Report on the Joint Session With the American Economic Association and the History of Economics Society Atlanta, Georgia, 29 December 1979

1980 ◽  
Vol 1 (3) ◽  
pp. 6-6
2012 ◽  
Vol 12 (3) ◽  
pp. 185-203
Author(s):  
Marek Loužek

Abstract The paper deals with the economic theory of Milton Friedman. Its first part outlines the life of Milton Friedman. The second part examines his economic theories - “Essays in Positive Economics” (1953), “Studies in the Quantity Theory of Money“ (1956), “A Theory of the Consumption Function” (1957), “A Program for Monetary Stability” (1959), “A Monetary History of the United States 1897 to 1960” (1963), and “Price Theory” (1976). His Nobel Prize lecture and American Economic Association lecture in 1967 are discussed, too. The third part analyzes Friedman’s methodology. Milton Friedman was the most influential economist of the second half of the 20th century. He is best known for his theoretical and empirical research, especially consumption analysis, monetary history and theory, and for his demonstration of the complexity of stabilization policy.


2021 ◽  
Author(s):  
Bruce Caldwell

Karen Vaughn received her BA in economics from Queens College of the City Universi-ty of New York in 1966 and her PhD from Duke University in 1971. From 1978 to 2004 she taught at George Mason University. She attended some of the earliest meet-ings of the History of Economics Society (HES) and was the editor of the HES Bulletin, which was the precursor of the Journal of the History of Economic Thought. Professor Vaughn has served as the President of the History of Economics Society and the South-ern Economic Association, and was the founding President of the Society for the Ad-vancement of Austrian Economics. She has books on John Locke and on the Austrian tradition in economics, and numerous articles on a variety of topics in professional jour-nals (the list of her publications is available as an online appendix to this interview).


2000 ◽  
Vol 22 (3) ◽  
pp. 329-348 ◽  
Author(s):  
Robert W. Dimand

Frank Steindl poses a surprising question in the title of his 1997 article, “Was Fisher a Practicing Quantity Theorist?” and reaches the conclusion that, “Clearly, with the decade of the Great Depression, Fisher was no longer a practicing quantity theorist” (Steindl 1997, p. 259). Such a change in Fisher's monetary economics would sharply revise the view of Irving Fisher generally prevailing in the history of monetary economics, which is based primarily on The Purchasing Power of Money (Fisher with Brown 1911). Fisher's photograph (along with photographs of Marshall and Wicksell) appears on the cover of The Golden Age of the Quantity Theory (Laidler 1991). As Mark Blaug (1995, p. 3) put it, “isn't Irving Fisher the quintessential quantity theorist if there ever was one [?]” Perhaps the most striking tribute to Fisher in the quantity theory tradition is from Milton Friedman, who, addressing the American Economic Association on the question “Have Monetary Policies Failed?” and having quoted from Fisher's 1910 exchange with J. L. Laughlin, remarked “And now I must cease quoting from Fisher, with whom I am in full agreement, and proceed instead to plagiarize him—albeit with modifications to bring him down to date” (Friedman 1972, p. 12).


2019 ◽  
Vol 31 (4) ◽  
pp. 587-595
Author(s):  
Matt Seybold

Abstract This introduction to the special issue on Economics and American Literary Studies in The New Gilded Age traces an underexplored history of dissent within the discipline of economics through presidential addresses to the American Economic Association and writings by John Maynard Keynes. It acknowledges the “vexed history” of interdisciplinary engagement between economists and literature scholars, including a recent, halfhearted call for “narrative economics” from 2013 Nobel Laureate Robert Shiller. Seybold suggests that new brands of econo-literary criticism have risen to promise in the last decade and that contributors to this special issue demonstrate the importance of historicism to this subfield, despite its apparent presentist tendencies.


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