Tip-Wetting Film Analysis Using Laser-Induced Fluorescence for Multihole Gasoline Direct Injectors under Flash Boiling Conditions

2021 ◽  
Author(s):  
Bowei Yao ◽  
Juncheng Lv ◽  
Di Xiao ◽  
Xuesong Li ◽  
Sun Jin
Keyword(s):  
Laser Induced Fluorescence ◽  
Film Analysis ◽  
Flash Boiling ◽  
Wetting Film

scholarly journals Investigation of Fuel Injector Tip Wetting Using Laser-induced Fluorescence under Flash Boiling Conditions

2021 ◽  
Vol 1 (1) ◽  
Author(s):  
Shuyi Qiu ◽  
Di Xiao ◽  
Zhikai Zhao ◽  
Tianyun Li ◽  
Jianye Su ◽  
...  
Keyword(s):  
Laser Induced Fluorescence ◽  
Fuel Injector ◽  
Flash Boiling

Formative Influences

2018 ◽  
Author(s):  
Hilary Radner ◽  
Alistair Fox
Keyword(s):  
Michel Foucault ◽  
Roland Barthes ◽  
Film Analysis ◽  
The 1960S ◽  
Christian Metz ◽  
The Way

In this section of the interview, Bellour describes how he began to engage in film analysis in the 1960s, beginning with a sequence from Alfred Hitchcock’s The Birds, with the aim of establishing the way it worked as a “text.” He proceeds to describe his personal encounters with major figures like Roland Barthes, Claude Lévi-Strauss, Michel Foucault, and his friendship with Christian Metz, suggesting how his interchanges with them helped to shape his own thinking, and how it diverged from theirs.

Film Analysis: Image and Movement

2018 ◽  
Author(s):  
Hilary Radner ◽  
Alistair Fox
Keyword(s):  
Scientific Practice ◽  
Film Analysis ◽  
Hollywood Film ◽  
Poetic Expression ◽  
French Tradition ◽  
Classical Hollywood

This chapter assesses Raymond Bellour’s contribution to the area of research known as “film analysis,” arguing that it is best understood as an “art” rather than a scientific practice. Grounded in the French tradition of “explication du texte” as a means of approaching literature, Bellour was among the first film scholars to bring a French literary sensibility to the analysis of Classical Hollywood film, which enabled him to recognize the rhetorical refinements of the cinematic medium and its potential for poetic expression. The chapter explores the significant concepts that define Bellour’s approach: segmentation; “the unattainable text” (also referred to as “the undiscoverable text” or “le texte introuvable”); le blocage symbolique (also referred to as “the symbolic blockage”);“the textual volume”; Hitchcock and psychoanalysis; and enunciation.

"Le Silence est d'or": A Student Film Analysis

1948 ◽  
Vol 3 (3) ◽  
pp. 301-310
Author(s):  
L'Institut des Hautes Etudes Cinematographiques ◽  
Robert Pirosh
Keyword(s):  
Film Analysis
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