The Multiplicity of I

Author(s):  
Jonardon Ganeri

If in heteronymic simulation I am a subject other than the subject I am, there are evidently as many other I’s as there are possible acts of simulation. Pessoa, inhabiting countless lives, says that by creating in imagination a multiplicity of virtual subjects, each of which is him, he has ‘ubiquitized’ himself. So he affirms a thesis I will call ‘Subject Plurality’: I am many subjects other than the subject I am. We need, though, to distinguish two versions of this thesis, for it can be read as making either a diachronic claim or a synchronic one. Interpreters of Pessoa have been drawn to present the Pessoan self as a sort of parliament or confederation of souls. Despite Pessoa’s appeal, once, to the metaphor of a colony—and there only in connection with the phenomenal unity of consciousness rather than with reference to the multiplicity of heteronyms—the ‘confederation’ theory is not Pessoa’s. It is a Proustian, not a Pessoan, picture of multiplicity. An appreciation of this distinction is crucial to seeing why Pessoa’s multiplicity of I is not reducible to another mental illness, multiple personality disorder. The distinction between successive and simultaneous subject plurality has found a surprising application: understanding Afrofuturism’s experimentation with multiple sonic selves.

Author(s):  
Tim Bayne

It is often said that the normal unity of consciousness fragments, and perhaps even breaks down entirely, in psychiatric disorders. This chapter examines ways in which the unity-or, better, unities-of consciousness might be lost in the context of psychiatric disorders, such as multiple personality disorder, schizophrenia, and depersonalization.


Author(s):  
Priyanka Basu

The paper explores how multiple personality disorder and schizophrenia are represented in selected Hindi films (Karthik Calling Karthik. Bhool Bhulaiyaa, Aparichit, Madhoshi) and how they affect the attitudes of the common people. Psychoanalytic theory is employed to analyze the concept of mental illness as depicted in these films. The protagonist in the films is a sufferer of either multiple personality disorder, schizophrenia, or mental illness, and these psychological states are central themes. After analyzing the films, it could be stated that Bollywood has moved beyond presenting religious rituals as a cure to mental illness. Psychiatrists gained importance in Hindi films, successfully representing some of the symptoms of multiple personality disorder and schizophrenia. However, the films just mention the treatment procedures and presented them as an easy method. Hence projecting the treatment of mental disorders in Hindi films remains less serious and fictional. Filmmakers should research and investigate the real patients, their families, and doctors before making films on mental illness. 


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