Lucy Hutchinson and the Authorship of Two Seventeenth-Century Poems: A Computational Approach

2001 ◽  
Vol 16 (2) ◽  
pp. 259-282 ◽  
Author(s):  
JOHN BURROWS ◽  
HUGH CRAIG
Author(s):  
Peter Auger

Guillaume de Saluste Du Bartas (1544–90) is an essential figure for understanding the diversity and strength of sixteenth- and seventeenth-century English poetry. His works were read, translated, and imitated more widely than any other non-biblical literary work in early modern England and Scotland, leading Scottish and French literary culture to shape the development of English epic poetry and inspire new kinds of popular devotional verse. Thanks to James VI and I’s support, Du Bartas’ scriptural poems became emblems of international Protestantism that were cherished even more highly in England and Scotland than on the continent. His creative vision helped inexperienced devotional writers to find a voice as well as providing a model that Protestant poets (like Philip Sidney, Edmund Spenser, Anne Bradstreet, John Milton, and Lucy Hutchinson) would resist, transform, and, ultimately, reject. This long-needed book examines Du Bartas’ legacy in England and Scotland, sensitive to the different cultural situations in which his works were read, discussed, and creatively imitated. The first part shows how James VI of Scotland played a decisive role in the Huguenot poet’s reception history, culminating in Josuah Sylvester’s translation Devine Weekes and Workes (1605). The second examines seventeenth-century divine epic, religious narrative, and popular devotional verse forms that reworked Du Bartas’ poetic structures to introduce meditative and figurative components that provided new possibilities for imaginative expression.


Humanities ◽  
2019 ◽  
Vol 8 (1) ◽  
pp. 43
Author(s):  
Yousef Deikna

Lucy Hutchinson (1620–1681) and Margaret Cavendish (1623–1673), prolific writers from the seventeenth century, came of age in one of the most difficult times in British history. Blair Worden, an eminent historian, writes, “The political upheaval of the mid-seventeenth century has no parallel in English history,” and none of the previous conflicts “has been so far-reaching, or has disrupted so many lives for so long, or has so imprinted itself on the nation’s memory” (2009, p. 1). Hutchinson and her husband, John, were on the side of the parliamentarians in the Civil War while Cavendish and her husband, William, were stout royalists. Instead of showing aggressive stances against their enemies, Hutchinson and Cavendish engaged expansively in a language of empathizing with the enemy in order to lessen the extreme partisanship of that period. Focusing specifically on Hutchinson’s Memoirs of the Life of Colonel John Hutchinson, and Cavendish’s Sociable Letters, among other writings, I argue that during the political impasse which characterized the English Civil War writings, the perspectives advanced by Hutchinson and Cavendish highlight the valuation of human life regardless of political allegiance, augmenting the odds for peaceful co-existence, in which empathy is foregrounded over, and at times alongside, loss and agony as a result of the Civil War aftermath. Suzanne Keen’s groundbreaking research in Empathy and The Novel draws upon examples from the Victorian period to illustrate her understanding of empathy, but she also states that “I feel sure they also pertain to the hopes of authors in earlier periods as well” (2007, p. 142), which is a position taken wholeheartedly in this article. Using a cognitive literary approach where authorial empathic constructions are analyzed, Hutchinson’s and Cavendish’s closely read texts portray an undeniable level of commiseration with the enemy with the goal of abating violence and increasing cooperation and understanding.


2019 ◽  
Vol 35 (1-2) ◽  
pp. 105-124
Author(s):  
Koenraad Brosens ◽  
Jan Aerts ◽  
Klara Alen ◽  
Rudy Jos Beerens ◽  
Bruno Cardoso ◽  
...  

Author(s):  
S. Nakahara ◽  
D. M. Maher

Since Head first demonstrated the advantages of computer displayed theoretical intensities from defective crystals, computer display techniques have become important in image analysis. However the computational methods employed resort largely to numerical integration of the dynamical equations of electron diffraction. As a consequence, the interpretation of the results in terms of the defect displacement field and diffracting variables is difficult to follow in detail. In contrast to this type of computational approach which is based on a plane-wave expansion of the excited waves within the crystal (i.e. Darwin representation ), Wilkens assumed scattering of modified Bloch waves by an imperfect crystal. For localized defects, the wave amplitudes can be described analytically and this formulation has been used successfully to predict the black-white symmetry of images arising from small dislocation loops.


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