Making and Worshipping Idols
This chapter offers an account of the Rose’s ethical project based around the principle of misrecognition as it relates both to the psychology of desire and to the poem’s unreliable textuality. Its ethics, which cannot be distilled into a series of definitive sentences, are understood to depend on the hermeneutic process that the deceptive poem itself demands. The shifting uses of figures idols and idolatry in the poem are used to illustrate how the poem’s productive polysemy allow concepts to be dislodged from one field, such as theology, and repurposed for another, such as psychology or satire. Considering Pauline theology, medieval optical theory, and psychology as they inform the iconic episodes of Narcissus and Pygmalion in the Rose, this chapter shows how the poem presents the mental projections of fantasy simultaneously as dangerous traps and as fundamental tools for the negotiation of desire.