Contributions of the Usage and Affective Experience of the Residential Environment to Residential Satisfaction

2015 ◽  
Vol 31 (1) ◽  
pp. 42-60 ◽  
Author(s):  
Donggen Wang ◽  
Fenglong Wang
2019 ◽  
Vol 11 (22) ◽  
pp. 6261 ◽  
Author(s):  
Davoodi ◽  
Dağlı

In recent times, despite the importance of historic urban quarters in the sustenance of ancient cultural heritage, planned modernization of urban areas usually neglects these culturally sensitive areas. Resulting in relocations and perceived dissatisfaction of its residents, this reported negligence is partly the result of a dearth of research exploring the multi-dimensional evaluation framework for assessing the long-term environmental, economic, social, and cultural aspects of residential satisfaction in historic urban quarters. Hence, the aspirations, needs, demands, and desires of the residents of historic urban quarters are not readily known to policy makers; neither is these needs, desires and expectations are well established in the residential satisfaction literature. The essence of residential satisfaction research is not merely to report the current living situation in a given residential environment, but also to pinpoint which facets the municipal governments must enhance to improve homeownership and rental rates, amongst others. Most of the studies on residential satisfaction merely focused on the social sustainability dimension, therefore, not acknowledging the salient roles, environmental, and economic concerns play in boosting the satisfaction levels of residents of historic urban quarters. Thus, this study aims to fill this gap between theory and application of the sustainability concept in addressing practical problems of relocations and perceived dissatisfaction amid residents of urban culturally sensitive areas. It fills this gap by assessing the perceptions of residents and non-residents on the importance of the determinants of residential satisfaction in a historic urban quarter. Regarding this, a comprehensive list of 32 potential sustainability performance factors (SPF) was determined through an extensive review of related literature, based on which a questionnaire administered to 245 households residing in the historic urban quarters of the Walled City, Famagusta, North Cyprus. Also, 167 households residing outside of the quarters, to assess their perception of the criticality of the identified factors, as well as examine the agreement levels in the opinions of the two participant groups. Using principal component analysis (PCA), the 32 different factors were narrowed down to eight. The study findings show that “Cost of housing” and “Suitable Management rules” are the most critical factors with relatively high overall scoring. Findings reveal that residents’ perceptions differ significantly based on participants’ ethnicity, while there is no significant difference based on the profile of residents/social class. This study argues that clearly understanding the criticality of the factors impacting satisfaction in housing and the residential environment is crucial for planning sustainable regeneration and revitalization programs in any HUQ. The findings of this study would be useful to housing policy decision-makers, urban planners, and municipalities to understand better the residents’ needs that could aid the sustenance of historic urban quarters. The authors suggest the adoption of the framework developed by this study as an analytical, research, and assessment tool in future housing satisfaction studies in different contexts.


2019 ◽  
Vol 26 (1) ◽  
pp. 1-20
Author(s):  
Carol Mejia Laperle

The critical field of The Masque of Blackness often annotates Queen Anne and her ladies’ blackface performance with a courtier's eye-witness comment that the “lean cheeked moors” were “loathsome” and “ugly.” Yet Ben Jonson's performance text, when read beside Dudley Carleton's correspondences, resists the undue influence of the aristocrat's anecdotal disparagement. This project refuses to take Carleton's denigration as fact. Instead, it investigates the masque's representation of Niger's daughters to develop the affective experience of pleasurable mixing across racial identities and to show how the opulence, innovation, and beauty afforded by blackface are the means to underwrite arguments of political authority. Rather than a deviation from the performance's magnificent appeal, racial impersonation is constitutive of the masque's demonstration of beauty and invention of pleasure. As such, the allegory of King James I's power hinges on a fiction of idealized incorporation that is ideologically powerful precisely because it is primarily an aestheticized, affective experience. Beyond the ostensible trope of racial transformation, Jonson presents the pleasure of mixing across racial identities as the precondition for Britannia's absorption of migrant bodies. Blackness is a visual reminder of an indelible difference that can be absorbed, incorporated, indeed “salved,” by the monarch's faculties of conversion. The affective experience afforded by blackface is thus an argument for the sovereign's power of unification, underwriting what was a largely unfulfilled and controversial political agenda: the coalition of realms under the aegis of Great Britain.


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