Adele’s Postmodern Self-Identifications in Spatial Contexts in Blue is the Warmest Color

2019 ◽  
Vol 37 (6) ◽  
pp. 508-526
Author(s):  
Qian Chen
Keyword(s):  
2019 ◽  
Vol 3 (2) ◽  
Author(s):  
Bogdan Alexandrov ◽  
◽  
◽  

The phenomenon of self-portrayal resulting from accumulations and developments during the Italian Renaissance period is under discussion in this text through the optics of Postmodernity. Changes that have occurred with the progress of technique in mirror positioning – auxiliary equipment in self-portrayal – have led to a radical change in the ways of creating and perceiving ofself-portrait. Conditionally transmitted in self-portrayal, the “Casimir Effect” helps to understand the notion of self-portrayal decline. Postmodern self-portrayal represents not only the creator but paradoxically it includesthe viewer within itself too, in a more general sense, its potential audience as wellin one with the events in which it is encompassed as a phenomenon.


2004 ◽  
pp. 193-218 ◽  
Author(s):  
Stanley B. Messer ◽  
C. Seth Warren
Keyword(s):  

2003 ◽  
Vol 46 (2) ◽  
pp. 239-256 ◽  
Author(s):  
Seth Ovadia

Following Allen and Turner's suggestion “to bring data to bear on the claims of postmodern theory,” this article evaluates one aspect of Kenneth Gergen's theory of social saturation. In The Saturated Self, Gergen proposes that the postmodern self can be seen in the increase in the number and diversity of values that individuals hold to be important. This “populating of the self” also leads to an abandonment of modernist ideas about truth and absolute knowledge. Using data from a nationally representative sample of American high school seniors, I test Gergen's theory about change in the values of individuals. Between 1976 and 1996 the importance of most values in the survey has increased, with only one of the fourteen values (finding meaning in life) declining in importance. These results support Gergen's theory of social saturation and provide an example of an empirical evaluation of a postmodern theory.


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