New Opera, Old Opera: Perspectives on Critical Interpretation

2009 ◽  
Vol 21 (2) ◽  
pp. 181-198 ◽  
Author(s):  
ARNOLD WHITTALL
Keyword(s):  
Current Issue ◽  
Reception History ◽  
Literary Studies ◽  
Past Work ◽  
Opinion Piece ◽  
Critical Interpretation ◽  
And Gender

Twenty years of Cambridge Opera Journal: in view of the journal's place in the discipline, the occasion seemed worth marking. When Roger Parker and Arthur Groos founded Cambridge Opera Journal in 1989, it offered the first forum to the musical community for serious opera criticism that took into account changing orientations in literary studies and seriously engaged with ideology, reception history, and representations of race, class and gender. Subsequent editors – Mary Hunter, Mary Ann Smart, and Emanuele Senici – continued to foster this wide intellectual perspective and to engage with an extraordinary variety of methodologies. For the current issue, we gave carte blanche to authors who contributed in the first two years of publication to reflect on their past work, or on opera studies, or on the journal, either informally as an opinion piece or through new scholarship – and so to measure time by developments in the discipline itself.

Flying a Wagner Kite: Subjunctive Performances of a Rheingold Scene Based on a Dramaturgical Sketch by Carolyn Abbate

2009 ◽  
Vol 21 (2) ◽  
pp. 159-180 ◽  
Author(s):  
NILA PARLY
Keyword(s):  
Current Issue ◽  
Reception History ◽  
Literary Studies ◽  
Past Work ◽  
Opinion Piece ◽  
And Gender

Twenty years of Cambridge Opera Journal: in view of the journal's place in the discipline, the occasion seemed worth marking. When Roger Parker and Arthur Groos founded Cambridge Opera Journal in 1989, it offered the first forum to the musical community for serious opera criticism that took into account changing orientations in literary studies and seriously engaged with ideology, reception history, and representations of race, class and gender. Subsequent editors – Mary Hunter, Mary Ann Smart, and Emanuele Senici – continued to foster this wide intellectual perspective and to engage with an extraordinary variety of methodologies. For the current issue, we gave carte blanche to authors who contributed in the first two years of publication to reflect on their past work, or on opera studies, or on the journal, either informally as an opinion piece or through new scholarship – and so to measure time by developments in the discipline itself.

Wagner's Gold Standard: Tannhäuser and the General Equivalent

2009 ◽  
Vol 21 (2) ◽  
pp. 139-158
Author(s):  
LAWRENCE KRAMER
Keyword(s):  
Gold Standard ◽  
Current Issue ◽  
Reception History ◽  
Literary Studies ◽  
Past Work ◽  
Opinion Piece ◽  
And Gender

Twenty years of Cambridge Opera Journal: in view of the journal's place in the discipline, the occasion seemed worth marking. When Roger Parker and Arthur Groos founded Cambridge Opera Journal in 1989, it offered the first forum to the musical community for serious opera criticism that took into account changing orientations in literary studies and seriously engaged with ideology, reception history, and representations of race, class and gender. Subsequent editors – Mary Hunter, Mary Ann Smart, and Emanuele Senici – continued to foster this wide intellectual perspective and to engage with an extraordinary variety of methodologies. For the current issue, we gave carte blanche to authors who contributed in the first two years of publication to reflect on their past work, or on opera studies, or on the journal, either informally as an opinion piece or through new scholarship – and so to measure time by developments in the discipline itself.

Twenty Years

2009 ◽  
Vol 21 (2) ◽  
pp. 101-103 ◽  
Author(s):  
SUZANNE ASPDEN ◽  
STEVEN HUEBNER
Keyword(s):  
Current Issue ◽  
Reception History ◽  
Literary Studies ◽  
Past Work ◽  
Opinion Piece ◽  
And Gender

Twenty years of Cambridge Opera Journal: in view of the journal's place in the discipline, the occasion seemed worth marking. When Roger Parker and Arthur Groos founded Cambridge Opera Journal in 1989, it offered the first forum to the musical community for serious opera criticism that took into account changing orientations in literary studies and seriously engaged with ideology, reception history, and representations of race, class and gender. Subsequent editors – Mary Hunter, Mary Ann Smart, and Emanuele Senici – continued to foster this wide intellectual perspective and to engage with an extraordinary variety of methodologies. For the current issue, we gave carte blanche to authors who contributed in the first two years of publication to reflect on their past work, or on opera studies, or on the journal, either informally as an opinion piece or through new scholarship – and so to measure time by developments in the discipline itself.

… And in Response

2009 ◽  
Vol 21 (2) ◽  
pp. 199-201
Author(s):  
CAROLYN ABBATE
Keyword(s):  
Current Issue ◽  
Reception History ◽  
Literary Studies ◽  
Past Work ◽  
Opinion Piece ◽  
And Gender

Twenty years of Cambridge Opera Journal: in view of the journal's place in the discipline, the occasion seemed worth marking. When Roger Parker and Arthur Groos founded Cambridge Opera Journal in 1989, it offered the first forum to the musical community for serious opera criticism that took into account changing orientations in literary studies and seriously engaged with ideology, reception history, and representations of race, class and gender. Subsequent editors – Mary Hunter, Mary Ann Smart, and Emanuele Senici – continued to foster this wide intellectual perspective and to engage with an extraordinary variety of methodologies. For the current issue, we gave carte blanche to authors who contributed in the first two years of publication to reflect on their past work, or on opera studies, or on the journal, either informally as an opinion piece or through new scholarship – and so to measure time by developments in the discipline itself.

Il ritorno a Seneca

2009 ◽  
Vol 21 (2) ◽  
pp. 119-137
Author(s):  
ELLEN ROSAND
Keyword(s):  
Current Issue ◽  
Reception History ◽  
Literary Studies ◽  
Past Work ◽  
Opinion Piece ◽  
And Gender

Twenty years of Cambridge Opera Journal: in view of the journal's place in the discipline, the occasion seemed worth marking. When Roger Parker and Arthur Groos founded Cambridge Opera Journal in 1989, it offered the first forum to the musical community for serious opera criticism that took into account changing orientations in literary studies and seriously engaged with ideology, reception history, and representations of race, class and gender. Subsequent editors – Mary Hunter, Mary Ann Smart, and Emanuele Senici – continued to foster this wide intellectual perspective and to engage with an extraordinary variety of methodologies. For the current issue, we gave carte blanche to authors who contributed in the first two years of publication to reflect on their past work, or on opera studies, or on the journal, either informally as an opinion piece or through new scholarship – and so to measure time by developments in the discipline itself.

Cambridge Opera Journal at Twenty

2009 ◽  
Vol 21 (2) ◽  
pp. 105-109 ◽  
Author(s):  
SUSAN McCLARY
Keyword(s):  
Current Issue ◽  
Reception History ◽  
Literary Studies ◽  
Past Work ◽  
Opinion Piece ◽  
And Gender

Twenty years of Cambridge Opera Journal: in view of the journal's place in the discipline, the occasion seemed worth marking. When Roger Parker and Arthur Groos founded Cambridge Opera Journal in 1989, it offered the first forum to the musical community for serious opera criticism that took into account changing orientations in literary studies and seriously engaged with ideology, reception history, and representations of race, class and gender. Subsequent editors – Mary Hunter, Mary Ann Smart, and Emanuele Senici – continued to foster this wide intellectual perspective and to engage with an extraordinary variety of methodologies. For the current issue, we gave carte blanche to authors who contributed in the first two years of publication to reflect on their past work, or on opera studies, or on the journal, either informally as an opinion piece or through new scholarship – and so to measure time by developments in the discipline itself.

Source Studies and Opera History

2009 ◽  
Vol 21 (2) ◽  
pp. 111-118 ◽  
Author(s):  
PHILIP GOSSETT
Keyword(s):  
Current Issue ◽  
Reception History ◽  
Literary Studies ◽  
Past Work ◽  
Opinion Piece ◽  
Source Studies ◽  
And Gender

Twenty years of Cambridge Opera Journal: in view of the journal's place in the discipline, the occasion seemed worth marking. When Roger Parker and Arthur Groos founded Cambridge Opera Journal in 1989, it offered the first forum to the musical community for serious opera criticism that took into account changing orientations in literary studies and seriously engaged with ideology, reception history, and representations of race, class and gender. Subsequent editors – Mary Hunter, Mary Ann Smart, and Emanuele Senici – continued to foster this wide intellectual perspective and to engage with an extraordinary variety of methodologies. For the current issue, we gave carte blanche to authors who contributed in the first two years of publication to reflect on their past work, or on opera studies, or on the journal, either informally as an opinion piece or through new scholarship – and so to measure time by developments in the discipline itself.

Psychological diagnosis and gender analysis of teenagers’ addiction propensity

2021 ◽  
pp. 43-51
Author(s):  
Natalia V. Vyazovova ◽  
Viola M. Melekhova
Keyword(s):  
Current Issue ◽  
Expert Assessment ◽  
Psychoactive Substances ◽  
Preventive Work ◽  
And Gender ◽  
Chemical Addiction ◽  
Relationship Of ◽  
Behavioral Transformations ◽  
Development Crisis ◽  
Comprehensive Study

We consider the current issue of teenagers’ attitude to psychoactive substances. A comprehensive study of the value relationship of teenagers to psychoactive substances and the motivation for their use is necessary. The teenagers development crisis leads to a drop in academic performance, a decrease in working capacity, negativism, alienation, ambivalence of feelings and much more, it is noted that the demonstrative “adulthood” of teenagers, their acute experience of the discrepancy between the external and internal worlds often lead them to behavioral transformations aimed at remaking reality for themselves. Based on the types of deviations characterized in psychology, we analyze the causes of chemical addiction. In the course of the study, we identify the main reasons that encourage teenagers to try drugs and consider the age differentiation of the reasons. The main motives of alcohol consumption by teenagers are determined. The results of the study were analyzed by gender of the respondents, and the peculiarities of the attitude to psychoactive substances and persons who use the above substances were noted. We present an expert assessment of the risk of teenagers’ dependence on psychoactive substances, given by schoolteachers, and identify the main causes that affect the risk of developing addiction. We note the necessity of conducting psychological preventive work with this group of respondents and the environment.

scholarly journals The Representations and Implications of Gender Stereotypes Portrayed in Three Selected TV Advertisements Shown in Bangladesh: A Critical Interpretation

2020 ◽  
Vol 9 (1) ◽  
pp. 1-12
Author(s):  
Saheeh Shafi
Keyword(s):  
Gender Stereotypes ◽  
Qualitative And Quantitative Analysis ◽  
Analysis Framework ◽  
Gender Representations ◽  
Language And Gender ◽  
Political Implications ◽  
The Social ◽  
Critical Interpretation ◽  
And Gender ◽  
Precise Interpretation

This paper aims at a precise interpretation of gender stereotypes portrayed in the three selected TV advertisements in order to find out their implications in Bangladeshi context. The analysis begins with Goffman’s Gender Stereotypes Hypothesis, a theoretical framework to examine and justify the thematic features present in the ads. After critically examining the hypothesis and Kress and Van Leeuwen’s Systemic Functional Analysis framework is used to analyse and interpret the semiotic features such as; the signs and symbols. After that, Fairclough’s Discourse Analysis is used to find out the stylistic features and their implied meanings in the advertisements to search the social, cultural and political implications. Then the paper uses Pope’s The Rape of the Lock and it’s Cultural-Ecofeminist Analysis of Francois d’Eaubonne to connect the above mentioned frameworks from a contextual view-point. To give the interpretation of Stereotypes deeply rooted in the minds of both male and female, Freud’s Psychoanalysis is used. Both Qualitative and Quantitative Analysis are taken into consideration for exploring the Gender Stereotypes thoroughly. This research is basically a blend of Literature, Language and Gender along with other Disciplines to interpret Stereotypes from a holistic framework. To predict the future progression of the gender representations and their implications in the coming years in Bangladesh, an umbrella term “Multi-Disciplinary Framework” will be used to examine whether the changes in gender roles both at home and outside in the workplaces due to the changes in different socio-economic and cultural factors are reflected or not in the TV advertisements.

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