A Comparison of the Islamic and Christian Approaches to Hebrew Scripture

1963 ◽  
Vol XXXI (2) ◽  
pp. 283-293
Author(s):  
ISMA'IL RAGI AL FARUQI
Keyword(s):  
1997 ◽  
Vol 1 (1) ◽  
pp. 163-166
Author(s):  
Rosemary Radford Ruether

AbstractIn Earth's Insights, Baird Callicott argues that Hebrew scripture, because of its more communal and this-worldly standpoint, is more amenable to environmental ethics than the New Testament. I enumerate other insights from this tradition, portraying a three-way relation in which nature has its own autonomy, as well as reciprocal interrelation with the human and with God.


2020 ◽  
Vol 91 (1) ◽  
pp. 50-65
Author(s):  
Adam W. Jones

Divine anthropomorphisms are prevalent in the Old Testament. Authors of Old Testament works seemingly had no reservations with using human qualities to describe God. During the Second Temple period Greek philosophy began to influence the interpretation of texts that describe God using anthropomorphisms. This shift in understanding God is evidenced in translation tendencies in the Septuagint and in Philo’s reading of Hebrew Scripture. The elements of proto-Gnosticism found in Philo’s writings are at times closely related to his interpretation of anthropomorphism. Since Philo’s understanding of such figures of speech has been the historic majority view, it is important to evaluate his method of interpretation to determine whether this understanding of divine anthropomorphism is rooted in Scripture or his philosophical tradition.


2011 ◽  
Vol 5 (3) ◽  
pp. 276-295
Author(s):  
Emanuel Tov

Abstract Our investigation begins with an analysis of the abstract and tangible aspects of Scriptural authority after the first century ce, thus laying the foundation for a discussion of this topic in earlier times. It is much more difficult to define authority at that early stage than in later periods, because Scripture was still in the making. We avoid an analysis of canonization, focusing on ancient scrolls, but realize that scrolls were only copied after a book had obtained an authoritative status. Among the textual witnesses of Scripture, we assume textual plurality, which is particularly noticeable at Qumran, across the board, while the proto-rabbinic movement adhered only to the proto-MT texts, and the Samaritans only to their own Torah. We describe different kinds of Scripture scrolls, assuming that Scripture-like scrolls such as liturgical, excerpted and partial scrolls had no authoritative status, while all other scrolls did. These scrolls were authoritative throughout ancient Israel in spite of the differences between them, although it is unclear which source other than tradition granted that authority. We provide some tentative criteria for assuming an authoritative status.


2018 ◽  
Vol 72 (4) ◽  
pp. 408-417
Author(s):  
Jennie Grillo

The tale of Susanna in the Greek versions of the book of Daniel has its roots in allegorical readings of Hebrew Scripture, and the church has read the story of Susanna both as an allegory of the church and of Christ. The allegorical treatment of Susanna as the church is the most acceptable to modern criticism, since it preserves the narrative coherence of the book; but the more fragmentary, piecemeal allegory of Susanna as Christ was compelling in antiquity, especially in visual interpretations. This essay explores how allegorical readings of Susanna as a Christ figure capture an essential part of the reader’s visual, non-sequential experience of the text and provides a satisfying and meaningful image for Christians.


2006 ◽  
Vol 86 (1) ◽  
pp. 135-162 ◽  
Author(s):  
Lynda Coon

AbstractThe Egyptian desert summoned for its early medieval progeny memories of a past age of superhuman askêsis that posed a challenge to Carolingian attempts at Benedictine hegemony. In response, the architects of ninth-century monastic reform labored to present their votaries with a carefully controlled memory of the Egyptian past, and they did so through a propagandistic aesthetic of literary, visual, and ritual "bricolage." Jaś Elsner defines this aesthetic of bricolage as an artistic form based on symbolic ownership of the past through the display of ancient spolia on contemporary monuments (e.g., the sculptured reliefs collected from past, imperial regimes and exhibited as spolia on the Arch of Constantine) or the layering of present-day texts with past literary forms (e.g., Christian typological exegesis of Hebrew Scripture). Similarly, for the Carolingians, who also ventured into the artistic realm of bricolage, collecting, embodying, and displaying were methods of exerting control over the past.


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