A good life on a finite earth: The political economy of green growth. Fiorino, Daniel J.Oxford University Press, New York City, New York, 2018. 272 pp. $99.00 (cloth)

Governance ◽  
2019 ◽  
Vol 32 (3) ◽  
pp. 581-582
Author(s):  
Jonathan Boston
Author(s):  
Brian Tochterman

This chapter explores the use of fear in the written critiques of postwar redevelopment in New York City. With a special emphasis on the celebrated urban thinker Jane Jacobs, it examines how deploying the image of urban death at the hands of planners effectively slowed large scale redevelopment. However, it also considers the contingencies of that narrative for the discipline of planning itself and the political economy of urban development.


Jazz in China ◽  
2018 ◽  
pp. 187-209
Author(s):  
Eugene Marlow

This chapter focuses on jazz musicians in Shanghai. Once called the “Paris of the East,” today Shanghai represents the economic and entrepreneurial center of China; Beijing is the political heart of China. Both cities have their own vibe: Beijing—spread out like Los Angeles, is clogged by an increasing number of cars and life-threatening smog; Shanghai—compact like Manhattan, New York City, is cosmopolitan and eclectic. Both cities boast their own jazz scene. Beijing is full of expats and the jazz bands tend to be more uniformly Asian. Shanghai, on the other hand, reflects a much greater international mix of musicians.


1933 ◽  
Vol 27 (4) ◽  
pp. 611-618
Author(s):  
Roy V. Peel

The purposes of organized society in New York City, as in every metropolitan community, are made manifest through groups. By no means exclusively political, these purposes are social, cultural, and economic; they are expressed as objectives of individuals identified with each other by having common national and racial origins, common religion or residence or partisan affiliation. The articulation of these purposes is accomplished through group representatives who, in one way or another, acquire power over their fellows. Relationships between individuals composing these groups are of two kinds: vertical and horizontal. In each vertical group, there is a hierarchy of power, with the few at the top of the pyramid exercising authority over those below—authority that is never unlimited, but always dependent on the observance of established modes of behavior and the recognition of sudden shifts of opinion. The horizontal relationships between the officials on comparable levels of the various vertical groups are normally cooperative in character; but in certain cases they are combative. The theory of the party system requires, for example, the leaders of the parties to contend with each other for the support of the marginal voters. All of the individuals composing these groups are humanly frail and uncertain in their loyalties. Consequently, the equilibrium of forces just described is often disturbed by revolt within the vertical associations and by the constant re-formation of alliances among the horizontal groups.


2022 ◽  
pp. 026377582110675
Author(s):  
Christian D Siener

In this article, I analyze the emergence of New York City’s infrastructure of homeless shelters dialectically, relationally, and historically. The members of Boogie Down Productions met in an incipient New York City homeless shelter in the mid-1980s. Their relationship and music is a window into a critical political consciousness of men living in homeless shelters because the artists gave expression to an emergent structure of feeling of resistance taking hold during intense changes to New York’s political economy and its institutions. The paper first analyzes homeless policy and infrastructural change through a reading of archival sources and government reports and documents. The second section understands oral histories conducted with men living in a New York City homeless shelter as blues geographies—insurgent, critical explanations of these institutional spaces. Shelter residents actively challenge the material conditions, relations, and values that produce homeless shelters as essential instruments of the carceral state. I argue that they activate this resistance to the naturalization of shelters, and themselves as homeless, by narrating carceral spaces as abolitionist spaces.


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