Hope for the Future: Cultural Studies in the Enclave

2005 ◽  
Vol 8 (4) ◽  
pp. 393-404
Author(s):  
Jennifer Daryl Slack
Keyword(s):  
2021 ◽  
pp. 136754942110045
Author(s):  
Jonathan Gross

COVID-19 has loosened neoliberalism’s hegemonic grip on the future. Amid the enormous suffering experienced internationally, there is much discussion of how to ‘Build Back Better’, and hope for a more caring, just and sustainable world. But competing futures are being imagined and planned. Hope is never politically neutral, and the content of collective hope is a key site of political struggle. This is partly a question of space: who has the literal and discursive space in which to develop visions of the future? The following article considers the role that cultural studies can play in this struggle. ‘Conjunctural analysis’ has a key task, making visible the competing futures contained within the present. But cultural studies should go further: combining conjunctural analysis with methods drawn from a range of scholarly and activist traditions – including critical pedagogy, devised theatre and the interdisciplinary field of futures studies – that deliberately create spaces for imagining new futures.


2018 ◽  
Vol 24 (1) ◽  
Author(s):  
Graeme Turner

It was a great pleasure and an honour to be asked to contribute to the Meaghan Morris Festival at the University of Sydney in 2016, to acknowledge and celebrate Meaghan Morris’s foundational contribution to cultural studies in Australia, and internationally. What follows is, more or less, what I said at the time.For many years now, Meaghan has been my most valued colleague in cultural studies; she has been the firmest of friends, and a doughty comrade-in-arms for a critical, politically engaged and explicitly located cultural studies. I have to admit, though, that our relationship didn’t begin all that well. I first met Meaghan Morris when we were both speaking at the now legendary Cultural Studies Now and In The Future conference that Larry Grossberg hosted at the University of Illinois, Champaign-Urbana, in 1990. Meaghan was already an international star by then, and her presence at this event is evident to anyone who reads the book which came from that conference.


2020 ◽  
Vol 23 (4) ◽  
pp. 451-457 ◽  
Author(s):  
Devon Powers

Cultural studies is a future-oriented discipline, but it at best maintains tangential connections to futurism, a field of study devoted to the systematic study of the future. Why? This essay endeavors to answer that question. It explores how cultural studies has conceptualized ‘the future’ and identifies some of the limits of those conceptions. The article then speculates on what futurism and cultural studies might gain from more robust and purposeful integration.


2011 ◽  
Vol 138 (1) ◽  
pp. 128-136
Author(s):  
Olivia Khoo

This article interrogates what might be considered specifically ‘Chinese’ about Chinese media studies. Examining Chinese media studies from the complementary perspectives of Inter-Asian cultural studies and diasporic interventions into Chinese media, the article seeks to define (and to extend) the current limits of the field as it has emerged in both teaching and research. In doing so, it considers what has hitherto constituted the ‘legitimate’ object of Chinese media studies and asks what might be encompassed by this field in the future as it continues to grow.


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