Mexico in World Expositions and Fairs

Author(s):  
Susan Douglas

Mexico’s involvement in world’s fairs and other international expositions is examined. From 1867 to 1929, governments promoted nationalism and industrialization through world’s fairs in Europe and international expositions in America. Mexico, which had recently achieved independence from Spain, became involved in these fairs to bolster its economy and image, competing with other nations to sell local goods and offer investment opportunities to foreigners. Since 1850, Mexicans have encouraged commerce and industry while enthusiastically marketing their country as a tourist “wonderland.” Accounts of Mexico’s participation in world’s fairs draw attention to the imperialism embedded in such events, suggesting that they were deeply problematic. Defined as cultural palaces and trade shows, fairs have chronicled changing ideas about nationalism, modernity, and, more recently, branding. In the wake of the Mexican Revolution, Mexicans have recognized their strategic importance, although a persistent theme in the literature is that these are inherently tiresome and expensive undertakings and a significant drain on economic and political life.

2020 ◽  
Author(s):  
William Peterson

International expositions or "world’s fairs" are the largest and most important stage on which millions routinely gather to directly experience, express, and respond to cultural difference. Rather than looking at Asian representation at the hands of colonizing powers, something already much examined, Asian Self-Representation at World’s Fairs instead focuses on expressions of an empowered Asian self-representation at world’s fairs in the West after the so-called golden age of the exhibition. New modes of representation became possible as the older "exhibitionary order" of earlier fairs gave way to a dominant "performative order," one increasingly preoccupied with generating experience and affect. Using case studies of national representation at selected fairs over the hundred-year period from 1915-2015, this book considers both the politics of representation as well as what happens within the imaginative worlds of Asian country pavilions, where the performative has become the dominant mode for imprinting directly on human bodies.


Author(s):  
William Peterson

While diminished audience numbers and the impossible scale of resources required to successfully pull off international expositions over the last fifty years suggests that their days are numbered in the West, the extraordinary draw of the 2010 Shanghai Expo (73.1 million) demonstrates that the form is far from dead. The massive resources that flowed into that expo and the 2020 Dubai Exposition would suggest that top-down economies, ones where the state functions as the seat of corporate power, can create an attractive platform for any ambitious nation to seek out a seat at the table. The future of representation at world’s fairs may thus be more about ‘nationalising the sell’ than representing nation.


2015 ◽  
Author(s):  
ROBERT H. KARGON ◽  
KAREN FISS ◽  
MORRIS LOW ◽  
ARTHUR P. MOLELLA

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