Hatchets and Hairbrushes

2014 ◽  
Author(s):  
Kathaleen Boche
Keyword(s):  
United States ◽  
Cold War ◽  
Social Values ◽  
Gender Issues ◽  
The United States ◽  
American Identity ◽  
Social Drama ◽  
And Gender ◽  
The Cold War ◽  
Calamity Jane

This chapter examines dance and gender issues in western musical films in the United States during the Cold War. It explains that most musical films during this period focused on iconic figures of American identity, especially the cowboy and the frontiersman. The chapter utilizes Victor Turner’s theory of social drama to illuminate the ways that musicals functioned within the context of the Cold War. It reviews some of the most popular works, includingAnnie Get Your Gun, Calamity Jane, andSeven Brides for Seven Brothers.This chapter suggests that western musical films reinforced the dominant patriarchal social values regarding gender and family and that the expression of improvisational ingenuity reinforced the gender dichotomy.

Introduction

2018 ◽  
Author(s):  
Emily Abrams Ansari
Keyword(s):  
United States ◽  
Cold War ◽  
The United States ◽  
American Identity ◽  
American Composers ◽  
The Us ◽  
Challenges And Opportunities ◽  
History Of ◽  
The Cold War ◽  
Changing Attitudes

The introduction provides an overview of the history of musical Americanism, from the 1920s to the 1970s, in tandem with an assessment of changing attitudes toward American identity in the United States. It introduces scholarly debates surrounding the Cold War politicization of serialism and tonality and describes the various opportunities for work with government exploited by American composers during the 1950s and 1960s. These opportunities included serving as advisers to the State Department, the US Information Agency, and organizations funded by the CIA, as well as touring overseas as government-funded cultural ambassadors. These contexts establish the basis for the book’s argument that the Cold War presented both challenges and opportunities for Americanist composers that would ultimately result in a rebranding of their style.

Trust, but Verify

2016 ◽  
Keyword(s):  
United States ◽  
Cold War ◽  
Soviet Union ◽  
International Relations ◽  
Arms Control ◽  
The United States ◽  
The Soviet Union ◽  
The Cold War ◽  
East West

This book uses trust—with its emotional and predictive aspects—to explore international relations in the second half of the Cold War, beginning with the late 1960s. The détente of the 1970s led to the development of some limited trust between the United States and the Soviet Union, which lessened international tensions and enabled advances in areas such as arms control. However, it also created uncertainty in other areas, especially on the part of smaller states that depended on their alliance leaders for protection. The chapters in this volume look at how the “emotional” side of the conflict affected the dynamics of various Cold War relations: between the superpowers, within the two ideological blocs, and inside individual countries on the margins of the East–West confrontation.

Ballet in the Cold War

2020 ◽  
Author(s):  
Anne Searcy
Keyword(s):  
United States ◽  
Cold War ◽  
Soviet Union ◽  
Cultural Exchange ◽  
The United States ◽  
Performing Artists ◽  
Exchange Programs ◽  
The Soviet Union ◽  
History Of ◽  
The Cold War

During the Cold War, the governments of the United States and the Soviet Union developed cultural exchange programs, in which they sent performing artists abroad in order to generate goodwill for their countries. Ballet companies were frequently called on to serve in these programs, particularly in the direct Soviet-American exchange. This book analyzes four of the early ballet exchange tours, demonstrating how this series of encounters changed both geopolitical relations and the history of dance. The ballet tours were enormously popular. Performances functioned as an important symbolic meeting point for Soviet and American officials, creating goodwill and normalizing relations between the two countries in an era when nuclear conflict was a real threat. At the same time, Soviet and American audiences did not understand ballet in the same way. As American companies toured in the Soviet Union and vice versa, audiences saw the performances through the lens of their own local aesthetics. Ballet in the Cold War introduces the concept of transliteration to understand this process, showing how much power viewers wielded in the exchange and explaining how the dynamics of the Cold War continue to shape ballet today.

scholarly journals Why Arms Control?

Daedalus ◽  
2020 ◽  
Vol 149 (2) ◽  
pp. 101-115
Author(s):  
Jon Brook Wolfsthal
Keyword(s):  
United States ◽  
Cold War ◽  
Soviet Union ◽  
Arms Control ◽  
Good Deal ◽  
The United States ◽  
Nuclear War ◽  
Nuclear Age ◽  
The Soviet Union ◽  
The Cold War

America survived the nuclear age through a complex combination of diplomatic and military decisions, and a good deal of luck. One of the tools that proved its value in both reducing the risks of nuclear use and setting rules for the ongoing nuclear competition were negotiated, legally binding, and verified arms control agreements. Such pacts between the United States and the Soviet Union arguably prevented the nuclear arms racing from getting worse and helped both sides climb off the Cold War nuclear precipice. Several important agreements remain in place between the United States and Russia, to the benefit of both states. Arms control is under threat, however, from domestic forces in the United States and from Russian actions that range from treaty violations to the broader weaponization of risk. But arms control can and should play a useful role in reducing the risk of nuclear war and forging a new agreement between Moscow and Washington on the new rules of the nuclear road.

John Leighton Stuart and U.S.-Chinese Communist Rapprochement in 1949: Was There Another “Lost Chance in China”?

1982 ◽  
Vol 89 ◽  
pp. 74-96 ◽  
Author(s):  
Yu-ming Shaw
Keyword(s):  
United States ◽  
Cold War ◽  
The United States ◽  
Mao Zedong ◽  
Working Relationship ◽  
Republic Of China ◽  
The Many ◽  
The One ◽  
June July ◽  
The Cold War

Reverend John Leighton Stuart (1876–1962) served as U.S. ambassador to China from July 1946 until August 1949. In the many discussions of his ambassadorship the one diplomatic mission that has aroused the most speculation and debate was his abortive trip to Beijing, contemplated in June–July 1949, to meet with Mao Zedong and Zhou Enlai. Some students of Sino-American relations have claimed that had this trip been made the misunderstanding and subsequent hostility between the United States and the People's Republic of China in the post-1949 period could have been avoided; therefore, the unmaking of this trip constituted another “lost chance in China” in establishing a working relationship between the two countries. But others have thought that given the realities of the Cold War in 1949 and the internal political constraints existing in each country, no substantial result could have been gained from such a trip. Therefore, the thesis of a “lost chance in China” was more an unfounded speculation than a credible affirmation.

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