Transnational Research Collectives as “Constellations of Co-Resistance”: Counterstorytelling, Interweaving Struggles, and Decolonial Love

Settler colonialism and coloniality dominate and dismember the truths, the bodies, and the lands of the colonized. Decolonization and decoloniality involve intergenerational, embodied, and emplaced pathways of resistance, rehumanization, healing, and transformation. In this article, we uplift the healing and transformative power of transnational stories and embodied knowledges that are rooted in four research collectives: the Palestinian Resilience Research Collective (PRRC) in the West Bank; the Mapuche Equipo Colaborativo para la Investigación de la Resiliencia (MECIR) in Chile; the Community Action Team (CAT) in Boston, USA; and the Miya Community Research Collective (MCRC) in Assam, Northeast India. We, the co-authors of this article, are directly connected to these four research collectives. Across our collectives, we work to defend the right to exist, to belong, and to express our full range of humanity as racialized and colonized communities in distinct, yet connected, sites of struggle. Our transnational focus of this article is premised on a fundamental rejection of borders, even as we recognize the material and psychosocial realities of borders. In co-writing this article, we bring decolonial solidarity into life through “constellations of co-resistance,” a concept used by Indigenous scholars such as Leanne Betasamosake Simpson to describe complex connective fabrics across decolonial struggles. We share our reflections on three practices of decolonial solidarity that shine through each of our transnational research collectives as three constellations of co-resistance: counterstorytelling, interweaving struggles, and decolonial love.

Pokémon Go as palimpsest

In this paper, I employ the concept of the palimpsest of meaning (Bailey, 2007) to illustrate how Pokémon Go shapes and produces relations to place. Using ethnographic data from student players at the University of Guelph, I demonstrate how augmented reality (AR) gaming constructs a curated layer of place meaning that influences players’ knowledge of, relationships to, and movement through space. In so doing, I argue that we should not ignore the potential of AR technology to influence how we come to know place, emphasizing the impacts that biases, which are coded into this technology, might have on subaltern narratives of place and on marginalized communities, particularly in the context of Canadian settler colonialism and the erasure of Indigenous knowledge.

Spectacles of Settler Colonial Memory: Archaeological Findings from an Early Twentieth-Century “First” Settlement Pageant and Other Commemorative Terrain in New England

In 1923, rural New England mill town Dover, New Hampshire, staged a Tercentenary pageant of extraordinary proportions to celebrate its “first” settlement. This public spectacle memorialized a specific, and deeply exclusionary, narrative of English settler colonialism, shaped by social anxieties of the post-First World War United States. Recent archaeological research has found possible remnants from this spectacle on a seventeenth-century site. In disturbing this site, the Tercentenary pageant appears to have disregarded actual significant material traces from the very era it aimed to memorialize--traces that offer distinct, fuller understandings of deeply nuanced Native-settler interactions in the Piscataqua River region. Dover’s pageant is situated in a regional analysis of Native and Euro-colonial commemorative place-making of the early twentieth century, exploring how different communities pursued multivocal, monovocal, or other approaches in their performative engagements with the seventeenth century.

Settlers in Earthquake Country

This article examines how settlers in New Zealand and California responded to seismic instability throughout the late nineteenth century. By interpreting a series of moments during which the foundations of settlement were shaken by earthquakes I argue that the economic temporality of colonial boom and bust inflected contemporary understandings of natural disaster. In earthquake country, the relationships between scientists and settlers, their environmental knowledge, and the physical world existed in a dynamic equilibrium. When earthquakes struck in opportune conditions settlers were quick to resume their speculation on land, scientists were inspired by upheaval, and artists found sublimity in instability. In times of doubt earthquakes induced a latent anxiety among settlers about the prospects of the colonial project. In this context natural disasters were framed as threats to growth or harbingers of decline. Read together, responses to earthquakes offer a new way into the environmental history of settler colonialism that places a form of creative destruction at the center of the colonial project on both sides of the Pacific Rim.

Ugly Freedoms

In Ugly Freedoms Elisabeth R. Anker reckons with the complex legacy of freedom offered by liberal American democracy, outlining how the emphasis of individual liberty has always been entangled with white supremacy, settler colonialism, climate destruction, economic exploitation, and patriarchy. These “ugly freedoms” legitimate the right to exploit and subjugate others. At the same time, Anker locates an unexpected second type of ugly freedom in practices and situations often dismissed as demeaning, offensive, gross, and ineffectual but that provide sources of emancipatory potential. She analyzes both types of ugly freedom at work in a number of texts and locations, from political theory, art, and film to food, toxic dumps, and multispecies interactions. Whether examining how Kara Walker’s sugar sculpture A Subtlety, Or the Marvelous Sugar Baby reveals the importance of sugar plantations to liberal thought or how the impoverished neighborhoods in The Wire blunt neoliberalism’s violence, Anker shifts our perspective of freedom by contesting its idealized expressions and expanding the visions for what freedom can look like, who can exercise it, and how to build a world free from domination.

Memory, Imagination, and Resistance in Canada’s Prison for Women

A group of women who were incarcerated at Canada’s first federal Prison for Women (P4W) have been fighting to create a memorial garden since the prison closed in 2000. In 2017, the prison was sold to a private developer who plans to convert the historic building and grounds into condos, retail, and office space. What does it mean to remember the dead, and to fight for the living, at a time when neoliberal common sense demands the efficient conversion of a place of suffering and death into a “heritage building” on “prime real estate”? How might a collective practice of radical imagination help to resist the commodification of memory into a tourist attraction or an aesthetic improvement of private property? And what is the relation between memory, healing, and accountability in a place where state violence, gender domination, and settler colonialism intersect?