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2022 ◽  
Vol 5 (2) ◽  
pp. 01-05
Author(s):  
Evgeny Bryndin

For twenty years, humanity has seen the third attempt at the transition of coronavirus to humans. The vaccine has been found, but coronavirus transitions will not stop even with the improvement of medicine. Nobel laureate in medicine Professor Luc Montagnier argues that vaccines may not live up to humanity's hopes of getting rid of COVID-19. Collective immunity for coronavirus has not been developed, repeated infections are more and more common, beds of seriously ill people are not empty, and mortality is running high, no one knows what will happen to all of us. In Israel, where vaccination has long been compulsory, and over 60% of the population, including underage children, have been vaccinated, the incidence is not just declining, but still breaking all records. So, the maximum number of cases here was revealed on September 1 - 16,629, which almost caught up with Russia (18,368 confirmed on the same September 1) with our percentage of vaccinated 26.1% of the number of citizens. At the end of September 2021, morbidity and mortality increase, because it is a system. Based on existing monthly pneumonia mortality statistics over the past 15 years, there are three waves each year. Since September 22, there has been a surge of pneumonia, ARI, and even non-communicable diseases. The second wave comes at the end of December - January, it is usually three times larger than the first. Then around March-April there is a third wave. These three waves exist steadily from year to year, their amplitudes can change, then one will be higher, then the other, they are not absolutely hard on schedule, but they are reproduced regularly in other countries. The first wave of the Spanish pandemic covered the world just at the end of September 1918. The coronavirus was the same. The first wave in America is September 2019, an unexplained surge of pneumonia with a rather high mortality rate, which was written off for smoking e-cigarettes and called "vape." Now they decided to watch the surviving tests of patients, and there - COVID-19. In Europe, it was the same.


2021 ◽  
Vol 8 (2) ◽  
pp. 148
Author(s):  
Huifang LI ◽  
Chunrui LIU

The Diary of a Good Neighbor is one of a series of works concerning age problems in the contemporary western society written by the Nobel laureate Doris Lessing. Through the record of the last days of Maudie Fowler, a ninety-two-year-old lower-class woman by a middle-aged professional Jane Somers, Lessing questions the modern social care system and criticizes the hidden social prejudice against the elderly. Lessing observes the defect of the modern social care institutions in oppressing individual choice and excluding aged people, and points out the professional service they provide cannot really comfort the aged individuals, which constructs a dilemma for both the institutions and the aged group. Different from the ageist neglect of the aged group, Lessing gives a detailed exhibition of both Maudie’s daily life and her inner world, which builds a personal connection between the old and the young and draws this isolated group close to the public. Lessing also explores the taboo topic of old age, sickness and death and gives a full display of Maudie’s tenacious wrestling with death, which shows the sublime of human life and challenges the ageist view of the co-decaying of spirit and body.    


Author(s):  
I.V. Romanovskaya

On the material of the poem “Aniara” by the Swedish writer, Nobel laureate H. Martinson, the problem of the motif of light and its connection with the plot, figurative, space-time and ideological plans of the work is developed. The poem is characterized by extraordinary unity created due to the interweaving of two motifs - light and darkness, each of which is semantic and participates in the “framing” of the text both at the plot level and the semantic one. The motif of light is the most important component of the poem which reveals the main theme and the problem of the work, conveys the writer`s worldview and participates in the figurative expression of the author`s intention. The motif is associated with the problems of human existence and understanding of the moral meaning of life. The article reveals that light has both a positive and a negative semantic: on the one hand, it symbolizes utopian hopes for the future and idyllic ideas about the past (light as a symbol of the search for the ideal), on the other hand, human evil (light as a symbol of the destructive force of fire). This motif plays a key role in creating a holistic “light” space - the planet Dorisburg and a generalized image of a person turned out to be unable to preserve “the temple of light and kindness”.


Author(s):  
Tea Lena ◽  
Andrea Amabile ◽  
Michael Shang ◽  
Gianluca Torregrossa ◽  
Arnar Geirsson ◽  
...  
Keyword(s):  

2021 ◽  
Vol 17 (II) ◽  
Author(s):  
Sadia Ghaznavi

South African metafictive literature by white writers, specifically J. M. Coetzee (Nobel laureate, 2003), is essentially pivoted on the black-white dialectics of discourse. The narrative is informed with a variety of sociopolitical inflections that pronounce in various ways the contemporary ideology in South African literature. Critics have greatly delineated the racio-political quagmire of the colonial subject in metafictive literature appearing in the last few decades of twentieth century. However, a deeper analysis of the representation of the colonial subject that interrogates the discourses in narrative is still untapped. J.M.Coetzee’s South African-based novels, mainly Waiting for the Barbarians (1980), Life and Times of Michael K (1983) and Age of Iron (1990), manifest a metafictional consciousness that investigates the constructs of reality of the colonial subject. It is significant to explore the logocentric premise in the representation of colonial subject and how this contributes to the meaning of the fictional word. This study is a narratological research of Coetzee’s technique of transmodalization (narrative mode shifts) between two types of discourses, the pedagogical and performative, and employs Homi K Bhabha’s (1994) theoretical framework of representative discourse. In examining the narrative mode shifts between frame breaks, metanarrative, narrative of words, narrative of dreams, and narrative of topography, this research argues that a non-position is generated between the contesting discourses. This research becomes a model for the study of colonial dynamics in metafictive white writing. It aims to unravel the elements integral in voicing the conditionality of the colonized subject and the contention of representation. This study also explores the metonymical relationships in narrative that reflect intrinsic aspects of the signification of representation.


2021 ◽  
Vol 24 ◽  
pp. 33-53
Author(s):  
Milen Jissov

This article rethinks critically a landmark work of the twentieth century—The Captive Mind, by Nobel laureate Czesław Miłosz. Published in 1953, the book sought to understand human subjectivity, or, as it put it, “how the human mind functions,” in Cold-War Eastern Europe. I argue that, while probing what Western intellectuals of that time saw as the historical novelty of totalitarianism, Miłosz formulates an analysis that is rather retro. He represents Eastern Europe in terms of colonialism and imperialism—as a colonized realm and a colonized mind. What is more, he casts his representation in the terms of what Edward Said famously called “Orientalism”—producing a distorted, Orientalist work. Finally, while intimating hope for overcoming Eastern Europe’s domination, Miłosz shows that hope as illusory. 


Author(s):  
Naina B. Choudhari ◽  
Dr. Jyoti L. Dharmadhikari

The literature produced at global level by dispersed community that has common ancestral homeland is known as the literature of Indian diaspora. Indian communities are spread all over the major countries of the world. The total population of Indian diaspora in the world is near about twenty million. People from India settle abroad and maintain a strong bond with motherland. The diaspora literature have certain important features, that separate their writing from the mainstream of contemporary writers. The Indian writer have brought diaspora literature at world wide recognition. Nobel laureate V.S. Naipaul was famous writer of Indian origin had he has great contribution in diaspora literature. KEYWORDS: Diaspora, Homeland, Dispersed, Indentured, Expatriate, Exile, Migration.


2021 ◽  
Vol 2145 (1) ◽  
pp. 011001

The 16th SIAM PHYSICS CONGRESS (SPC2021) B Chatthong1,a, C Buranachai1,b, P Kalasuwan1,c, S Rakkapao1,d, C Putson1,e, B Soonthornthum2,3,f,g and S Aukkaravittayapun2,3,f,h 1Division of Physical Science, Faculty of Science, Prince of Songkla University, Songkhla, Thailand 2Thai Physics Society, Chiang Mai, Thailand 3National Astronomical Research Institute, Chiang Mai, Thailand Email: [email protected], [email protected], [email protected], [email protected], [email protected], [email protected], [email protected], [email protected] The 16th Siam Physics Congress (SPC2021) was successfully held 100% online during May 24-25, 2021. Initially, the Thai Physics Society and Prince of Songkla University had planned to co-host the SPC2021 in Songkhla province in Southern part of Thailand via hybrid form. Unfortunately, due to the rise of coronavirus (COVID-19) pandemic cases in Thailand, the organizing committee had considered that physical conference would no longer be possible, and made 100% online decision. This is to keep up to the highest standard of health regulation and self-practice (from WHO) in avoiding the extremely serious pandemic. Consequently, the Thai Physics Society and Prince of Songkla University had facilitated and hosted the SPC2021 as national teleconference during May 24-25, 2021. This year, we had 185 research abstracts and papers submitted for both oral and poster online presentations. There were 1 plenary speaker, 25 invited speakers, 76 oral presentations, 83 poster presentations, and 99 full papers submitted for possible publication in all 21 tracks(topics). The scientific program was announced on the SPC2021 website (https://spc2021.sci.psu.ac.th/) and also distributed via email to all participants. The SPC2021 oral sessions were held via Zoom video conference. Participants can join online sessions either by using their individual Zoom account. The Zoom’s chat channel as well as professional management such as co-hosting the Zoom room from the host-side were employed to alleviate some glitches (e.g. delayed or unclear signals due to slow internet connection from the client-side). In addition, the chat channel was also used for exchanging contact details for further detailed discussion about the presentation. The online opening ceremony and plenary talk was live-broadcasted via Faculty of Science, Prince of Songkla University official Facebook page and YouTube account. After the online opening ceremony, a plenary talk entitled “Exploring the Universe with neutrinos and gravitational waves” by Professor Takaaki Kajita, 2015 Nobel Laureate in Physics from Institute for Cosmic Ray Research, The University of Tokyo, Tokyo, Japan, was given to the audience of approximately 200 participants. The oral presentations were arranged into 3 parallel Zoom rooms in total of 16 sessions. Each invited speaker was allowed 30-minute presentation while regular presenter had 15 minutes including questions and answers. The online audience-size of each room varied between 30 and 60 people. The poster presentations were uploaded onto the SPC2021 Indico website (https://indico.cern.ch/event/973315/), where only registered participants could access. In addition, all participants can login, access all abstracts as well as presentation materials, and submit the full paper. List of Editorial Materials, Logos are available in this pdf.


enadakultura ◽  
2021 ◽  
Author(s):  
Nino Jokhadze

"The City and the Dogs" is the first novel by the famous Peruvian writer, Nobel Laureate Mario Vargas Llosa, which was published in the author's youth. In 1963, at the time of the novel's publication, the author was 27 years old. It is known that Mario Vargas Llosa had to overcome many difficulties on the way to publishing the work. After reading the manuscript of the novel, the Catalan editor and founder of the publisher ¨Seix Barral¨, Carlos Barral aimed to publish the work by his publishing house. Barral has been in lengthy negotiations with Spanish censorship. In these negotiations were also involved general director of information agency, Robles Piquer, representative of cenorship and from the side of author, a friend of Robles Piquer, a professor at the University of Barcelona, ​​Jose Maria Valverde, which was the jury member of ¨Biblioteca Breve¨ award. He wrote the preface for the first editions of the novel. Mario Vargas Llosa's sympathies for the Communist Party and the Cuban Revolution in the 1950s and 1960s are well known. The novel clearly shows the author's leftist positions, his criticism and cynical attitude towards the Peruvian military system and education system. To express the prejudices, racial and class inequalities, corruption and injustice in a society living under a dictatorial regime, the author does not shy away from using the vulgar language of adults and describing sexual scenes, that allow the reader to perceive and imagine the novel realistically.It was the novel's anti-militaristic tone, rude language, and sexual episodes that presented a kind of "embarrassment" to Franco´s censorship, which was much more lighted in the 1960s than in previous years. The novel did not satisfy censorship criterias, cause it included, offensive themes of religion (the episode of the priest), sexuality-related topics, inappropriate and provocative language, and thoughts against the regime (criticism of the military system) which was unacceptable to Spanish censors.As a result of negotiations conducted by Carlos Barral, censorship allowed the author to publish his first novel, in Franco´s Spain, led by the rightists. In this article, we will discuss the negotiation process for publishing a novel. Despite the novel's anti-militaristic attitude, under the Spanish censorship it was published whith a minimal changes, unlike from the Soviet Union, where, as Vargas Llosa noted, the novel was "amputated." In the article we will discuss also why Spanish censorship allowed the publication of a novel and with minor modifications that was considered as an allegory of anti-Francoism.


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