Binary, Bipartite Motifs and Counter-Hegemonic Strategies in Tanure Ojaide’s The Activist

Language use is central to Tanure Ojaide’s The Activist, negotiating a better living environment for the people of the Niger Delta region of Nigeria. Most literary essays on this text, however, overlook Ojaide’s deployment of language to achieve his subversive vision. The text has been interpreted as environmentalism colored by an ideology or artistic documentation of the despoiled ecosystem, its effects on humans, the flora and fauna of the Niger Delta, and the consequential eco-activism. Another read of the text, however, reveals a binary relationship of dominance and subversion in which language is significant to both sides of the intercourse. The existence of dominance and resistance, therefore, necessitates the analysis of the text drawing from the Subaltern theory, an aspect of the Postcolonial theory to which dominance and resistance are central. This essay examines the deployment of language as a hegemonic and subversive tool in the oil politics in the Niger Delta. The binary relationship is couched in bi-partite motifs captured in epithets and contrasting images. In the binary, the multinational oil companies operating in the Niger Delta yoked with the Nigerian military government, are juxtaposed with the people and the Niger Delta as oppressors and the oppressed. Through bipartite motifs that abound in the text, Ojaide concretizes the duality in the Nigerian society vis-a-vis the oil politics in the Niger Delta. In the duality, language is reinvented and mobilized significantly by both sides as a tool for demonizing and excluding each other to enable the subjugation or subversion of the other.

The Journey to Death: Fictionalizing the Syrian Refugee Crisis in Khaled Hosseini’s Sea Prayer

This paper explores the fictional representation of the Syrian refugee crisis in Khaled Hosseini's novel Sea Prayer (2018). The novel is considered a refugee narrative, examining the question of home, displacement, and the fateful journeys of the Syrian refugees. The novel depicts the heart-wrenching experiences of the refugee community in war-torn Syrian city Homs before and after the outbreak of the civil war in the country. Evoking the tragic death of Alan Kurdi, Hosseini vividly illustrates the various dimensions of the Syrian refugee crisis, including the outbreak of the civil war in Syria and the eventual birth of refugees, their homelessness/statelessness, perilous journey to escape the persecution, xenophobic attitudes towards them, and post-war trauma. This paper draws on postcolonial refugee narratives, concept of journeys of non-arrival, memory, and trauma studies to elucidate its argument. The contention here is that the current crisis in Syria is also accounted for by analyzing the fictional refugee narratives. The unspeakable trauma is communicated through fiction, and Hosseini’s novel depicts the dangers engulfed and the hope entrusted in the refugees’ journeys.

Feminization of Agatha Christie´s Character Hercule Poirot through His Appearance, Personality, Age and Cat Symbolism

This article aims to analyze how Agatha Christie’s character Hercule Poirot is feminized through several aspects, namely his appearance and character, his age and recurring cat symbolism. All the aspects and their examples were collected from Agatha Christie’s Hercule Poirot stories employing close reading as a method. By the use of several academic papers focused mainly on the topic of gender stereotypes in connection to the presented examples from Agatha Christie’s works, the central argument is that the character of the male detective Hercule Poirot is strongly feminized. Although this theory is already widely accepted, this article focuses on its less frequently discussed aspects, namely cat symbolism and age-related feminization.

Beyond the Veil: Exploring Muslim Women’s Multidimensional Identities in Laila Aboulela’s The Translator and Mohja Kahf’s The Girl in the Tangerine Scarf

The article presents a critical analysis of two novels by contemporary Arab Muslim women writers, Leila Aboulela and Mohja Kahf. The article examines how these authors critique, resist, and disrupt the hegemonic discourse that presents Muslim women as a monolithic and homogeneous category. In The Translator and The Girl in Tangerine Scarf respectively, the female protagonists’ religious experiences and identities are studied with reference to resistance narratives and disruptive postcolonial strategies. The unsettling of the monolithic image of veiled Muslim women is hereby pursued through providing an analysis of the cultural imagery of Muslim women, to deconstruct the image of the veil in today’s world.

The Indictment of God and the American Society in Countee Cullen’s Poetry

The concept that God is as unjust as the society is so eloquently portrayed in Countee Cullen’s poems “Yet Do I Marvel’’ and “Incident”. Cullen accuses God of being unjust by making him a poet. The renowned poet does not exonerate his American society from the indictment based on racial hostilities and insensitivity that seemed to have permeated the milieu. This paper addresses the questions of the indictment, racial intolerance and the significance of Cullen’s poetry to American literature. To achieve the objective of this study, the author adopts interpretive literary study and The Reader-Response approach to analyze the selected poems. The study reveals that Cullen’s poetry like other genres lives in timeless performance, is therapeutic, is a strong vehicle for the mobilization of people, and a tool for protest. The study concludes that Countee Cullen uses his poetry to indict God and American society. From the analysis of the selected poems, it is observed that poetry lives with people, is a weapon for change in any Nation and Cullen’s poetry addresses the contemporary needs of a society. His accusation of God and American society is a concern and seems relevant. What matter most is equality, justice and love for humanity? All these ingredients must emanate from the heart and transcend color for any society to attain oneness.

Finding the Image of God: Searching the ‘Sublime’ through works of Rene Descartes and H.P Lovecraft

This study explores the “Sublime” and aims at clarifying the very ‘understood’ as well as ‘misunderstood’ figure or image of God(s) and showing how the established and vivid definitions of the Almighty can be discarded with the help of certain ‘Infinist’ concepts and the ‘De-Humanization’ of God. It also aims at presenting a new perspective towards the understanding of the ‘humanization’ that happened and shows the loop-holes in its definition i.e. given to date all around the world. This paper focuses upon searching the acceptability and validity of Rene Descartes’ Ontological Argument, through which I examine the image of God as I find the image of God being repeated and, therefore, I would also raise the understandings from the Ontological Argument which is later debated through the concept of “theodicy” by Leibniz and which is altered and given an altered definition by H.P Lovecraft in the era of modernization. There has been a repeatation in the understanding of God and it’s Image. Infinism supports my statement, as it speaks of this Literature loop which is present and misunderstood very commonly as something new. A comparative methodology has been used in order to study the various theories upon God or Sublime from different ages, in order to study the changing images of God and the reasons behind it. The article presents my unique understanding of God that is different from the romantic understanding and the concept propogated in Monotheism.

Racism, Ethnic Discrimination, and Otherness in Shakespeare’s Othello and The Merchant of Venice

This study aims to present a comparative examination of the traces of racism and discrimination in two plays of Shakespeare, Othello and The Merchant of Venice, written in 1603 and around 1598, respectively in the Elizabethan Period. The attempt in this paper is to explore the construction of racism and the evidences of discrimination as depicted in Othello and the Merchant of Venice by use of the deconstruction of marriage. For this purpose, it deconstructs the marriage by focusing on Othello in Othello, and The Prince of Morocco in The Merchant of Venice; and, depicts racism and discrimination by comparing the characterizations of Othello in Othello and Shylock in The Merchant of Venice. Both sections critique the cruel issues these people experienced as other. The notion of ‘otherness’ and its application in the characterizations of Othello and Shylock, Othello vs. Shylock, the application of deconstruction of marriage to Othello and The Prince of Morocco, and racism in Othello and The Merchant of Venice are among the major items on which this article elaborates following by a conclusion describing the role of human conscience in racial and religious discrimination.

The Illiterate African Woman as Depicted in Ama Ata Aidoo’s Anowa

Based on the theory of existentialism, this study seeks to find out Ama Ata Aidoo’s view on how illiteracy affects the African Woman in her drama, Anowa, which was published in 1970. The text depicts the illiterate woman as being powerful woman in African society. However, Ama Ata Aidoo posits that illiteracy makes the woman a pathetic individual who is not able to function effectively in this changing world. This study seeks to deepen the appreciation of Ama Ata Aidoo’s Anowa, by contributing to the understanding of Aidoo’s attitude to the illiterate Ghanaian woman (and for that matter African woman) who is seen as a powerful matriarch, but frustrated by African society as a result of lack of formal education. The available literature was explored to find what other writers have said on Aidoo’s Anowa. We used the method of qualitative content analysis in our analysis. The findings of the study show that Ama Ata Aidoo uses her writing to satirize societal weaknesses for her readers to refrain from committing such wrongs. Her illiterate women characters in Anowa are bent on maintaining their traditions and are not prepared for change. Consequently, Aidoo uses the character, Anowa, to depict change in African societies.

The Influence of Indian Philosophy on French Romanticism

France’s connection to India dates back to the seventeenth century when the French came to establish trading relations with India and neighboring countries. Even in the heydays of Enlightenment, France, the champion and cradle of Reason and Rationality in Europe, was looking for an alternative and philosophers like Rousseau, Diderot and Voltaire looked towards India as a source of inspiration. That tradition was continued by the French Romantics who were even more influenced and inspired by Indian philosophy and wanted to change the course of French literature with the help of it. This paper aims to explore literary transactions between India and France culminating in the movement called Romanticism in French literature. The paper shall trace the trajectory of how Indian philosophy and thought traveled to Europe in the form of texts and influenced the works of the French from Voltaire in the eighteenth century to Jules Bois in the twentieth. The central argument of this diachronic study, based on the theory of influence, is to prove how significant the role of India and her literary/religious texts have been in the context of the Romantic Movement in French literature in the nineteenth century.

Fictional and Non-fictional Narrative Representations of State Repression and Terror in the Dirty Wars in Argentina (1976-1983) and Chile (1973-1990)

I argue that fictional representations of the Dirty Wars in Argentina (1976-1983) and Chile (1973-1990) allow for the possibility of forgiveness and healing, while non-fictional representations such as testimonies and conversations do not. Focusing on a variety of fictional and non-fictional texts, I analyze why and how state repression inflicts trauma and violence upon its victims and survivors. The novels I analyze are no place for heroes by Laura Restrepo, El Angel’s Last Conquest by Elvira Orphée and Bedside manners by Luisa Valenzuela. The non–fictional works I analyze are Nunca Mas: A Report By Argentina’s National Commission on Disappeared People, That Inferno: Conversations of Five Women Survivors of an Argentine Torture Camp, Circle Over Death: Testimonies of the Mothers of the Plaza de Mayo and We, Chile: Personal Testimonies of the Chilean Arpilleristas. The theoretical underpinnings of my arguments are Paul Ricouer’s Memory, History, Forgetting (2004) and Avishai Margalit’s The Ethics of Memory (2002), both of which attempt to think through the relationship between forgetting and forgiving.