Poetry and Biblical Narrative

Author(s):  
Tod Linafelt

Although virtually all other long narratives from the ancient world take the form of verse, biblical authors pioneered a prose style that, for reasons unknown, came to dominate ancient Hebrew narrative, relegating verse to nonnarrative genres. In other words, extended biblical Hebrew narrative always takes the form of prose, and biblical Hebrew poetry is nearly always nonnarrative. And yet, one finds authors and editors of the narratives dropping poems into the stories at key points, often because poetry provides literary resources unavailable in prose. By exploring both the form and function of these poetic insets, we may see the intentionality with which the ancient authors treated literary form and the crucial roles that nonnarrative poetic genres came to play in the biblical stories.

1990 ◽  
Vol 36 (2) ◽  
pp. 182-204 ◽  
Author(s):  
D. E. Aune

A satisfactory solution to the twin problems of the internal literary structure of the proclamations to the seven churches in Rev 2–3, and the external literary form to which they have the closest generic relationship continues to challenge New Testament scholarship. It is of course theoretically possible to limit a literary analysis to the texts in Rev 2–3 based on intrinsic criteria alone. In practice, however, most analyses have been dialectical attempts to understand the intrinsic literary features of the seven proclamations in the light of the clues provided by one or another comparable literary form. This kind of contextual investigation is unavoidable for Rev 2–3 in view of the many repetitive and formulaic words and phrases which, in addition to denotative or designative meanings, have a variety of connotative or associative meanings requiring exploration and assessment. Some recent candidates include the revelatory letter, prophetic speech forms, the covenant formulary or one of the types of Greek oratory.


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