?DE CAERIMONIAE? TECHNOLOGICAL CHOICES IN COPPER-SMELTING FURNACE DESIGN AT EARLY BRONZE AGE CHRYSOKAMINO, CRETE

Archaeometry ◽  
2007 ◽  
Vol 49 (3) ◽  
pp. 543-557 ◽  
Author(s):  
T. O. PRYCE ◽  
Y. BASSIAKOS ◽  
M. CATAPOTIS ◽  
R. C. DOONAN
2021 ◽  
Vol 14 (1) ◽  
Author(s):  
Mark Pearce ◽  
Stephen Merkel ◽  
Andreas Hauptmann ◽  
Franco Nicolis

Abstract This paper presents observations and analyses on seven slag pieces from two third-millennium cal BC (Late Copper Age/Early Bronze Age) rock shelters in the Trentino, north-eastern Italy: La Vela di Valbusa and the Riparo di Monte Terlago. We review previous work on contemporary slags from the region and show that the smelting did not follow the well-known ‘Timna’, ‘Eibner’ or so-called ‘Chalcolithic’ copper smelting processes. We show that ethnographic accounts of copper smelting in the Himalayas (Sikkim and Nepal) illuminate the smelting process, in particular the lack of preliminary roasting or ore beneficiation by washing, the use of slags as fluxes for the first smelt (matte smelting) and the use of wooden (?) implements to lift the hot slags from the furnace during the smelt. The rock inclusions in the slag are consistent with an ore origin from mines at Calceranica or Vetriolo, as previously reported in the literature.


Archaeometry ◽  
2012 ◽  
Vol 55 (5) ◽  
pp. 923-945 ◽  
Author(s):  
M. KRISMER ◽  
U. TÖCHTERLE ◽  
G. GOLDENBERG ◽  
P. TROPPER ◽  
F. VAVTAR

Author(s):  
Michael Lindblom ◽  
Gullög Nordquist ◽  
Hans Mommsen

Two Early Helladic II terracotta rollers from the Third Terrace at Asine are presented. The objects, used to impress relief decoration on pithoi and hearths, are unique in that no other examples are known from the Early Bronze Age Aegean. Their origin is discussed based on chemical characterization and their depositional contexts are reviewed from an archaeological perspective. Although there are no known impressions from these rollers on pithoi and hearths at Asine, it is shown that their owners surrounded themselves with different objects featuring similar glyptic impressions. Two such impressions find identical parallels at Tiryns and the combined evidence strongly suggest that Asine was the home for one or several potters who produced Early Helladic impressed hearths and pithoi.


Author(s):  
Sarah P. Morris

This article assembles examples of an unusual vessel found in domestic contexts of the Early Bronze Age around the Aegean and in the Eastern Mediterranean. Identified as a “barrel vessel” by the excavators of Troy, Lesbos (Thermi), Lemnos (Poliochni), and various sites in the Chalkidike, the shape finds its best parallels in containers identified as churns in the Chalcolithic Levant, and related vessels from the Eneolithic Balkans. Levantine parallels also exist in miniature form, as in the Aegean at Troy, Thermi, and Poliochni, and appear as part of votive figures in the Near East. My interpretation of their use and development will consider how they compare to similar shapes in the archaeological record, especially in Aegean prehistory, and what possible transregional relationships they may express along with their specific function as household processing vessels for dairy products during the third millennium BC.


Author(s):  
Erika Weiberg

The point of departure for this paper is the publication of two Early Helladic sealing fragments from the coastal settlement of Asine on the north-east Peloponnese in Greece. After an initial description and discussion they are set in the context of sealing custom established on the Greek mainland around 2500 BCE. In the first part of the paper focus is on the apparent qualitative differences between the available seals and the contemporary seal impressions, as well as between different sealing assemblages on northeastern Peloponnese. This geographical emphasis is carried into the second part of the paper which is a review and contextualisation of the representational art of the Aegean Early Bronze Age in general, and northeastern Peloponnese in particular. Seal motifs and figurines are the main media for Early Helladic representational art preserved until today, yet in many ways very dissimilar. These opposites are explored in order to begin to build a better understanding of Peloponnesian representational art, the choices of motifs, and their roles in the lives of the Early Helladic people.


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