The Arts in Education Program: State Arts Agencies in Assistance to School Arts Programs

1988 ◽  
Vol 89 (6) ◽  
pp. 18-23
Author(s):  
Anthony L. Barresi
1989 ◽  
Vol 90 (3) ◽  
pp. 35-37
Author(s):  
Eve M. Bither ◽  
Stuart J. Kestenbaum

2021 ◽  
pp. 1321103X2110325
Author(s):  
Katrina Skewes McFerran ◽  
Alexander HD Crooke ◽  
Megan Steele ◽  
John Hattie ◽  
Gary E McPherson

Arts programs are increasingly recognized for their role in promoting student development and cohesive school communities. Yet, most Australian schools are left to navigate a landscape characterized by shifting policy goals and external providers of diverse quality and intent. Drawing on interviews with 27 stakeholders from 19 Catholic primary schools in Melbourne, Australia, we explored key approaches to arts provision in this context, and conditions that hinder and support it. Approaches varied markedly, from school-wide programs embedded across the curriculum, to one-off incursions. Conditions consistently affecting provision ranged from leadership support to a community’s view of the arts. Programs regularly relied on individuals passionate about arts to go beyond their paid roles, yet this frequently jeopardized sustainability. Overall, the approaches identified, and conditions affecting their sustainability, reveal a lack of value for school arts at policy and administration levels. This lack of value is not demonstrated in the provision of other traditional school activities like math or literacy, which begs consideration by policymakers and school administrators.


2019 ◽  
Author(s):  
Pedro Luz Pinto ◽  

Álvaro Siza Vieira (1933) began his training at the Architecture Department of the School of Fine Arts in Porto (EBAP) in 1949, one year after the 1st Congress of Portuguese Architects (1948), which became known as the congress of modern architects. There were two fine arts schools at the time in Portugal, in Porto and Lisbon (EBAP and EBAL), both with an equivalent curriculum that was coordinated by the state. Siza attended the course based on the “beaux arts” programs of 1932, concluding the curricular part of his course in 1955 and presenting his final graduation design in 1965. But by this time, Portuguese education in the arts had already switched to “modern”curricula (1952-57 Reform). The following year, having already seen some of his important works built, Siza began his career as assistant professor at the school in Porto.


Author(s):  
Ferdinand Lewis ◽  
Eleanor K. Sommer

Arts programs are increasingly becoming part of public engagement in the context of community health but have mostly been studied in urban and suburban locations. This chapter outlines a successful partnership between an arts in healthcare program and a community health coalition in rural Franklin County, Florida, an area struck by natural and human-made disasters. During a five-year period, the organizations worked in partnership to address the “fragmentation” of the community and its health services and to build community and organizational capacity for public health planning using the arts. The partnership sustained engagement with a variety of communities and institutions in Franklin County, Florida, conducted community assessments, developed public murals and mosaics, created community gardens, gathered stories, and employed Boalian theater strategies. The case study examines the partnership through the lens of a “Community Coalition Action Theory” framework, offering a narrative of a unique partnership (Butterfoss & Kegler, 2002).


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