“The Landscape Of Depression”: William Styron and Darkness Visible

Author(s):  
Jeffrey Berman
Keyword(s):  
Books Abroad ◽  
1968 ◽  
Vol 42 (4) ◽  
pp. 545
Author(s):  
Henri Peyre ◽  
M. J. Friedman ◽  
A. J. Nigro
Keyword(s):  

1995 ◽  
Vol 67 (4) ◽  
pp. 882
Author(s):  
Kirk Curnutt ◽  
Gavin Cologne-Brookes
Keyword(s):  

2021 ◽  
Vol 82 (3) ◽  
pp. 345-369
Author(s):  
Michael Lackey

Abstract Biofiction is literature that names its protagonist after a historical figure, and since the 1990s it has become one of the most dominant literary forms. This is surprising because many prominent scholars, critics, and writers have criticized and even condemned it. This essay hypothesizes that postmodern theories of truth and concomitant transformations in reader sensibilities partly account for the legitimization and now dominance of biofiction. The essay analyzes a 1968 literary debate among Ralph Ellison, William Styron, and Robert Penn Warren, which on the surface concerned the uses of history in literature. But because it happened just one year after the publication of Styron’s controversial novel about Nat Turner, the debate ended up focusing primarily on the nature and value of biofiction. By analyzing the discussion in relation to contemporary formulations about and theorizations of biofiction, this essay illustrates why the forum represents a turning point in literary history, resulting in the decline of a traditional type of literary symbol and the rise of a more anchored and empirical symbol—that is, the type of symbol found in biofiction.


2021 ◽  
pp. 106-125
Author(s):  
William Todd Schultz

Chapter 6 provides an examination of findings related to the frequency of loss in the lives of artists, and how artists are motivated to shape loss and inner pain into creative products. Loss has been noted in the lives of artists for decades. It comes in the form of death; it comes in other ways, too. The chapter explores questions about the loss–art connection. What is it about loss that mobilizes creativity? What’s the nature of the correlation? Does loss propel art? The author outlines the role of trauma in creativity, with artist examples including Jorge Luis Borges, William Styron, Jack Kerouac, Truman Capote, and Patricia Highsmith.


2016 ◽  
pp. 99-116
Author(s):  
James L. W. West ◽  
Albrecht Hausmann
Keyword(s):  

Prospects ◽  
1987 ◽  
Vol 12 ◽  
pp. 223-253
Author(s):  
Albert E. Stone

One of the less publicized public events of that annus mirabilis 1968 was the annual meeting in November of a venerable academic institution, the Southern Historical Association. Convened in New Orleans was a group of intellectuals knit together by, among other professional ties, a common preoccupation with the Southern past. Prominent among these was C. Vann Woodward of Yale, arguably America's most eminent historian of the South. Also present were three famous novelists: Robert Penn Warren, Ralph Ellison, and William Styron. All native-born Southerners (if Oklahoma City, Ellison's birthplace, qualifies as a Southern city), they were there as participants in a panel, chaired by Woodward, on “The Uses of History in Fiction.” The session took place on November 6, the day after the election of Richard Nixon and seven months and two days after the assassination of Martin Luther King, Jr. It was probably the liveliest, best-attended event of an otherwise staid meeting of professors. Much of the interest was generated by the topic and the distinguished panelists, but additional electricity was contributed by a cluster of young blacks in the audience. As passionately interested in the subject as were those on the platform, they were in attendance chiefly to question and challenge Styron. It was his use of history in fiction upon which much of the evening's discussion devolved.


1976 ◽  
Vol 37 (2) ◽  
pp. 189
Author(s):  
Ernest P. Williams
Keyword(s):  

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