Influence of Tonal Modulation in a Melodic Line on the Spectral Parameters of Human EEG

2018 ◽  
Vol 44 (3) ◽  
pp. 272-279
Author(s):  
G. S. Radchenko ◽  
K. N. Gromov ◽  
S. B. Parin ◽  
M. N. Korsakova-Kreyn ◽  
A. T. Bondar ◽  
...  
2016 ◽  
Vol 108 ◽  
pp. 88
Author(s):  
Kirill N. Gromov ◽  
Grigorii S. Radchenko ◽  
Sergey B. Parin ◽  
Marina N. Korsakova-Kreyn ◽  
Alexander I. Fedotchev

1997 ◽  
Author(s):  
Don M. Tucker ◽  
Ramesh Srinivasan ◽  
Michael Murias
Keyword(s):  

2020 ◽  
pp. 81-85
Author(s):  
E. P. Popova ◽  
O. T. Bogova ◽  
S. N. Puzin ◽  
D. A. Sychyov ◽  
V. P. Fisenko

Spectral analysis of heart rate variability gives an idea of the role of the autonomic nervous system in the regulation of chronotropic heart function. This method can be used to evaluate the effectiveness of drug therapy. Drug therapy should be carried out taking into account the individual clinical form of atrial fibrillation. Information about the vegetative status of the patient will undoubtedly increase the effectiveness of treatment. In this study, spectral parameters were studied in patients with newly diagnosed atrial fibrillation. The effect of antiarrhythmic drug class III amiodarone on the spectral parameters of heart rate variability was studied.


2018 ◽  
Vol 77 (3) ◽  
pp. 187-198
Author(s):  
V. N. Oleynikov ◽  
S. V. Doroshenko ◽  
V. D. Pshenichny
Keyword(s):  

2021 ◽  
Vol 103 (2) ◽  
Author(s):  
Oleg E. Karpov ◽  
Vadim V. Grubov ◽  
Vladimir A. Maksimenko ◽  
Nikita Utaschev ◽  
Viachaslav E. Semerikov ◽  
...  

2019 ◽  
Vol 2 ◽  
pp. 205920431984735
Author(s):  
Roger T. Dean ◽  
Andrew J. Milne ◽  
Freya Bailes

Spectral pitch similarity (SPS) is a measure of the similarity between spectra of any pair of sounds. It has proved powerful in predicting perceived stability and fit of notes and chords in various tonal and microtonal instrumental contexts, that is, with discrete tones whose spectra are harmonic or close to harmonic. Here we assess the possible contribution of SPS to listeners’ continuous perceptions of change in music with fewer discrete events and with noisy or profoundly inharmonic sounds, such as electroacoustic music. Previous studies have shown that time series of perception of change in a range of music can be reasonably represented by time series models, whose predictors comprise autoregression together with series representing acoustic intensity and, usually, the timbral parameter spectral flatness. Here, we study possible roles for SPS in such models of continuous perceptions of change in a range of both instrumental (note-based) and sound-based music (generally containing more noise and fewer discrete events). In the first analysis, perceived change in three pieces of electroacoustic and one of piano music is modeled, to assess the possible contribution of (de-noised) SPS in cooperation with acoustic intensity and spectral flatness series. In the second analysis, a broad range of nine pieces is studied in relation to the wider range of distinctive spectral predictors useful in previous perceptual work, together with intensity and SPS. The second analysis uses cross-sectional (mixed-effects) time series analysis to take advantage of all the individual response series in the dataset, and to assess the possible generality of a predictive role for SPS. SPS proves to be a useful feature, making a predictive contribution distinct from other spectral parameters. Because SPS is a psychoacoustic “bottom up” feature, it may have wide applicability across both the familiar and the unfamiliar in the music to which we are exposed.


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