Portuguese Supreme Court sets new boundaries for compensation for copyright infringement

2008 ◽  
Vol 3 (11) ◽  
pp. 687-688
Author(s):  
A. Ramalho
2010 ◽  
Vol 11 (2) ◽  
Author(s):  
Martin Arthur Kuppers

AbstractFor the sake of argument, not that this is something that you would necessarily do, picture yourself living in the USA, finally getting hold that elusive song you have been wanting for so long - via an unlicensed file sharing service. Your initial feeling of euphoria would rather quickly give way to that of concern since you are now liable for at least 750 USD in ‘regular’ statutory damages for copyright infringement - were the plaintiff copyright holder to elect to recover this statutory minimum amount from you. It would most likely cross your mind that that level of recovery alone by the plaintiff is not entirely compensatory.This article will thus seek to examine problems associated with statutory damages in US copyright law for copyright infringement by file sharing, in particular their punitive character. In order to facilitate a close and comprehensive examination of the issues involved, relevant provisions in US copyright law will be briefly highlighted. This will provide the context for an analysis and application of US Supreme Court jurisprudence relating to punitive damages, which will summarily be followed by a call to action and recommendations in this regard.


2019 ◽  
pp. 305-329
Author(s):  
Andrew Murray

This chapter analyses cases of copyright infringement in the online environment. It begins by analysing some early cases regarding file-sharing technologies, including A&M Records, Inc. v Napster, Inc., MGM Studios, Inc. v Grokster, Ltd, and Sweden v Neij et al. (the Pirate Bay case). It assesses new techniques for fighting illegal file-sharing, such as blocking access to websites offering file-sharing technology or indexes with a focus on the operation of s. 97A website blocking orders. It examines the recent Supreme Court decision in Cartier International v British Sky Broadcasting which will have substantial implications for costs in these orders. Finally, it describes the slightly controversial process known as speculative invoicing.


Author(s):  
Jeffrey L. Harrison

Without copyright law, authors would be unable to internalize the benefits of their writings. Copyright law reacts to this by providing authors with a period of exclusivity. The relevant legislation has a contract-like character; authors receive a period of exclusivity, and the public benefits by virtue of original writings that eventually pass into the public domain. Ideally each contract between the public and an author would be individually negotiated. Because U.S. copyright law is strictly utilitarian, authors would be “paid” the lowest amount possible to bring their works into existence. For example, popular authors may be able to internalize sufficient returns in just a few years. In other cases, a longer period of exclusivity is necessary. Huge transaction costs prohibit individual transactions and, at this writing, most works are protected for the life of the author plus 70 years. As an economic matter, the actual implementation of copyright law is hard to rationalize. Works with even a modicum of creativity are copyrightable. This can result in a disincentive to be creative and invites expensive legal disputes about works that are socially irrelevant. In addition, works receive levels of protection that are independent of their value to the public. In some instances Congress with the approval of the Supreme Court has extended the copyright term for works already in existence. Retroactive extension of the copyright term cannot have an impact on works in existence. Oddly, copyright law views authors as profit maximizers but also limits the value of their works by allowing heirs to terminate assignments after a set period of time. Finally, the remedy for copyright infringement is the damages suffered by the author plus all profits made by the infringer that can be traced to the infringement. It is not clear that this remedy is consistent with the goals of copyright law.


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