The Third Asiatic Invasion: Empire and Migration in Filipino America, 1898-1946. By Rick Baldoz (New York: New York University Press, 2011. viii plus 301 pp.)

2012 ◽  
Vol 46 (4) ◽  
pp. 1085-1087
Author(s):  
C. C. Choy
AJS Review ◽  
2005 ◽  
Vol 29 (2) ◽  
pp. 396-397
Author(s):  
Bernard Reich

Jerusalem is an ancient venue that has been not only a symbol of peace and a focus of religious belief but also a city of dispute. For centuries, indeed millennia, it has been a magnet for conflict between diverse groups with divergent religious interests and others with competing political and/or national claims. It is sacred to Judaism, Christianity, and Islam and claimed as a national capitol by both Israelis and Palestinian Arabs. Since the mid-1950s it has been a central issue of the Arab–Israeli conflict that emerged to be even more problematic after the Six Day War of 1967, in which Israel gained full control over the entire city that had been divided between it and the Hashemite Kingdom of Jordan in the first Arab–Israeli war of 1948–1949. In recent years it has became the ultimate issue among the final settlement stumbling blocks for an Israeli–Palestinian peace. It has served as a pretext for Osama bin Laden and as a concern for Muslim regimes as diverse as Iran and Saudi Arabia because of Jewish control over Muslim holy places, in this instance the third holiest site in Islam, after Mecca and Medina.


1970 ◽  
Vol 90 ◽  
pp. 195-196 ◽  
Author(s):  
Onofrio Carruba

Through the kindness of Professor K. T. Erim of New York University I have the opportunity to offer the following note on a fragment of a Lydian inscription found recently during his excavations at Aphrodisias in Caria. The description and details of the archaeological context I owe to Professor Erim and to Miss Joyce Reynolds.The fragment (inv. no. 68.357) came to light in July 1968, re-used in one of the ruined modern houses on the northern slope of the so-called acropolis when they were being demolished in preparation for the full-scale excavation of the Theatre there. It is of medium- to coarse-grained marble, greyish in colour, probably from the Aphrodisias quarries themselves, and measures 0·11 × 0·75 × 0·165 m.; no original edges survive, but it is likely that the original left edge was very close to the surviving left edge.What remains of the inscribed surface is approximately trapezoidal in shape and carries traces of three lines of text; in the first only the lower tips of the letters survive and these cannot be securely interpreted, but in the second five complete letters (ave. 0·025 m. high) can be read, although they have suffered from slight surface chipping, and in the third the upper two-thirds of five letters survives and these also can be read perfectly well. The inscription was firmly and deftly, if lightly, cut, with trenches c. 0·001 deep, very slightly triangular in profile and showing some tendency to broaden a little on the base line. Judging from the position of the last letters in Il. 2, 3, it seems probable that each line ended with a completed word.


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