽  
Vol 21 (2) ◽  
pp. 101-103 ◽  
Author(s):  
SUZANNE ASPDEN ◽  
STEVEN HUEBNER
Keyword(s):  
Current Issue ◽  
Reception History ◽  
Literary Studies ◽  
Past Work ◽  
Opinion Piece ◽  
And Gender

Twenty years of Cambridge Opera Journal: in view of the journal's place in the discipline, the occasion seemed worth marking. When Roger Parker and Arthur Groos founded Cambridge Opera Journal in 1989, it offered the first forum to the musical community for serious opera criticism that took into account changing orientations in literary studies and seriously engaged with ideology, reception history, and representations of race, class and gender. Subsequent editors – Mary Hunter, Mary Ann Smart, and Emanuele Senici – continued to foster this wide intellectual perspective and to engage with an extraordinary variety of methodologies. For the current issue, we gave carte blanche to authors who contributed in the first two years of publication to reflect on their past work, or on opera studies, or on the journal, either informally as an opinion piece or through new scholarship – and so to measure time by developments in the discipline itself.

… And in Response

2009 ◽  
Vol 21 (2) ◽  
pp. 199-201
Author(s):  
CAROLYN ABBATE
Keyword(s):  
Current Issue ◽  
Reception History ◽  
Literary Studies ◽  
Past Work ◽  
Opinion Piece ◽  
And Gender

Twenty years of Cambridge Opera Journal: in view of the journal's place in the discipline, the occasion seemed worth marking. When Roger Parker and Arthur Groos founded Cambridge Opera Journal in 1989, it offered the first forum to the musical community for serious opera criticism that took into account changing orientations in literary studies and seriously engaged with ideology, reception history, and representations of race, class and gender. Subsequent editors – Mary Hunter, Mary Ann Smart, and Emanuele Senici – continued to foster this wide intellectual perspective and to engage with an extraordinary variety of methodologies. For the current issue, we gave carte blanche to authors who contributed in the first two years of publication to reflect on their past work, or on opera studies, or on the journal, either informally as an opinion piece or through new scholarship – and so to measure time by developments in the discipline itself.

Il ritorno a Seneca

2009 ◽  
Vol 21 (2) ◽  
pp. 119-137
Author(s):  
ELLEN ROSAND
Keyword(s):  
Current Issue ◽  
Reception History ◽  
Literary Studies ◽  
Past Work ◽  
Opinion Piece ◽  
And Gender

Twenty years of Cambridge Opera Journal: in view of the journal's place in the discipline, the occasion seemed worth marking. When Roger Parker and Arthur Groos founded Cambridge Opera Journal in 1989, it offered the first forum to the musical community for serious opera criticism that took into account changing orientations in literary studies and seriously engaged with ideology, reception history, and representations of race, class and gender. Subsequent editors – Mary Hunter, Mary Ann Smart, and Emanuele Senici – continued to foster this wide intellectual perspective and to engage with an extraordinary variety of methodologies. For the current issue, we gave carte blanche to authors who contributed in the first two years of publication to reflect on their past work, or on opera studies, or on the journal, either informally as an opinion piece or through new scholarship – and so to measure time by developments in the discipline itself.

New Opera, Old Opera: Perspectives on Critical Interpretation

2009 ◽  
Vol 21 (2) ◽  
pp. 181-198 ◽  
Author(s):  
ARNOLD WHITTALL
Keyword(s):  
Current Issue ◽  
Reception History ◽  
Literary Studies ◽  
Past Work ◽  
Opinion Piece ◽  
Critical Interpretation ◽  
And Gender

Twenty years of Cambridge Opera Journal: in view of the journal's place in the discipline, the occasion seemed worth marking. When Roger Parker and Arthur Groos founded Cambridge Opera Journal in 1989, it offered the first forum to the musical community for serious opera criticism that took into account changing orientations in literary studies and seriously engaged with ideology, reception history, and representations of race, class and gender. Subsequent editors – Mary Hunter, Mary Ann Smart, and Emanuele Senici – continued to foster this wide intellectual perspective and to engage with an extraordinary variety of methodologies. For the current issue, we gave carte blanche to authors who contributed in the first two years of publication to reflect on their past work, or on opera studies, or on the journal, either informally as an opinion piece or through new scholarship – and so to measure time by developments in the discipline itself.

Cambridge Opera Journal at Twenty

2009 ◽  
Vol 21 (2) ◽  
pp. 105-109 ◽  
Author(s):  
SUSAN McCLARY
Keyword(s):  
Current Issue ◽  
Reception History ◽  
Literary Studies ◽  
Past Work ◽  
Opinion Piece ◽  
And Gender

Twenty years of Cambridge Opera Journal: in view of the journal's place in the discipline, the occasion seemed worth marking. When Roger Parker and Arthur Groos founded Cambridge Opera Journal in 1989, it offered the first forum to the musical community for serious opera criticism that took into account changing orientations in literary studies and seriously engaged with ideology, reception history, and representations of race, class and gender. Subsequent editors – Mary Hunter, Mary Ann Smart, and Emanuele Senici – continued to foster this wide intellectual perspective and to engage with an extraordinary variety of methodologies. For the current issue, we gave carte blanche to authors who contributed in the first two years of publication to reflect on their past work, or on opera studies, or on the journal, either informally as an opinion piece or through new scholarship – and so to measure time by developments in the discipline itself.

Psychological diagnosis and gender analysis of teenagers’ addiction propensity

2021 ◽  
pp. 43-51
Author(s):  
Natalia V. Vyazovova ◽  
Viola M. Melekhova
Keyword(s):  
Current Issue ◽  
Expert Assessment ◽  
Psychoactive Substances ◽  
Preventive Work ◽  
And Gender ◽  
Chemical Addiction ◽  
Relationship Of ◽  
Behavioral Transformations ◽  
Development Crisis ◽  
Comprehensive Study

We consider the current issue of teenagers’ attitude to psychoactive substances. A comprehensive study of the value relationship of teenagers to psychoactive substances and the motivation for their use is necessary. The teenagers development crisis leads to a drop in academic performance, a decrease in working capacity, negativism, alienation, ambivalence of feelings and much more, it is noted that the demonstrative “adulthood” of teenagers, their acute experience of the discrepancy between the external and internal worlds often lead them to behavioral transformations aimed at remaking reality for themselves. Based on the types of deviations characterized in psychology, we analyze the causes of chemical addiction. In the course of the study, we identify the main reasons that encourage teenagers to try drugs and consider the age differentiation of the reasons. The main motives of alcohol consumption by teenagers are determined. The results of the study were analyzed by gender of the respondents, and the peculiarities of the attitude to psychoactive substances and persons who use the above substances were noted. We present an expert assessment of the risk of teenagers’ dependence on psychoactive substances, given by schoolteachers, and identify the main causes that affect the risk of developing addiction. We note the necessity of conducting psychological preventive work with this group of respondents and the environment.

scholarly journals Kajian Sastra Feminisme terhadap Citra Perempuan Adonara dan Ketidakadilan Gender dalam Novel “Ikhtiar Cinta dari Adonara” Karya J. S. Maulana

2020 ◽  
Vol 4 (2) ◽  
pp. 121-129
Author(s):  
Yunita Laka Marawali
Keyword(s):  
Data Analysis ◽  
Literary Studies ◽  
The Novel ◽  
Female Characters ◽  
Women And Gender ◽  
Self Image ◽  
Data Analysis Technique ◽  
Analysis Technique ◽  
Female Figures ◽  
And Gender

This study aims to describe the image of Adonara women and the types of gender injustice experienced by female characters in the novel "Ikhtiar Cinta dari Adonara" by J. S. Maulana. This study uses a literary approach based on literary studies of feminism and gender. The object of research is the description of Adonara women and gender injustice found in the novel "Ikhtiar Cinta dari Adonara" by J. S. Maulana. The source of data in this study is the novel “Ikhtiar Cinta Adonara’ by J. S Maulana. The novel written by J. S. Maulana consists of 320 pages. Published by Kaysa Media (Puspa Swara Group) in 2014. The data analysis technique was done by reducing data, presenting data analysis and interpreting the data and summarizing the results of research in order to obtain a picture of the image of women in the novel "Ikhtiar Cinta dari Adonara" by J. S. Maulana. In this study, researchers analyzed two female figures to describe the image of women in the novel. The results obtained are (a) The image of a woman, namely the figure of Syarifah, is a Muslim who is devout in worship and always submits to God, a woman who is educated, tough, has positive thoughts, is courageous and principled, is humble, and a woman who loves sincerely. (b) Fatimah's self-image, namely women who are willing to sacrifice, are brave and have principles, (c) gender injustice is found, namely marginalization, subordination, stereotypes, violence, and workload.

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