Disgrace was in many ways synonymous with the court and the lives and careers of ministers and courtiers. Yet it should not be seen as separate from the French population as a whole. This chapter uses examples of individual or corporate disgrace to explore how the wider public interacted with high politics, looking at the role of, amongst others, caricature, ballads, jokes, placards, and engravings as well as riots and popular rituals as expressions of opinion on the affairs of the day. Despite its pretensions to absolute authority, the crown was sensitive to public opinion and it too was anxious to present its version of events in what was a much livelier and vibrant political culture than the theoreticians of absolute monarchy might lead us to believe.