This chapter examines George Rochberg’s Fantasies, written as a present for his wife on their thirtieth wedding anniversary. A set of four haiku-like miniatures for medium voice and piano, Fantasies makes an ideal introduction to a modernist vocal idiom for those who have yet to lose their inhibitions and plunge into new territory. A flexible mezzo would perhaps be best suited to the diverse range of styles packed into such a small frame. Clear projection is essential, in view of the economy of the vocal writing, and a certain forthright strength, as well as a poised lightness. There are just a few moments of Sprechstimme, whispered as well as spoken, and a couple of long, arching melismas, which require considerable breath control. In contrast, speech rhythms are also deftly employed. It is the pianist, however, who has the lion's share in shaping the narrative and illustrating the texts, in a most satisfying part, full of wit and humour, and incorporating some challenging figurations.
