Institutional Elaboration
Accounts of Altman’s career trajectory tend to efface dynamic intra- and intermedial relationships in favor of presuming the constraint and emergence of norm-breaking expressivity. Industrial filmmaking is paradoxically said to have groomed Altman to be an observational documentarian while also somehow training him in Hollywood’s illusionist norms. Filmed television is taken to be a forum in which Altman’s expressive agency was shackled by the producer-dominated medium’s attenuated version of Hollywood style, inadvertently fueling his later desire to reject Hollywood’s norms. Chapter 5 employs archival material and formal analysis to specify the contingencies of Altman’s industrial contexts and to demonstrate how they actually contributed to his development, steering him toward practice-oriented preferences and providing opportunities to push beyond standard approaches. The manner in which Altman’s elaborative attitude toward institutional norms extends across “Earlier Altman” to “Early Altman” challenges hierarchizing assumptions about the nature and direction of cross-media influence.