Repetition, the compulsion to repeat, and the death drive: an examination of Freud’s doctrines

2019 ◽  
Vol 100 (2) ◽  
pp. 418-422
Author(s):  
Alfred Margulies
Derrida Today ◽  
2012 ◽  
Vol 5 (1) ◽  
pp. 69-91 ◽  
Author(s):  
Robert Trumbull

This essay explores Derrida's work on repetition in psychoanalysis and what Freud, in Beyond the Pleasure Principle, called the ‘compulsion to repeat’. Revising the model of the psyche that had to that point dominated his theory, Freud began in 1920 to ascribe greater significance to experiences of trauma and unpleasure, and to their recurrence in the analytic treatment. This type of repeated repetition ultimately suggested to Freud the existence of a ‘death drive’ antithetical to life. I examine here how Derrida re-reads Beyond in The Post Card, analysing the way uncontrollable effects of repetition repeatedly undo Freud's efforts to make any progress on what lies beyond the pleasure principle. Another ‘logic’ of repetition, other than the one Freud invokes, inhabits Freud's text, threatening the fundamental opposition between the life drives and the death drive. But in reading Freud in this way, Derrida himself cannot quite ‘do justice to’ Freud, to the ambivalence at work in Freud's text. At certain key moments in his reading of Beyond the Pleasure Principle, I show, Derrida seems to restrict an ambiguity in Freud's thinking around the relation between life and death. What Derrida's reading makes legible in part, then, is Derrida's resistance to psychoanalysis, the tension inhabiting Derrida's dealings with Freud in The Post Card and beyond.


2019 ◽  
Vol 41 (1) ◽  
pp. 107-126
Author(s):  
Philippe Lynes

This essay examines certain intersections between writing and extinction through an eco-deconstructive account of the psychoanalysis of water. Jacques Derrida has often drawn attention to the interplay between the sound ‘O,’ and ‘eau,’ in Maurice Blanchot's own proper name, as well as in his novels, récits and theoretical works; both the zero-degree of organic excitation towards which the death drive aims and the question of water. Sandor Ferenczi's notion of thalassal regression suggests that the desire to return to the tranquility of the maternal womb parallels a response to a traumatic prehistoric extinction event undergone by organic life once forced to abandon its aquatic existence. Through Gaston Bachelard's Water and Dreams: An Essay on the Imagination of Matter, however, one can double the imaginary of water along the axes of a personal death organic life defers and delays, and an impersonal extinction it cannot. Derrida's unpublished 1977 seminar on Blanchot's 1941 novel Thomas the Obscure, however, allows us to imagine an exteriority to extinction, the possibility


2016 ◽  
Vol 18 (2) ◽  
pp. 155-182 ◽  
Author(s):  
Hannah Proctor

Alexander Luria played a prominent role in the psychoanalytic community that flourished briefly in Soviet Russia in the decade following the 1917 October Revolution. In 1925 he co-wrote an introduction to Sigmund Freud's Beyond the Pleasure Principle with Lev Vygotsky, which argued that the conservatism of the instincts that Freud described might be overcome through the kind of radical social transformation then taking place in Russia. In attempting to bypass the backward looking aspects of Freud's theory, however, Luria and Vygotsky also did away with the tension between Eros and the death drive; precisely the element of Freud's essay they praised for being ‘dialectical’. This article theoretically unpicks Luria and Vygotsky's critique of psychoanalysis. It concludes by considering their optimistic ideological argument against the death drive with Luria's contemporaneous psychological research findings, proposing that Freud's ostensibly conservative theory may not have been as antithetical to revolutionary goals as Luria and Vygotsky assumed.


Author(s):  
Stephan Atzert

This chapter explores the gradual emergence of the notion of the unconscious as it pertains to the tradition that runs from Arthur Schopenhauer via Eduard von Hartmann and Philipp Mainländer to Sabina Spielrein, C. G. Jung, and Sigmund Freud. A particular focus is put on the popularization of the term “unconscious” by von Hartmann and on the history of the death drive, which has Schopenhauer’s essay “Transcendent Speculation on the Apparent Deliberateness in the Fate of the Individual” as one of its precursors. In this essay, Schopenhauer develops speculatively the notion of a universal, intelligent, supraindividual unconscious—an unconscious with a purpose related to death. But the death drive also owes its origins to Schopenhauer’s “relative nothingness,” which Mainländer adopts into his philosophy as “absolute nothingness” resulting from the “will to death.” His philosophy emphasizes death as the goal of the world and its inhabitants. This central idea had a distinctive influence on the formation of the idea of the death drive, which features in Freud’s Beyond the Pleasure Principle.


2006 ◽  
Vol 52 (1) ◽  
pp. 252-256
Author(s):  
Andrea Fontenot
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