Who Eats What, When and Where: A Qualitative Analysis of Gastronomic Behavior in Metropolitan New Orleans

1973 ◽  
Vol 6 (02) ◽  
pp. 192-203
Author(s):  
James H. Chubbuck ◽  
Edward F. Renwick

Huey Long once described himself assui generis. In the galaxy of American cities: New Orleans fits the same description. There is no other place like it — from the mania and madness of Bourbon Street on Mardi Gras, to the unbelievably hot, humid afternoons of late summer dozing on a bene in Jackson Square or watching the sails move in and out of the Lake Ponchartrain haze.New Orleans is a city for the senses. The sight of a worn-out streetcar still clanking along under the oak trees of St. Charles Avenue. The smell of beer and whiskey and urine being washed down in the French Quarter by the 5 a.m. street cleaner. The moaning sound of a clarinet as it reaches out for “Just a Closer Walk With Thee.” And the taste of some of the best restaurant cooking in the country.New Orleans also is a citypar excellenceof politics and politicians. Its political intrigues and range of personalities challenge the imagination. Louisiana has been described as the “westernmost of Arab States,” with New Orleans as its capitol. The zest and intensity with which the game of politics is played even overwhelms the natives from time to time.

Walking Raddy ◽  
2018 ◽  
pp. 223-232
Author(s):  
Daniele Gair

This chapter offers an up close and personal view of the Baby Doll tradition, through the eyes of a native New Orleanian joining the Baby Dolls and costuming as a Baby Doll for the first time. Taking place on Mardi Gras Day 2015, this account follows an intrepid masker and two friendsas they wind their way from the Marigny to the famous Mother-in-Law Lounge, though the Tremé and to the French Quarter. Mardi Gras is already an exciting and sometimes challenging experience, even for a veteran. Yet the idea of partying with the Baby Dolls, at first intimidating, proves to be both welcoming and exhilarating, and offers invaluable insight into this unique New Orleans tradition, and into New Orleans culture itself.


2009 ◽  
Vol 41 (3) ◽  
pp. 362-364
Author(s):  
Jonathan Friedlander

From a float decorated as their ibis-headed Egyptian namesake, tarboosh-topped members of the Krewe of Thoth toss trinkets to happy throngs along St. Charles Avenue in New Orleans. The occasion is Mardi Gras—not a day but a season in this legendary American city. Along with Thoth parade the krewes (social clubs) of Babylon, Isis, and Cleopatra, among others, the last group winding through Algiers, the second-oldest neighborhood in New Orleans, on the west bank of the Mississippi across from the French Quarter.


Author(s):  
Peter A. Williams

This essay explores the open-ended and complex performance of an underground Mardi Gras parade in Kansas City, MO, in 2012. The sounds, movement, and route of the parade are shaped by a network of globally circulating images of Mardi Gras in New Orleans, the history of race and space in Kansas City, and the intercultural exchange involved in white performances of black cultural practices as they move from the “circum-Caribbean” city of New Orleans to the U.S. heartland of Kansas City. The parade is a partially improvised performance of a historical narrative linking Kansas City’s mostly white bohemian arts culture in the present to the city’s past as a major jazz city and center for African American culture. This narrative is told by bodily movement through urban space and through improvised sound and dance, and demonstrates the complex social relations that are highlighted when a cultural form is subject to cross-cultural communication, borrowing, and appropriation.


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