Machine Learning based Book reading level Prediction in Bangladesh

Author(s):  
Israt Jahan ◽  
Sunzida Siddique ◽  
Sharmin Akter ◽  
Tapasy Rabeya
2009 ◽  
Vol 23 (1) ◽  
pp. 89-106 ◽  
Author(s):  
Sarah E. Petersen ◽  
Mari Ostendorf

2017 ◽  
Vol 7 (1) ◽  
Author(s):  
Sean Borle

Wood, Susan.  Esquivel! Space Age Sound Artist, illustrated by Duncan Tonatiuh. Charlesbridge, 2016.This is a picture book that tells the story of Mexican composer, band leader and pianist, Juan Garcia Esquivel.  “Esquivel!”, as he came to be known, came from a poor family and became a very popular and wealthy composer.  He was a pioneer in sound art in the 1950s and 1960s, influencing many later composers of experimental music and sound art. The text is quite ordinary, factual material about the artist, with the exception of words representing sounds. These are often in bright colours, many shapes and sizes and different typefaces.  The differing scripts sometimes make reading the sentences difficult.  Some of the words and concepts are too high level for a picture book and most children at the picture book reading stage will not understand strange, weird and edgy music, so it is likely that this book will be most useful to older children. The artwork is the most interesting part of the book.  The images are all done in black-line, with colour fill being photographs of textures or patterns.  The other unusual part of the work is that Duncan Tonatiuh has drawn people in the style of ancient Mexican art, specifically the Mixtec codex.  Because this art predates the concept of perspective, all of the images are two dimensional and do not have depth.  Also all of the faces are drawn in the style of the ancient artworks.  The faces are all in profile with ears shaped like the number 3, pointy mouths and very flat forehead to nose profiles.  These sorts of details, while interesting to adults, will be lost on small children.The music message of this book is historical, highlighting Esquivel!’s early contributions to sound art.  The work also makes the point that Esquivel! had no formal musical training, showing that music is for everyone.  Because there is little written about this Esquivel! at a children’s reading level this book should be bought for public libraries and school libraries.Highly Recommended:  3 stars out of 4Reviewer:  Sean BorleSean Borle is a University of Alberta undergraduate student who is an advocate for child health and safety. 


2012 ◽  
Vol 2 (2) ◽  
Author(s):  
Sandy Campbell

Jordan, Christopher.  My First NHL® Book Series (Hockey Shapes, Hockey Colours, Hockey 123, Hockey Opposites, Hockey Animals, Hockey ABC). Toronto: Tundra Books, 2011.  Print [Board Books]. These six volumes are board books, with thick pages that would be difficult to tear and wipe-able surfaces that will withstand sticky baby fingers.  They cover the standard content of first books for pre-readers, but using NHL® examples.  In some of the books, the NHL® examples work well.  For example in Hockey 123, there are 2 hockey nets, 5 pairs of skates, and 11 whistles. In other books the examples seem forced and awkward. For example, in Hockey Opposites, “fast” and “slow” are illustrated by a forward and a goalie, respectively.  It would be very difficult for a child at the board-book reading stage to understand what a forward and a goalie are, much less who moves at what speed.  Moreover, I think most people would recognize that while goalies do not usually move quickly around the rink, their movements are lightning-fast and a “slow” goalie wouldn’t have a job in the NHL®. With the exception of Hockey 123, these books are too complex for pre-readers.  Most of the six books contain text which is at a Grade 6 reading level or higher.  For example, in Hockey Shapes, the description which accompanies the “leaf” shape begins, “[t]here are many different species of leaves, ranging in colour, shape, and size…”.   This is one of several clues that these books are meant as much for adults who will be reading them aloud, as for children.  In Hockey ABC many of the images chosen to illustrate the alphabet will appeal more to parents than to children.  In this book, “G” is not for the obvious “goalie”, but for Gretzky, whom children today will never see play.  Too often Jordan relies on photographs of players, which are complex images, for his illustrations.  In Hockey Animals, for example, instead of using just the team symbol containing the animal shape, Jordan uses full-length player shots, where the logo on the jersey is a tiny part of the image. There is a reason that board books usually contain simple shapes, bold colours and single syllable words.  It is hard to imagine sitting with a 1-year-old child on your lap reading Hockey ABC and saying, ‘Now you try saying this, sweetie… “O is for Ovechkin”’. However, if you assume that these books are really for hockey-crazed parents, then they will probably find readers. Recommended with reservations:  2 out of 4 stars Reviewer:  Sandy Campbell Sandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give.


2020 ◽  
Vol 43 ◽  
Author(s):  
Myrthe Faber

Abstract Gilead et al. state that abstraction supports mental travel, and that mental travel critically relies on abstraction. I propose an important addition to this theoretical framework, namely that mental travel might also support abstraction. Specifically, I argue that spontaneous mental travel (mind wandering), much like data augmentation in machine learning, provides variability in mental content and context necessary for abstraction.


2020 ◽  
Author(s):  
Mohammed J. Zaki ◽  
Wagner Meira, Jr
Keyword(s):  

2020 ◽  
Author(s):  
Marc Peter Deisenroth ◽  
A. Aldo Faisal ◽  
Cheng Soon Ong
Keyword(s):  

Author(s):  
Lorenza Saitta ◽  
Attilio Giordana ◽  
Antoine Cornuejols

Author(s):  
Shai Shalev-Shwartz ◽  
Shai Ben-David
Keyword(s):  

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