scholarly journals ‘Exhibits with real colour and interest’: representations of the West India Regiment at Atlantic World’s Fairs

2018 ◽  
Vol 39 (3) ◽  
pp. 558-578
Author(s):  
Melissa Bennett
Slavic Review ◽  
2010 ◽  
Vol 69 (3) ◽  
pp. 547-570
Author(s):  
Mary Neuburger

By the late nineteenth century, world's fairs had captured the imagination of Bulgarian political and intellectual elites. Bulgarians were not only enthusiastic pilgrims to the major world's fairs in the west, but by 1892 they had staged their own international trade exhibition in Plovdiv. Here, as elsewhere, the fair phenomenon was an arena for broadcasting messages of national prowess and progress, as well as a context for the performance and contestation of national identity. But for Bulgarians the fair phenomenon at home and abroad was also part of a highly contested process of negotiating its unique place between east and west, politically, economically, and culturally. The tensions and dilemmas that characterized the Plovdiv fair experience were also palpable in Bulgarian participation in fairs abroad, such as the Chicago World's Fair in 1893 and the St. Louis Fair of 1904, where both the nation and the west were yet again reimagined.


2020 ◽  
Author(s):  
William Peterson

International expositions or "world’s fairs" are the largest and most important stage on which millions routinely gather to directly experience, express, and respond to cultural difference. Rather than looking at Asian representation at the hands of colonizing powers, something already much examined, Asian Self-Representation at World’s Fairs instead focuses on expressions of an empowered Asian self-representation at world’s fairs in the West after the so-called golden age of the exhibition. New modes of representation became possible as the older "exhibitionary order" of earlier fairs gave way to a dominant "performative order," one increasingly preoccupied with generating experience and affect. Using case studies of national representation at selected fairs over the hundred-year period from 1915-2015, this book considers both the politics of representation as well as what happens within the imaginative worlds of Asian country pavilions, where the performative has become the dominant mode for imprinting directly on human bodies.


Author(s):  
William Peterson

While diminished audience numbers and the impossible scale of resources required to successfully pull off international expositions over the last fifty years suggests that their days are numbered in the West, the extraordinary draw of the 2010 Shanghai Expo (73.1 million) demonstrates that the form is far from dead. The massive resources that flowed into that expo and the 2020 Dubai Exposition would suggest that top-down economies, ones where the state functions as the seat of corporate power, can create an attractive platform for any ambitious nation to seek out a seat at the table. The future of representation at world’s fairs may thus be more about ‘nationalising the sell’ than representing nation.


2015 ◽  
Author(s):  
ROBERT H. KARGON ◽  
KAREN FISS ◽  
MORRIS LOW ◽  
ARTHUR P. MOLELLA

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