The Case of Windy Lake by M. Hutchinson

Hutchinson, Michael. The Case of Windy Lake. Second Story Press, 2019. Micheal Hutchinson is a citizen of the Misipawistik Cree Nation in the Treaty 5 territory and is no stranger to the Canadian media. He’s worked as a print reporter for The Calgary Straight and Aboriginal Times and became the host of APTN national news. Somehow in his busy life, he has found time to write two amazing children’s books. The Case of the Missing Auntie is Hutchinson’s second Mighty Muskrat Mystery book. It follows the cousins Chickadee, Otter, Samuel, and Atim (the Mighty Muskrats) of the Windy Lake First Nation. It takes place after the first book, but this time the Muskrats are leaving their reserve to spend time with family in the city. By setting the book in the city, the topic of urban Indigenous people arises. Hutchinson depicts a wide range of Indigenous people: nurses, students, musicians, and bullies. He doesn’t romanticize Indigenous people, opting to focus on realism and making the characters lifelike. The book makes sure to mention potential issues with moving/travelling from a reserve to a large city such as not fitting in and racism. The story has the same style as the previous Mighty Muskrat Mystery book with clear goals for the Muskrats to obtain: visit the Exhibition Fair, get Otter a ticket to see the band Wavoka’s Wail, and look for Auntie Charlotte who was taken during the 60’s scoop. One of the best parts is how realistic the story is, not everything goes the Mighty Muskrats way. This isn’t your typical “everything is going to work out just fine” story but that makes it a solid read—they need to come up with a plan B. It opens a dialogue on residential schools, the 60’s scoop, and the Truth and Reconciliation Commission. It felt like a good introduction to those tough topics, explaining what they are without dismissing them as something that happened a long time ago or minimizing their modern impacts. Instead, the story shows the aftermath, and how it affects the younger generation without limiting characters’ identities to only be their relationship to historical trauma. As such, this book could work as a discussion starter between children and adults on these topics and could be used to promote critical discussion around themes like Indigenous identities and experiences. Highly recommended: 4 out of 4 starsReviewer: Kaia MacLeod Reviewers BiographyKaia MacLeod, a member of the James Smith Cree Nation, is an MLIS candidate at the University of Alberta. Her bachelor’s degree was in Film Studies, which she sometimes likes to call a degree in “movie watching,” she enjoys exploring how folklore is represented on film and in online content.

The Assassination of Brangwain Spurge by MT. Anderson & E. Yelchin

Anderson, M.T. and Eugene Yelchin. The Assassination of Brangwain Spurge. Candlewick Press, 2018. The Assassination of Brangwain Spurge throws the reader into a topsy-turvy wonderland with the gripping adventure of two unlikely heroes, Brangwain Spurge and Werfel the Archivist. These two historians find themselves caught in a myriad of misunderstandings as they meet at the crux of a diplomatic mission between their warring nations of elves and goblins. An elfin historian turned diplomat and spy, Spurge must confront his own deeply entrenched prejudices against goblins, while his enthusiastic and well-intentioned goblin host, Werfel, attempts to guide him through an unfamiliar culture. Through a series of entertaining mishaps and cultural misunderstandings, M.T. Anderson and Eugene Yelchin use their vivid characters and narrative style to craft an enjoyable story with underlying messages about cultural conflict and the ways in which prejudice colours our view of others. Most commendable in this book is the authors’ brilliant use of visual and text media to craft a work showing how individuals can understand the same events in wildly different ways. The mixed media drawings not only add a striking visual force to the novel, but they also serve a narrative function by showing the world through the eyes and imagination of Spurge. It becomes clear that Spurge’s understanding of his experiences conflicts with the more objective third-person account of events, illustrating how Spurge’s view of the world has been heavily skewed by his institutionalized prejudices. As Werfel quite wisely says: “Isn’t it so fascinating how in different countries, we have different views of the same events?” This book is appropriate for the intended age group of individuals aged ten to fourteen, but it can also be enjoyed by older teens and adults. With its compelling design and timely messages, this book would be an excellent addition to school and public libraries. Highly Recommended: 4 out of 4 starsReviewer: Arwen Thysse Arwen Thysse is a graduate of the University of Alberta’s Bachelor of Arts program and the University of Toronto’s Master of Medieval Studies program. She is also an avid musician, and enjoys children’s books.

Smiley: A Journey of Love by J. George

George, Joanne. Smiley: A Journey of Love. Fitzhenry & Whiteside, 2017. Smiley: A Journey of Love is the heartwarming story of a blind dog who becomes a St. John Ambulance Therapy Dog. While the story contains some complex topics that early readers might struggle with such as Alzheimer's or puppy mills, the colourful photography that accompanies the text make it an excellent book to be read with an adult. The photographs of Smiley will help very early readers to invest in Smiley’s story though the text is larger and double spaced so that moderate level readers could use this book to build their reading skills. Given the length and amount of text, this book would be longer than could be covered in one storytime but is broken down by chapters so it could be used for a week of storytimes. Librarians and educators may find this book useful for starting a discussion around blindness or different ability needs. This book frames Smiley’s blindness and dwarfism simply as things that make Smiley himself and while they might change the way he interacts with the world, this book discusses his abilities in a positive way. There is also a part that discusses Smiley’s friendship with Pearl and Pippi which could be used to teach about being respectful of friends' needs. Overall, this book contains high-level vocabulary and concepts but if read with an adult's support can be the start of some very educational discussions. Recommended: 3 out of 4 starsReviewer: Lorisia MacLeod Lorisia MacLeod is the Online Reference Centre Coordinator with The Alberta Library (TAL) and a proud member of the James Smith Cree Nation. When not working on indigenization or diversity in librarianship, Lorisia enjoys reading almost any variation of Sherlock Holmes, comics, or travelling.

In the Sky at Nighttime by L. Deal

Deal, Laura. In the Sky at Nighttime. Iqaluit, NU: Inhabit Media, 2019. This illustrated poem shows what a polar village looks like at night and what is in the night sky. In the Arctic, winter nights are long, and it is dark as people go about their daily lives, so many people are familiar with the night sky. Tamara Campeau’s illustrations, each of which fill two facing pages, are in deep blue and purple hues, with the sky prominent in them. The text is overprinted on the artwork. Campeau’s rendering of the village has accurate details. Some of the houses have heating oil tanks outside. Paths to the doors have snow heaped alongside them. Power lines, attached to wooden power poles with insulators and transformers, loop through the village. The yellow light from electric lighting shines out through the windows of the houses. At the beginning of the book Laura Deal describes observable things in the sky: stars, falling snow, northern lights, ravens. Towards the end she becomes more figurative, introducing a mother’s song and dreams swirling in the sky. The text is a six verse poem, each verse beginning with the phrase “In the sky at night time.” The structure of the poem is reminiscent of Stephen Eaton Hume’s 1992 picture book, Midnight on the Farm, which also uses six verses, each beginning with a repeating phrase, to describe a nighttime world, however the two landscapes are distinct. Because this is an illustrated poem in the form of a picture book, rather than a picture book with text, some of the words are more difficult than one would expect in books for young children. For example, the dreams are “magical and extraordinary.” As a result, this text, simple as it is, will need some explanation. In the Sky at Nighttime is highly recommended for public libraries and elementary school libraries. Highly recommended: 4 out of 4 starsReviewer: Sandy Campbell Sandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines. Sandy thinks that sharing books with children is one of the greatest gifts anyone can give.

Mr. Mergler, Beethoven, and Me by D. Gutnick

Gutnick, David. Mr. Mergler, Beethoven, and Me. Illustrated by Mathilde Cinq-Mar. Toronto: Second Story Press, 2018. In this lovely picture book, David Gutnick explores an episode in the life of Canadian music teacher, Daniel Mergler. The first person narrator of the story is a musically gifted young girl whose family has emigrated from China. Like many immigrant families, hers is struggling financially; there is no money for music lessons. By chance, the girl and her father meet Mr. Mergler during a pleasant outing in a park. The encounter leads to the child’s musical instruction and, as well, her enduring affection for Beethoven. Gutnick concludes his book with end notes: the first leaves no doubt as to the giftedness, kindness, and generosity of Daniel Mergler; the second, a brief biography of Ludwig van Beethoven, will be helpful to young readers unacquainted with classical music. Because the author claims to be only “inspired by” a true story, we must assume that at least some of the specific details of the plot are fictionalized. Still, the book is based on a CBC documentary, “Beethoven’s Bust,” which Gutnick prepared for broadcast (it was aired as a segment of the CBC radio program, “The Sunday Edition” in 2014). However fictionalized, the story seems real. Interestingly, the child narrator is never named—perhaps because she is a composite figure, perhaps because Gutnick wishes to protect the privacy of his “sources.” Nonetheless, through the delicate drawings of Mathilde Cinq-Mar, we, the readers, come to know this child: we feel her sense of bliss as she flies through the air on a swing in the park; we admire her determination and certainty as she carols “Oh Susanna…” in her “audition” for Mr. Megler; we understand her rapt delight as she begins to master the piano keyboard, producing sounds that “…make everything else disappear.” An inspired touch is Cinq-Mar’s use of musical staves to create curved and sweeping pathways into the illustrated pages. The technique results in a perfect marriage of artwork and text. In sum, Mr. Mergler, Beethoven, and Me is a well-crafted, captivating, and heart-warming book that would be very suitable for independent readers in the upper primary and elementary grades. Reviewer: Leslie AitkenHighly recommended: 4 out of 4 stars Leslie Aitken’s long career in librarianship included selection of children’s literature for school, special and academic libraries. She is a former Curriculum Librarian of the University of Alberta.

Bone Hollow by K. Ventrella

Ventrella, Kim. Bone Hollow. Scholastic Press, 2019. Gabe isn’t sure what happens after he falls off a roof during a storm trying to rescue Miss Cleo’s prize chicken. And he isn’t sure why, when he wakes up in Miss Cleo’s room, no one will speak to him and everyone is crying. But it eventually becomes unignorable: Gabe died in that storm. Well, he almost died. Kim Ventrella’s second novel Bone Hollow, aimed at middle-grade readers, follows Gabe and his loyal dog Ollie as Gabe tries to figure out what happened to him, and what he’s supposed to do now that he’s dead. After some meanderings between the woods outside his town and the town itself, Gabe meets Wynne, a mysterious girl who shows him her home, the titular Bone Hollow. At the core of the book, Bone Hollow is a misty but cozy refuge from a world Gabe doesn’t fit into anymore. Gabe is searching for a new place to fit in, and Wynne is urgently searching for someone to take her place. Bone Hollow is a novel that takes its time, dwelling on sensory details that are alternately lush (like Miss Cleo’s sweet-and-savory biscuits) and grotesque (like Ollie’s propensity to lick every bit of Gabe he can find, including inside the wound that killed him). It’s not quite an adventure story, as there is no villain to defeat or ally to rescue. It’s not really a meditation on death; that theme is pervasive, but frequently interrupted. It’s not a gross-out or horror story, as plot threads that move in those directions—e.g., a creepy mortuary owner, and a hollow man with a bird inside his mouth—are abandoned as soon as they are begun. It’s a mix of all these things, in a way that defies expectations. Bone Hollow suffers somewhat from slow pacing and an unclear plot motivation. The climactic choice that Gabe must eventually make is barely foreshadowed before the halfway mark (although it is spoiled on the book’s dust jacket). Besides this momentous decision, his other movements through the story seem more orchestrated than agential: even after the tornado blows out, Gabe is buffeted around by childhood bullies, scared adults, ghosts, and speeding cars. He reacts to these events with grit, bravery, and no small amount of stubbornness, but he is, predominantly, reacting. Readers who are looking for an atmospheric, creepy, but ultimately reassuring story about loss, change, and finding one’s purpose may appreciate Ventrella’s blend of comforting and unsettling prose. Gabe’s voice is individual, funny, and charmingly Southern—you can tell he’s upset when he starts saying “gosh darn it!”—and his friendships with both his dog and Wynne are carefully traced. Squeamish readers might not appreciate the mild gore—mostly off-screen—and others might simply be put off by the focus on death and dying among humans and animals alike. For those who relish a more morbid take, this book might be a welcome addition. Recommended: 3 out of 4 starsReviewer: Amanda Daignault Amanda Daignault is a PhD Candidate in the Department of English and Film Studies at the University of Alberta. She studies contemporary children's middle-grade fantasy novels, using methods of book history and bibliography to figure out where all those giant trilogies came from and what they're doing.

The Gnawer of Rocks by L. Flaherty

Flaherty, Louise. The Gnawer of Rocks. Illustrated by Jim Nelson. Inhabit Media, 2017. The Gnawer of Rocks, written by Louise Flaherty and illustrated by Jim Nelson, is based on the author's memories of a story she heard as a child from an Inuk storyteller, Levi Iqalugjuaq, in Nunavut in the 1970s. The book, which feels like an incredible mix of picture book and graphic novel, focuses on a traditional story about a creature called Mangittatuarjuk and two young women who fall into her clutches. Nelson's artwork follows the layout of a comic book, using word balloons and panel captions, which makes for an immersive reading experience following two girls who discover a trail of beautiful rocks outside of camp which lead them from the bright and colourful world of home into the increasingly dark and frightening world of Mangittatuarjuk. The book mixes Inuktitut terms throughout, but does include a glossary at the end. The story does get both gruesome and horrific in the cave of Mangittatuarjuk, but the story, which would be great for older school children, does include a warning in the author's note. A really great introduction to traditional northern Canadian stories, the book includes an introduction for context and acknowledges the original storyteller as well as the reasons for this type of story and its likely role in the lives of children. An excellent read for children who are already comfortable with scary stories. Highly recommended: 4 out of 4 starsReviewer: Kirk MacLeod Kirk MacLeod is the Open Data Team Lead for the Government of Alberta’s Open Government Portal. A Life-Long reader, he moderates two book clubs and is constantly on the lookout for new great books!

Give Me Back My Bones! by K. Norman

Norman, Kim. Give Me Back My Bones! Illustrated by Bob Kolar. Candlewick Press, 2019. This book is a blend of fun and education. A pirate skeleton, whose bones have been spread across the ocean floor, wants to reclaim them. He “claim[s] his clavicle” and “hanker[s] for [his] humerus.” The text is a poem filled with surprising and creative descriptions of what the individual bones do: “Who can spot my shoulder blade, / my shrugging jacket-holder blade, / my shiver-when-I’m-colder blade? / Oh, scapula, come back!” The text is printed on Bob Kolar’s simple, bright, two-dimensional illustrations. There are some fun things to find in the illustrations. For example, when the pirate is looking for his hand-bones, we see them in the sand, hidden among hand-shaped corals. A squid returns his arm-bones. In some images fish peer at him suspiciously as he slowly collects his missing parts. As an educational work, this book is excellent. The front end papers show all of the disconnected bones with their names. The back end papers show the whole skeleton together with the bones named. Because it is a jaunty poem and fun to read, children will want to re-read it and will eventually memorize it. As a by-product of fun, they will learn what metacarpals and phalanges are. This book is highly recommended for pediatricians’ offices, as well as public and school libraries. Highly Recommended: 4 out of 4 starsReviewer: Sean C. Borle Sean C. Borle is a University of Alberta student in the Faculty of Medicine and Dentistry who is an advocate for child health and safety.

How Do You Care for a Very Sick Bear? by V. Bayer

Bayer, Vanessa. How Do You Care for a Very Sick Bear? Illustrated by Rosie Butcher. New York: Macmillan Publishing, 2019. Vanessa Bayer’s How Do You Care for a Very Sick Bear? provides young readers with advice on how to deal with and help their friends who are facing a difficult illness. The book offers suggestions and advice for young children, but also reminds them that even though their friend is sick, they are still their friend. Bayer’s story provides examples of the simple gestures that friends can make when helping each other. The illustrations by Rosie Butcher are bright, colourful, and simple. Butcher illustrates common activities that friends would do together, which makes them relatable to children even though the characters are bears. The illustrations take up most of the page and provide young readers with a lot to explore. The text throughout the book is simple and easy to read. Bayer’s story tackles a difficult topic, but she presents it in a way that is easy for children to understand. Her use of bears as her main characters helps to soften the impact of a difficult topic to approach with children. However, Bayer is also honest with her portrayal of illness, which offers children a realistic view of what to expect. This book can be very useful for children who have a friend facing a difficult illness. Additionally, it can be useful to parents when explaining illnesses to their children. With that in mind, I would recommend it for elementary school and public libraries. Highly Recommended: 4 out of 4 starsReviewer: Jenn Laskosky Jenn Laskosky is a masters student at the University of Alberta in the Library and Information Studies program. She has an interest in health sciences librarianship and international librarianship. Her passion for reading has continued to grow throughout her education.

A Children’s Guide to Arctic Butterflies by M. Pelletier

Pelletier, Mia. A Children’s Guide to Arctic Butterflies. Iqaluit, NU.: Inhabit Media, 2019. This volume is part field guide and part art book. Like many field guides, it begins with general material about butterflies: distinguishing them from moths, describing their life cycle and how they survive in winter. The remainder of the book is made up of accounts for 12 different species. Each account has a genus species name, a physical description and a habitat description, and explanations of how they fly, what the caterpillar looks like, how they winter and a “fluttering fact.” Accompanying each account are two small images of the upper and lower side of the butterfly and a full-page image of the insect in its habitat. The descriptions are detailed and interesting. For example, Pelletier tells us that, “Arctic butterflies can dry out all of their body tissues and freeze solid, thawing in the spring when the Arctic warms again.” The real joy of this book, however, is Danny Christopher’s illustrations. Christopher will be familiar to Inhabit Media readers as the illustrator of the Legend of the Fog and A Children’s Guide to Arctic Birds. Each full page illustration is a larger-than-life picture of a butterfly, rendered in muted tones that are lifelike, and match the environment. Christopher has replicated the natural greens, oranges and blacks of the lichen on rock. A child seeing a butterfly in the North could easily use this book to identify it. This is an excellent contribution to Northern children’s wildlife books. Since some of the butterflies are circumpolar, this book is recommended for all Canadian school and public libraries and for those in other Arctic countries. Highly recommended: 4 out of 4 starsReviewer: Sandy Campbell Sandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines. Sandy thinks that sharing books with children is one of the greatest gifts anyone can give.