Lillian Serece Williams. Strangers in the Land of Paradise: The Creation of an African American Community, Buffalo, New York, 1900–1940. (Blacks in the Diaspora.) Bloomington: Indiana University Press. 1999. Pp. xvii, 273. $49.95

2001 ◽  
Keyword(s):  
New York ◽  
African American ◽  
African American Community ◽  
Indiana University ◽  
The Creation

Learning Freedom: Education, Elevation, and New York's African-American Community, 1827–1829

2016 ◽  
Vol 56 (4) ◽  
pp. 618-645
Author(s):  
Michael Hines
Keyword(s):  
United States ◽  
New York ◽  
New York City ◽  
African American ◽  
York City ◽  
The United States ◽  
African American Community ◽  
The Enlightenment ◽  
American Citizenship ◽  
The Individual

Even though the black community of antebellum New York City lived in a society that marginalized them socially and economically, they were intent on pursuing the basic privileges of American citizenship. One tactic African Americans employed to this end was the tenacious pursuit of education, which leaders believed would act both as an aid in economic advancement and as a counterargument against the widely assumed social inferiority of their race. The weekly newspaper, Freedom's Journal, the first African American owned and operated newspaper in the United States, was an avid supporter of this strategy of social elevation through education. From 1827 to 1829, the paper's editors, John Russwurm and Samuel Cornish, used their platform to advertise for a range of schools, editorialize on the importance of learning, and draw connections between the enlightenment of the individual and the progress of the race.

The Harlem Renaissance

2018 ◽  
Author(s):  
Catrina Hill ◽  
Sophie Meridien ◽  
Keith Holt ◽  
Daniel Boyle ◽  
Paul Ardoin
Keyword(s):  
New York ◽  
Twentieth Century ◽  
African American ◽  
African Americans ◽  
Harlem Renaissance ◽  
African American Community ◽  
The World ◽  
Philosophical Questions ◽  
Breaking Work ◽  
The Harlem Renaissance

The Harlem Renaissance was a flourishing of artistic, intellectual, musical, and literary accomplishments by African Americans between the World Wars. The movement took its name from Harlem, a neighborhood on the northern section of Manhattan Island. Harlem became the de facto center of the African American community in New York City, and many of the most important figures of the Renaissance called it home. During the Renaissance, intellectuals published ground-breaking work that explored philosophical questions and political possibilities for African Americans that would be explored throughout the twentieth century.

Duke’s Day and First Features 1929–1940

2020 ◽  
pp. 1-38
Author(s):  
Kevin Whitehead
Keyword(s):  
New York ◽  
African American ◽  
The Other ◽  
African American Community ◽  
Feature Films ◽  
Swing Era ◽  
Duke Ellington ◽  
Bessie Smith ◽  
Musical Styles ◽  
Carnegie Hall

A survey and analysis of films taking jazz as a topic, from early talkies through the birth and development of the swing era. Such films include two innovative 1929 shorts by director Dudley Murphy, one featuring Bessie Smith and the other featuring Duke Ellington. Smith and Ellington play fictionalized versions of themselves. Paul Whiteman and Artie Shaw play their not-quite selves in feature films. Controversy over jazz in the African American community is explored in Broken Strings. Musicians “swing the classics” there and in another film. The 1937 feature Champagne Waltz includes an early instance of a stock jazz-film ending—a big New York concert that reconciles people and/or musical styles in conflict. That ending is tweaked by placing it at Carnegie Hall in 1938’s Alexander’s Ragtime Band. Other films are also discussed.

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