Victorian Masculinities: Manhood and Masculine Poetics in Early Victorian Literature and Art; Muscular Christianity: Embodying the Victorian Age

1995 ◽  
Vol 44 (180) ◽  
pp. 272-277 ◽  
Author(s):  
A. M. Roberts
2015 ◽  
Vol 2 (1) ◽  
Author(s):  
Dorothy Irene Hermary

England’s Victorian Age was pregnant with the seeds of social change, inter-sown with the nutrients of personal and national introspection. Within this upheaval, Charlotte Brontë’s Jane Eyre and Charles Dicken’s Hard Times expose concerns about the position and value of Victorian females. This stereotypical portrayal of their characters can be transplanted to the current, twenty-first century struggle with gender equality. Exploration of our past can light our present as well as illuminate our gendered/non-gendered future.


1996 ◽  
Vol 91 (3) ◽  
pp. 704
Author(s):  
Robert Fraser ◽  
Donald E. Hall

2019 ◽  
Vol 10 (1) ◽  
pp. 1
Author(s):  
Baker M. Bani-khair ◽  
Abdullah Badarneh ◽  
Majed Al-Qura'n ◽  
Fatimah Sarahneh

This article traces the idea of manliness, masculinity and sexuality, and its connection with children’s literature in the Victorian age. As such, it sheds light on the stereotypes that accompanied the prevalent conceptions about masculinity and manliness in the Victorian age. Additionally, it explains how sexuality was considered to be an issue that had strict ideals, stereotypes, rules, and restrictions because it was governed by the social, religious and structural pedagogy of the society. According to the Victorian ideals, “manliness” was regarded as a moral and religious virtue that can control sexual desires, and lessen the level of danger and threat to the moral structure of the society. Within the framework of manliness and masculinity, the article stresses the point that children’s literature was certainly the pivotal focus that reflects these stereotypes or the Victorian ideals since it was part of the educational, ethical, religious and social life, especially for children’s education and upbringing.


2015 ◽  
Vol 5 (2) ◽  
pp. 105-121
Author(s):  
Margaret D. Stetz

The New Man was a crucial topic of discussion and a continual preoccupation in late-Victorian feminist writing, precisely because he was more often a wished-for presence than an actual one. Nevertheless, creators of neo-Victorian fiction and film repeatedly project him backwards onto the screen of literary history, representing him as having in fact existed in the Victorian age as a complement to the New Woman. What is at stake in retrospectively situating the New Man – or, as I will call him, the ‘Neo-Man’ – in the nineteenth century, through historical fiction? If one impulse behind fictional returns to the Victorian period is nostalgia, then what explains this nostalgia for The Man Who Never Was? This essay will suggest that neo-Victorian works have a didactic interest in transforming present-day readers, especially men, through depictions of the Neo-Man, which broaden the audience's feminist sympathies, queer its notions of gender relations, and alter its definition of masculinity.


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