Introduction

Author(s):  
Kristin C. Bloomer

This chapter begins with the caste conflicts leading up to the possession and healing of a Dalit woman in rural Sivagangai District. It offers a general background for readers on the various forms of non-Brahmanical Hindu deity and spirit possession practices prevalent in Tamil Nadu, a brief history of Christianity in India; and the evolution of Mary through history and doctrine. It presents the problematic categories of “universal” versus “local” religious practices. It argues that Marian possession both challenges and colludes with three sorts of hegemony: Brahmanical Hinduism, orthodox Roman Catholicism, and patriarchy. However, such practices allow women to cultivate a form of agency that helps them not only to survive economic, caste, and gender oppression but also to lead themselves and others out of suffering and toward embodied wholeness—“this-worldly redemption.”

Author(s):  
David Mosse

This chapter concerns Roman Catholicism in rural Tamil society as the product of shifting socio-political and institutional conditions. It argues that narratives of ‘Christian modernity’ — deepened and made more sophisticated with recent ventures in this field (Robbins 2004, Keane 2007) — have drawn attention away from settings where Christianity was introduced in ways that facilitated its localization within existing social and representational structures; where rather than disrupting existing socio-political arrangements it provided another means for their reproduction. At the same time, it shows how an over-commitment to the idea of cultural continuity fails to detect the ways in which, over time, participation in the realm of ‘Christian religion’ opened space for types of thought and action beyond traditional roles, and altered modes of signification within indigenous systems that were/are socially transformative. The tension between continuity and rupture in the history of Christianity in south India, and the co-existence of apparently antithetical moral traditions and social spaces— the ‘complex of opposites’—is bound up with five hundred years of fraught and shifting understandings of the categories of ‘religion’ and ‘culture’ themselves.


2004 ◽  
Vol 55 (1) ◽  
pp. 102-117
Author(s):  
JANE SHAW

Outrageous women, outrageous god. Women in the first two generations of Christianity. By Ross Saunders. Pp. x+182. Alexandria, NSW: E. J. Dwyer, 1996. $10 (paper). 0 85574 278 XMontanism. Gender, authority and the new prophecy. By Christine Trevett. Pp. xiv+299. Cambridge: Cambridge University Press, 1996. £37.50. 0 521 41182 3God's Englishwomen. Seventeenth-century radical sectarian writing and feminist criticism. By Hilary Hinds. Pp. vii+264. Manchester–New York: Manchester University Press, 1996. £35 (cloth), £14.99 (paper). 0 7190 4886 9; 0 7190 4887 7Women and religion in medieval and Renaissance Italy. Edited by Daniel Bornstein and Roberto Rusconi, translated by Margery J. Schneider. (Women in Culture and Society.) Pp. x+334 incl. 11 figs. Chicago–London: The University of Chicago Press, 1996. (first publ. as Mistiche e devote nell'Italia tardomedievale, Liguori Editore, 1992). £39.95 ($50) (cloth), £13.50 ($16.95) (paper). 0 226 06637 1; 0 226 06639 8The virgin and the bride. Idealized womanhood in late antiquity. By Kate Cooper. Pp. xii+180. Cambridge, Mass.–London: Harvard University Press, 1996. £24.95. 0 674 93949 2St Augustine on marriage and sexuality. Edited by Elizabeth A. Clark. (Selections from the Fathers of the Church, 1.) Pp. xi+112. Washington, DC: The Catholic University of America Press, 1996. £23.95 (cloth), £11.50 (paper). 0 8132 0866 1; 0 8132 0867 XGender, sex and subordination in England, 1500–1800. By Anthony Fletcher. Pp. xxii+442+40 plates. New Haven–London: Yale University Press, 1995. £25. 0 300 06531 0Empress and handmaid. On nature and gender in the cult of the Virgin Mary. By Sarah Jane Boss. Pp. x+253+9 plates. London–New York: Cassell, 2000. £45 (cloth), £19.99 (paper). 0 304 33926 1; 0 304 70781 3‘You have stept out of your place’. A history of women and religion in America. By Susan Hill Lindley. Pp. xi+500. Louisville, KY: Westminster/John Knox Press, 1996. $35. 0 664 22081 9The position of women within Christianity might well be described as paradoxical. The range of practices in the early Church with regard to women, leadership and ministry indicates that this was the case from the beginning, and the legacy of conflicting biblical texts about the role of women – Galatians. iii. 28 versus 1 Corinthians xi. 3 and Ephesians v. 22–3 for example – has, perhaps, made that paradoxical position inevitable ever since. It might be argued, then, that the history of Christianity illustrates the working out of that paradox, as women have sought to rediscover or remain true to what they have seen as a strand of radically egalitarian origins for Christianity which has been subsumed by the dominant patriarchal structure and ideology of the Church. The tension of this paradox has been played out when women have struggled to act upon that thread of egalitarianism and yet remain within Churches that have been (and, it could be argued, remain) ‘patriarchally’ structured.


Performing the Ramayana Tradition: Enactments, Interpretations, and Arguments, edited by Ramayana scholar Paula Richman and Rustom Bharucha, scholar of Theater and Performance Studies, examines diverse retellings of the Ramayana narrative as interpreted and embodied through a spectrum of performances. Unlike previous publications, this book is neither a monograph on a single performance tradition nor a general overview of Indian theater. Instead, it provides context-specific analyses of selected case studies that explore contemporary enactments of performance traditions and the narratives from which they draw: Kutiyattam, Nangyarkuttu, and Kathakali from Kerala; Kattaikkuttu and a “mythological” drama from Tamil Nadu; Talamaddale from Karnataka; avant-garde performances from Puducherry and New Delhi; a modern dance-drama from West Bengal; the monastic tradition of Sattriya from Assam; anti-caste plays from North India; and the Ramnagar Ramlila. Apart from the editors’ two introductions, which orient readers to the history of Ramayana narratives by Tulsidas, Valmiki, Kamban, Sankaradeva, and others, as well as the performance vocabulary of their enactments, the volume includes many voices, including those of directors, performers, scholars, connoisseurs, and the scholar-abbot of a monastery. It also contains two full scripts of plays, photographs of productions, interviews, conversations, and a glossary of Indian terms. Each essay in the volume, written by an expert in the field, is linked to several others, clustered around shared themes: the politics of caste and gender, the representation of the anti-hero, contemporary reinterpretations of traditional narratives, and the presence of Ramayana discourse in everyday life.


Author(s):  
Savio Abreu

This chapter is a historical account of the emergence of the Pentecostal–Charismatic movements in the state of Goa. It is carried out in the revealing light of the historical encounter of the Goan people with Portuguese colonial rule, which established and expanded Roman Catholicism in the region. It commences with the entry of the Portuguese into Goa and the subsequent Christianization of the region. Next, there is a brief narration of the history of Christianity in post-liberation Goa, in which the entry of Charismatic Christianity into Goa in its proper sociopolitical and historical context is located. This is followed by a historical exploration of the origins and growth of the world wide Pentecostal movement and the chapter at the end again focuses on the local oral history of the Pentecostal–Charismatic groups in Goa.


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