Introduction

2020 ◽  
pp. 1-9
Author(s):  
Baird Tipson

This introduction explains the governing argument of the book and how each chapter contributes to that argument. It begins with the rationale for a sacramental understanding of conversion and the practical importance of obtaining forgiveness of sins through the sacrament of penance. It then describes Luther’s grappling with the tension between an instrumental understanding of baptism and one that requires some kind of faith from the recipient. This tension will harden after his death into a great divide between Lutheran and Reformed. The Reformed insistence on an inward baptism by the Holy Spirit will eventually result in evangelicalism.

2011 ◽  
Vol 5 (1) ◽  
pp. 18-34 ◽  
Author(s):  
Rick Dolphijn

Starting with Antonin Artaud's radio play To Have Done With The Judgement Of God, this article analyses the ways in which Artaud's idea of the body without organs links up with various of his writings on the body and bodily theatre and with Deleuze and Guattari's later development of his ideas. Using Klossowski (or Klossowski's Nietzsche) to explain how the dominance of dialogue equals the dominance of God, I go on to examine how the Son (the facialised body), the Father (Language) and the Holy Spirit (Subjectification), need to be warded off in order to revitalize the body, reuniting it with ‘the earth’ it has been separated from. Artaud's writings on Balinese dancing and the Tarahumaran people pave the way for the new body to appear. Reconstructing the body through bodily practices, through religion and above all through art, as Deleuze and Guattari suggest, we are introduced not only to new ways of thinking theatre and performance art, but to life itself.


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