The Creation of the Media: Political Origins of Modern Communications By Paul Starr. New York: Basic Books, 2004. 484 Pp.

2004 ◽  
Vol 21 (3) ◽  
pp. 116-118
Author(s):  
Wm. David Sloan
2019 ◽  
Vol 4 (1) ◽  
pp. 77-91 ◽  
Author(s):  
Krzysztof Wasilewski

The media play an important role in shaping the collective memory of their users. Popular movies, TV shows or commemorative newspaper texts influence the ways in which people remember and forget. Many scholars have attempted to describe this connection; however, little attention has so far been paid to alternative media. This article aims to analyse the features of the collective memory constructed by the media associated with the so-called alt-right (alternative right) movement in the United States. I argue that far-right media produce an ethnically exclusive collective memory, which consequently aims to counter the mainstream collective memory. The findings of this study come from the critical analysis of how the New York Times and Breitbart News engaged in a nationwide discussion on the Confederacys legacy that ensued in August 2017 after the decision to remove the Robert E. Lee monument in Charlottesville, VA and the mass protests that soon followed.


Author(s):  
Christo Sims

In New York City in 2009, a new kind of public school opened its doors to its inaugural class of middle schoolers. Conceived by a team of game designers and progressive educational reformers and backed by prominent philanthropic foundations, it promised to reinvent the classroom for the digital age. This book documents the life of the school from its planning stages to the graduation of its first eighth-grade class. It is the account of how this “school for digital kids,” heralded as a model of tech-driven educational reform, reverted to a more conventional type of schooling with rote learning, an emphasis on discipline, and traditional hierarchies of authority. Troubling gender and racialized class divisions also emerged. The book shows how the philanthropic possibilities of new media technologies are repeatedly idealized even though actual interventions routinely fall short of the desired outcomes. It traces the complex processes by which idealistic tech-reform perennially takes root, unsettles the worlds into which it intervenes, and eventually stabilizes in ways that remake and extend many of the social predicaments reformers hope to fix. It offers a nuanced look at the roles that powerful elites, experts, the media, and the intended beneficiaries of reform—in this case, the students and their parents—play in perpetuating the cycle. The book offers a timely examination of techno-philanthropism and the yearnings and dilemmas it seeks to address, revealing what failed interventions do manage to accomplish—and for whom.


2020 ◽  
pp. 97-110
Author(s):  
E. N. Mikhailova ◽  
V. A. Telegina

The article is devoted to the study of evaluative tools used in modern French media in order to form the media image of a representative of the political elite. The techniques used in the creation of a memorial media portrait of Jacques Chirac (1932—2019), President of France from 1995 to 2007 are considered. The research material was the most prestigious French print media of various political orientations, published in late September — early October 2019 in connection with the death of the ex-President of the French Republic. The relevance of the research topic is dictated by the close attention of modern linguistics to axiological phenomena, differently presented in different types of discursive practices. The novelty of the study is due to the appeal to the analysis of the complex of evaluation tools used in the French print media when characterizing the former leader of the state during the nation’s farewell period. The estimated potential of the title of the article and its influence on the formation of the estimated vector of the entire text of the publication are shown. A systematic analysis of the assessment expression means, reflected in the memorial media portrait of the politician, is given. The factors that influenced the peculiarities of their use in this type of media portrait are revealed.


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