‘Who’s Afraid of Secularisation?’ A Response to David Lewin

2017 ◽  
Vol 65 (4) ◽  
pp. 463-468 ◽  
Author(s):  
Robert Jackson
Keyword(s):  
David Lewin

Musical Form and Transformation: 4 Analytic Essays David Lewin

1994 ◽  
Vol 16 (2) ◽  
pp. 276-285
Author(s):  
Philip Lambert
Keyword(s):  
Musical Form ◽  
David Lewin

Generalized Musical Intervals and Transformations David Lewin

1989 ◽  
Vol 11 (2) ◽  
pp. 226-231 ◽  
Author(s):  
John Clough
Keyword(s):  
David Lewin

Telos and Temporality: Phenomenology and the Experience of Time in Lewin's Study of Perception

2012 ◽  
Vol 65 (1) ◽  
pp. 179-214 ◽  
Author(s):  
Maryam A. Moshaver
Keyword(s):  
Present Article ◽  
Music Theory ◽  
Heuristic Model ◽  
Internal Time ◽  
Time Consciousness ◽  
Experience Of Time ◽  
Perception Model ◽  
To Come ◽  
David Lewin

Abstract In his 1986 essay on the intersections between music theory, phenomenology, and perception, David Lewin develops a heuristic model through which to come to terms with the constitution of multiple and heterogeneous perceptions of musical events. One of his principal vehicles for demonstrating this phenomenological turn is the well-known analysis of Schubert's “Morgengruß.” The present article considers the ramifications of Lewin's methodology, particularly with respect to the experience of time that emerges from Lewin's mobilization of the heuristic perception model, by approaching it from the perspective of Husserl's Phenomenology of Internal Time Consciousness. This perspective reveals a superposition of temporalities as well as a superposition of languages as the underlying factors through which Lewin's analysis is produced.

Bertram David Lewin

1966 ◽  
Vol 35 (4) ◽  
pp. 483-487
Author(s):  
Phyllis Greenacre
Keyword(s):  
David Lewin
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