scholarly journals On the Relation between ‘Visual Research Methods’ and Contemporary Visual Culture

2014 ◽  
Vol 62 (1) ◽  
pp. 24-46 ◽  
Author(s):  
Gillian Rose
2020 ◽  
Vol 2 (1) ◽  
pp. 35-53
Author(s):  
Patricia A. L. ONG

The role of visual research methods in ethnographic research has been significant, particularly in place-making and representing visual culture and environments in ways that are not easily substituted by text. Digital media has extended into mundane, everyday existences and routines through most noticeably the modern smartphone, social media and digital artefacts that have created new forms of ethnographic enquiry. Ethnographers have engaged in this relatively new possibility of exploring how social media and new technologies transform the way we view social realities through the digital experience. The paper discusses the possible role of visual research methods in multimethod research and the theoretical underpinning of interpreting visual data. In the process of interpreting and analysing visual data, there is a need to acknowledge the possible ambiguity and polysemic quality of visual representation. It presents selectively the use of visual methods in an ethnographic exploration of early childhood settings through the use of internet-based visual data, researcher and participant-generated visual materials and media, together with visual-elicited (e.g. drawings, still images, video clips) information data through several examples. This approach in ‘visualizing’ the curriculum also unveils some aspects of the visual culture or the ‘hidden curriculum’ in the learning environment.


2013 ◽  
Vol 67 (4) ◽  
pp. 195-202 ◽  
Author(s):  
C. Schurr

Abstract. While there has been intense discussion of the theories of performativity in human geography, little has been said about the methodological implications of the performative turn. This paper suggests visual ethnography as a suitable methodology for performative geographies, since it focuses explicitly on the embodied and non-textual performances that bring both subjectivities and spatialities into being. In order to be able to connect the observed performances with performativity, a visual ethnography of performativity needs to be developed that combines visual research methods with insights about visual culture. By drawing on a visual ethnographic case study of politicians' identity performances in Ecuador, I show in the empirical section of this paper how the filmed identity performances can be linked and contrasted to hegemonic discourses around masculinity, femininity, whiteness, and indigenousness represented in Ecuador's visual culture. This visual ethnography reveals the ambivalence of their identity performances in which the politicians are constantly torn between responding to and simultaneously resisting hegemonic discourses around the masculinity and whiteness of the political.


2015 ◽  
Vol 14 (2) ◽  
pp. 243-248
Author(s):  
Dylan Yamada-Rice ◽  
Eve Stirling ◽  
Lisa Procter ◽  
Maram Almansour

MANUSYA ◽  
2017 ◽  
Vol 20 (1) ◽  
pp. 33-51
Author(s):  
Permtip Buaphet

Thai wedding magazines have been a primary resource for Thai women seeking wedding planning information. This study analyses the construction of weddings and investigates the portrayal of brides within the context of Thai wedding magazines by combining textual analysis and visual research methods. It investigates the social arrangements indicated in these magazines and the associated wedding ideology represented. Data for analysis is based on three magazines (Wedding Guru, We, and Love Wedding Magazine). There were twenty-two magazine issues and one hundred and thirty-two stories in total, covering the period from November 2014 – October 2015. These magazines are targeted at women in their 20s and older. The study reveals how Thai wedding magazines formulate the meaning of weddings and the role of Thai wedding magazines in the transmission of particular ideas about desirable weddings in Thai society, while also reinforcing notions of what constitutes the ideal life for women. Findings in terms of the content indicate that weddings and women as brides in Thai wedding magazines are constructed only in positive ways. That is to say, weddings and the act of becoming a bride are constructed as examples of an already achieved ‘ideal’ life.


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