Recovering from Collective Memory Loss: the Digital Mitford's feminist project

2016 ◽  
Vol 26 (5) ◽  
pp. 738-750 ◽  
Author(s):  
Elisa Beshero-Bondar ◽  
Elizabeth Raisanen
Author(s):  
Elisa Beshero-Bondar ◽  
Elizabeth Raisanen

2021 ◽  
Author(s):  
Angela Ready

Perforations is a personal, experimental film that explores the residue and layers of memory through the emotional landscape of the artist’s entrance into middle age. The project navigates the ephemeral nature of memory, loss, absence, frailty, complexity and — ultimately — renewal in life through the interconnections and legacies of three generations. The thesis examines the way in which specific absences in history (women, class and collective memory) and the recounting of family history (through home movies, reconstruction of personal memory and the cycles of life, death and the landscape) contribute to the underlying basis of the film.


2021 ◽  
Author(s):  
Angela Ready

Perforations is a personal, experimental film that explores the residue and layers of memory through the emotional landscape of the artist’s entrance into middle age. The project navigates the ephemeral nature of memory, loss, absence, frailty, complexity and — ultimately — renewal in life through the interconnections and legacies of three generations. The thesis examines the way in which specific absences in history (women, class and collective memory) and the recounting of family history (through home movies, reconstruction of personal memory and the cycles of life, death and the landscape) contribute to the underlying basis of the film.


2013 ◽  
Vol 72 (2) ◽  
pp. 71-78
Author(s):  
Sophie Richardot

The aim of this study is to understand to what extent soliciting collective memory facilitates the appropriation of knowledge. After being informed about Milgram’s experiment on obedience to authority, students were asked to mention historical or contemporary events that came to mind while thinking about submission to authority. Main results of the factorial analysis show that the students who do not believe in the reproducibility of the experimental results oppose dramatic past events to a peaceful present, whereas those who do believe in the reproducibility of the results also mention dramatic contemporary events, thus linking past and present. Moreover, the students who do not accept the results for today personify historical events, whereas those who fully accept them generalize their impact. Therefore, according to their attitude toward this objet of knowledge, the students refer to two kinds of memory: a “closed memory,” which tends to relegate Milgram’s results to ancient history; and an “open memory,” which, on the contrary, transforms past events into a concept that helps them understand the present. Soliciting collective memory may contribute to the appropriation of knowledge provided the memory activated is an “open” one, linking past to present and going beyond the singularity of the event.


2010 ◽  
Author(s):  
Chip Colwell-Chanthaphonh ◽  
Ventura Perez ◽  
Heidi Bauer-Clapp

2018 ◽  
Vol 32 (6) ◽  
pp. 680-689 ◽  
Author(s):  
Marlon O. Pflueger ◽  
Rolf-Dieter Stieglitz ◽  
Patrick Lemoine ◽  
Thomas Leyhe

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